In The Mikado to Matilda: British Musicals on the New York Stage, Thomas Hischak provides an overview of British musicals that made their way to Broadway, covering their entire history up to the present day. This is the first book to look at the British musical theatre with reference to those London musicals that were also produced in New York City. The book covers 110 British musicals, ranging from 1750 to the present day, including the popular Gilbert and Sullivan comic operettas during the Victorian era, the Andrew Lloyd Webber mega-musicals of the late twentieth century, and today's biggest hits such as Matilda. Each London musical is discussed first as a success in England and then how it fared in America. The plots, songs, songwriters, performers, and producers for both the West End and the Broadway (or Off Broadway) production are identified and described. The discussion is sometimes critical, evaluating the musicals and why they were or were not a success in New York.

For more than fifty years, William Elliot Griffis (1843–1928) chronicled a rapidly changing Meiji Japan and its people. He was unequaled in the length of his writing career and the breadth of his work, which illuminated the entire sweep of Meiji history and reached a multiplicity of American audiences. A teacher in the provincial city of Fukui and later in Tokyo, he reported in magazine essays on the last days of feudalism in Japan and its aspirations to become a modern nation. After returning to the United States, he continued to write. In dozens of books and hundreds of articles, he covered topics including the samurai class, daily life, racial theory, empire, and war. Extending his reach even further, he was a tireless public speaker and delivered thousands of lectures on Japan. He described his self-appointed task as “interpreting Japan to America, with voice and pen.” This anthology brings together the best of his writing, offering a dynamic perspective on Meiji Japan through the eyes of a colorful and engaging writer.

1938. Hitler's expansionist policies are arousing both anger and admiration, not least in Helsinki's Wednesday Club. The members of this relaxed gentleman's club are old friends of lawyer Claes Thune. But this year it is apparent that the political unrest in Europe is having an effect on the cohesion of the group. Thune has recently divorced and is at something of a loss, running his law practice with no great enthusiasm. Luckily he has the assistance of an efficient new secretary, Matilda Wiik. But behind her polished exterior Mrs Wiik is tormented by memories of the Finnish Civil War, when she experienced horrors she has been trying to forget ever since. And one evening, with the Wednesday Club gathered in Thune's office, she hears a voice she hoped she would never hear again. She is suddenly plunged back into the past. But this time she is no longer a helpless victim . . .

Thornton Wilder is one of America’s greatest writers, and the only author to win Pulitzer Prizes in both fiction and drama. Equally well known for his plays and novels, his unique and diverse body of work also includes essays, journals, lectures, and film and television scripts. In The Thornton Wilder Encyclopedia, Thomas S. Hischak exhaustively covers Wilder’s life and extensive career. Entries not only contain every one of his novels, plays, and scripts, but also his letters, journals, and all other existing works by Wilder, published or unpublished. In addition, this valuable reference features entries on the individuals who worked with Wilder and friends and family members who were a great influence on him. With a biography of Wilder to introduce the work and a chronology and selected bibliography to augment the entries, The Thornton Wilder Encyclopedia is the most comprehensive reference available on one of America’s greatest playwrights and finest novelists.

A lively guide to fifty popular musicals from the comedy classics of the 1930s and 1940s to the frequently produced darlings of modern theater. Broadway musicals are set in a variety of different places and periods of history, so they are filled with references, expressions, names, objects, and slang that might not be familiar to modern audiences. Thomas Hischak guides us through these oddities of classic musicals in Broadway Decoded.

This in-depth and original study examines 100 productions and analyses why George Abbott's name became synonymous with the 'golden age' of Broadway. What did Abbott contribute? How did he work? How did he innovate the industry? How did he survive so long? All of these inquiries, and more, lead to the most fundamental question of all: what exactly was the famous “Abbott touch”? For sixty years, George Abbott was a vital force in the American theatre. As an actor, playwright, director, librettist, play doctor, and producer, he laid his "touch" on approximately 100 New York productions, from The Pajama Game and Damn Yankees through to Once Upon a Mattress and A Funny Thing Happened on the Way to the Forum. Spanning this incredible figure's work chronologically, each chapter of The Abbott Touch examines a period of creativity in his life, culminating in how he became the famous multi-hyphenate artist he is now celebrated as. Beginning with his early career in 1913 through to his work on the 1994 revival of Damn Yankees, this book analyses his key contributions to his primary works, all of which have relied on his genius. The first study of its kind, The Abbott Touch provides key insights into the working life of one of the 20th Century's most prolific theatre practitioners, as well as a vital history for theatre scholars and fans alike.