“A remarkable and gifted debut novel” (Colson Whitehead) about two outsiders—a lonely scientist in the Arctic and an astronaut trying to return to Earth—as they grapple with love, regret, and survival in a world transformed. THE INSPIRATION FOR THE NETFLIX ORIGINAL FILM THE MIDNIGHT SKY, DIRECTED BY AND STARRING GEORGE CLOONEY Augustine, a brilliant, aging astronomer, is consumed by the stars. For years he has lived in remote outposts, studying the sky for evidence of how the universe began. At his latest posting, in a research center in the Arctic, news of a catastrophic event arrives. The scientists are forced to evacuate, but Augustine stubbornly refuses to abandon his work. Shortly after the others have gone, Augustine discovers a mysterious child, Iris, and realizes that the airwaves have gone silent. They are alone. At the same time, Mission Specialist Sullivan is aboard the Aether on its return flight from Jupiter. The astronauts are the first human beings to delve this deep into space, and Sully has made peace with the sacrifices required of her: a daughter left behind, a marriage ended. So far the journey has been a success. But when Mission Control falls inexplicably silent, Sully and her crewmates are forced to wonder if they will ever get home. As Augustine and Sully each face an uncertain future against forbidding yet beautiful landscapes, their stories gradually intertwine in a profound and unexpected conclusion. In crystalline prose, Good Morning, Midnight poses the most important questions: What endures at the end of the world? How do we make sense of our lives? Lily Brooks-Dalton’s captivating debut is a meditation on the power of love and the bravery of the human heart. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SHELF AWARENESS AND THE CHICAGO REVIEW OF BOOKS “Stunningly gorgeous . . . The book contemplates the biggest questions—What is left at the end of the world? What is the impact of a life’s work?”—Portland Mercury “A beautifully written, sparse post-apocalyptic novel that explores memory, loss and identity . . . Fans of Emily St. John Mandel’s Station Eleven and Kim Stanley Robinson’s Aurora will appreciate the Brooks-Dalton’s exquisite exploration of relationships in extreme environments.”—The Washington Post

How can we harness the future if the past will not set us free? An emotive story of love, loss and letting go. Opposites attract? Laura Brown, interior designer and James Morgan-Jones, horse whisperer - and Midnight Sky, a beautiful but damaged steeplechaser. Laura seems to have it all, glamorous job, charming boyfriend. Her sister, Maggie, struggles with money, difficult children and an unresponsive husband. She envies her sister's life, but are things as idyllic as they seem? She might be a farmer's daughter but Laura is doing her best to deny her roots, even deny her true feelings. Until she meets James, but James is very married, and very much in love, to a wife who died two years ago. They both have issues to face from their past, but will it bring them together, or push them apart? This publication is written in British English. Spellings and grammatical conventions are conversant with the UK.

The thrilling finale to the New York Times bestselling Young Elites series from “hit factory” Marie Lu There was once a time when darkness shrouded the world, and the darkness had a queen. Adelina Amouteru is done suffering. She’s turned her back on those who have betrayed her and achieved the ultimate revenge: victory. Her reign as the White Wolf has been a triumphant one, but with each conquest her cruelty only grows. The darkness within her has begun to spiral out of control, threatening to destroy all she's gained. When a new danger appears, Adelina’s forced to revisit old wounds, putting not only herself at risk, but every Elite. In order to preserve her empire, Adelina and her Roses must join the Daggers on a perilous quest—though this uneasy alliance may prove to be the real danger. #1 New York Times bestselling author Marie Lu concludes Adelina's story with this haunting and hypnotizing final installment to the Young Elites series.

“Intelligent and engaging science fiction” set against the backdrop of an environmental apocalypse from the SF Grand Master (The Washington Post). Not so very far in the future, the icecaps have melted and many coastal communities have been flooded out. The ozone layer is destroyed. Some areas are livable with breathing masks and injections that protect the skin from the now-deadly rays of the sun, but the only real refuge—for those who can afford it—has become the near-space orbital colonies built and run by private companies. Valparaiso Nuevo is one of these colonies—a haven and a center of action for hustlers, conspirators, and people looking for an edge. It is also the target of a disillusioned group of humans who become embroiled in a scheme to overthrow it. Their goals are individually motivated but the deadly combination of ambition, distrust, greed, stupidity, and lust leads to a dramatic conclusion that replicates in miniature the history of man’s destruction of his own living space on the planet. A bleak picture of future Earth and a complex plot peopled with dark, rich characters, comes together as one of Silverberg’s finer novels. “Silverberg focuses on his characters and their ruined world, providing a convincing portrayal of life in a greenhouse effect-cursed future. . . . [He] delivers powerful images of a world blighted by ecological abuse, and a satisfying novel as well.” —Publishers Weekly “It’s definitely major Silverberg and as such deserves all the readers it will undoubtedly get.” —Booklist

In Burning the Midnight Oil, word-wrangler extraordinaire Phil Cousineau has gathered an eclectic and electric collection of soulful poems and prose from great thinkers throughout the ages. Whether beguiling readers with glorious poetry or consoling them with prayers from fellow restless souls, Cousineau can relieve any insomniac's unease. From St. John of the Cross to Annie Dillard, Beethoven to The Song of Songs, this refreshingly insightful anthology soothes and inspires all who struggle through the dark of the night. These "night thoughts" vividly illustrate Alfred North Whitehead's liberating description of "what we do without solitude" and also evoke Henry David Thoreau's reverie, "Our truest life is when we are in dreams awake." The night writers in Cousineau's vesperal collection range from saints, poets, and shamans to astronomers and naturalists, and tells of ancient tales and shining passages from the most brilliant (albeit insomniac) writers of today. These poetic ponderances sing of the falling darkness, revel in dream-time, convey the ache of melancholy, conspire against sleeplessness, vanquish loneliness, contemplate the night sky, rhapsodize on love, and languorously greet the first rays of dawn. Notable night owls include Rabandranath Tagore, Mary Oliver, Manley Hopkins, Jorge Borges and William Blake.

A Season of Change