This book provides comprehensive information on the materials excavated at Pech de l’Azé IV, both by the original excavator François Bordes in the 1970s, and more recently by the authors and their scientific team. Applying a range of new excavation and analytical techniques, it presents detailed material on the formation of the site, its chronology and the nature of the hominin occupations. Pech de l’Azé IV is part of a complex of Lower and Middle Paleolithic cave sites in the Dordogne Valley of southwestern France. Although this region is well known for its rich concentration of Paleolithic sites since the mid-19th century and many of the sites have been repeatedly excavated, no detailed studies have fully documented the stone tool technology and faunal remains or the changes in them over time. The site was regularly occupied by groups of Neanderthals from approximately 100,000 to 40,000 years ago, during which time global-scale changes transformed the region from a relatively warm climate (similar to today’s) to a very cold, glacial one. The site provides valuable insights into changes in Neanderthal behavior that reflect, at least in part, their adaptation to changes in the environment and the availability of important resources, such as prey species.

This book describes the emergent nature of human culture, based on the human ability to create and pass on social codes through instruction and example. It proposes hypotheses to explain how a phenomenon that is potentially maladaptive for individuals could have evolved, and to explain why culture plays such a pervasive role in human life. It then reviews the primatological, fossil, and archaeological data to test these hypotheses.

Presents evidence to support the author's woman-centered interpretation of prehistoric civilizations, considering the prehistoric goddesses, gods and religion, and discussing the living goddesses--deities which have continued to be venerated through the modern era.

In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.

About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.

The nine interrelated chapters in this book aim to identify and describe the iconographies and trace fossils of ritual and religion in late prehistoric Europe - to infuse them with meaning, celebrate their complexity and integrate the ideas, which they evoke into the rich tapestry of historically transmitted ancient European and Mediterranean ideology, mythology and ritual. This book explores libation and feasting, engendered patterns of communication, ritual drama and iconographic creativity. Case studies range from 13th century BC Bavarian ostentatious graves, 9th century Scandinavian bog hoards, 8th century Austrian women's chambered tombs, 7th century Lusatian children's graves to 6th century BC Scythian kurgans from the Ukraine. A thick description of ancient European ideology emerges demonstrating that non-literate communities were developing surprisingly vibrant and sophisticated solutions to the problems posed by transcending death, revering the ancestors and communicating between earth and eternity.