A TELEGRAPH BOOK OF THE YEAR A NEW STATESMAN BOOK OF THE YEAR A story at once extremely strange and entirely familiar – about families, innocence, art and love. This hugely enjoyable, totally unforgettable memoir is a classic in the making.

**One of the Telegraph's 50 best books of the year!**Longlisted for the Jewish Quarterly Wingate Prize** The boundaries of family life are upended in this memoir, which turns on the author’s lifelong relationship with his enthralling yet deeply possessive aunt, a powerhouse Hollywood screenwriter whose turbulent nature slowly reveals itself. All his life Michael Frank has been fawned over by his aunt, who was a Hollywood screenwriter in the 1970s. She loves him more than life itself. At first, when he is a young boy, this is a very good thing. He takes refuge in her adoration and attention. But soon things turn bad and her hold on the entire family begins to spiral out of control in increasingly unpredictable and volatile ways.

The classic apocalyptic novel that stunned the world.

Anne Frank’s diary is a gift to the world because of Miep Gies. One of the protectors of the Frank family, Miep recovered the diary after the family was discovered by Nazis, and then returned it to Otto Frank after World War II. Displaced from her own home as a child during World War I, Miep had great empathy for Anne, and she found ways—like talking about Hollywood gossip and fashion trends—to engage her. The story of their relationship—and the impending danger to the family in hiding—unfolds in this unique perspective of Anne Frank’s widely known story. "A historically accurate but relatively gentle introduction to the Holocaust for elementary-age readers."—Miriam Aronin, Booklist "Author and illustrator do not deny Miep Gies’s extraordinary heroism but frame it as a natural response to the events of her life and the depth of her emotional involvement in her Jewish compatriots’ tragedy."—Emily Schneider, Jewish Book Council "A solid, additional title that can serve as an introduction to Holocaust literature."—Kathleen Isaacs, School Library Journal

New York Times bestselling author Dorothea Benton Frank takes readers on a rollicking ride in this Lowcountry tale about a woman whose unconventional friends and family show her the real meaning of unconditional love. Anna Lutz Abbot considers herself independent and happy—until one steamy summer when her collegiate daughter comes home a very different person, her wild and wonderful ex-husband shows up on her doorstep, and her flamboyant new best friend takes up with Anna’s father. And the already hot temperatures are cranked up another ten degrees by Anna’s own fling with Arthur, who is, heaven help her, a Yankee. Now Anna must face the fact that she isn’t as in control of her life as she’d thought. And she must find a way to deal with the whole truth—not just the comfortable parts.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

WINNER OF THE 2018 JG-WINGATE PRIZE A psychologically acute memoir about an unusual Hollywood family by Michael Frank, who "brings Proustian acuity and razor-sharp prose to family dramas as primal, and eccentrically insular, as they come" (The Atlantic) “My feeling for Mike is something out of the ordi - nary,” Michael Frank overhears his aunt telling his mother when he is a boy of eight. “It’s stronger than I am. I cannot explain it . . . I love him beyond life itself.” With this indelible bit of eavesdropping, we fall into the spellbinding world of The Mighty Franks. The family is uncommonly close: Michael’s childless Auntie Hankie and Uncle Irving, glamorous Hollywood screenwriters, are doubly related— Hankie is his father’s sister, and Irving is his mother’s brother. The two families live near each other in Laurel Canyon. In this strangely intertwined world, even the author’s grandmothers—who dislike each other—share a nearby apartment. Strangest of all is the way Auntie Hankie, with her extravagant personality, comes to bend the wider family to her will. Talented, mercurial, and lavish with her love, she divides Michael from his parents and his two younger brothers as she takes charge of his education, guiding him to the right books to read (Proust, not Zola), the right painters to admire (Matisse, not Pollock), the right architectural styles to embrace (period, not modern—or mo-derne, as she pronounces the word, with palpable disdain). She trains his mind and his eye—until that eye begins to see on its own. When this “son” Hankie longs for grows up and begins to turn away from her, her moods darken, and a series of shattering scenes compel Michael to reconstruct both himself and his family narrative as he tries to reconcile the woman he once adored with the troubled figure he discovers her to be. In its portrayal of this fascinating, singularly polarizing figure, the boy in her thrall, and the man that boy becomes, The Mighty Franks will speak to any reader who has ever struggled to find an independent voice amid the turbulence of family life.