In this innovative historical portrait of society in the premodern Middle East, Abraham Marcus takes us on a guided tour of a past world, revealing its inner workings and throwing new light on its realities during the crucial century before the onset of modernization in the region. Focusing on the great Syrian city of Aleppo, he pieces together aspects of life ranging from business and family to disease and popular pastimes. This work of social history shows how many of the accepted notions and assumptions about what is commonly called premodern, Islamic, or traditional society are inaccurate or unfounded, and draws our attention to the intricacies of a world that may appear alien and exotic but was by no means simple, primitive, or static.

In this innovative book, Keith Watenpaugh connects the question of modernity to the formation of the Arab middle class. The book explores the rise of a middle class of liberal professionals, white-collar employees, journalists, and businessmen during the first decades of the twentieth century in the Arab Middle East and the ways its members created civil society, and new forms of politics, bodies of thought, and styles of engagement with colonialism. Discussions of the middle class have been largely absent from historical writings about the Middle East. Watenpaugh fills this lacuna by drawing on Arab, Ottoman, British, American and French sources and an eclectic body of theoretical literature and shows that within the crucible of the Young Turk Revolution of 1908, World War I, and the advent of late European colonialism, a discrete middle class took shape. It was defined not just by the wealth, professions, possessions, or the levels of education of its members, but also by the way they asserted their modernity. Using the ethnically and religiously diverse middle class of the cosmopolitan city of Aleppo, Syria, as a point of departure, Watenpaugh explores the larger political and social implications of what being modern meant in the non-West in the first half of the twentieth century. Well researched and provocative, Being Modern in the Middle East makes a critical contribution not just to Middle East history, but also to the global study of class, mass violence, ideas, and revolution.

The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content. Despite the importance and ingenuity of these developments, the 19th century remains a gap in the history of Islamic art. To fill this opening in art historical scholarship, Making Modernity in the Islamic Mediterranean charts transformations in image-making, architecture, and craft production in the Islamic world from Fez to Istanbul. Contributors focus on the shifting methods of production, reproduction, circulation, and exchange artists faced as they worked in fields such as photography, weaving, design, metalwork, ceramics, and even transportation. Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.

When the Ottoman Empire fell apart, colonial powers drew straight lines on the map to create a new region--the Middle East--made up of new countries filled with multiple religious sects and ethnicities. Syria, Iraq and Lebanon, for example, all contained a kaleidoscope of Sunnis, Kurds, Shias, Circassians, Druze and Armenians. Israel was the first to establish a state in which one sect and ethnicity dominated others. Sixty years later, others are following suit, like the Kurds in northern Iraq, the Sunnis with ISIS, the Alawites in Syria, and the Shias in Baghdad and northern Yemen. The rise of irredentist states threatens to condemn the region to decades of conflict along new communal fault lines. In this book, Economist correspondent and New York Review of Books contributor Nicolas Pelham looks at how and why the world's most tolerant region degenerated into its least tolerant. Pelham reports from cities in Israel, Kurdistan, Iraq and Syria on how triumphant sects treat their ethnic and sectarian minorities, and he searches for hope--for a possible path back to the beauty that the region used to and can still radiate. --Publisher.

The Modern Middle East is a collection of translated sources covering the period from 1700 to the present. Sources include official and private archives, the periodical press, memoirs, western journalists' and travellers' accounts, literature, and official reports (including statistical data). Each document has been prefaced, translated and annotated by a specialist in the particular history and culture from which it was drawn. Enough information is provided so that every student can appreciate the value of a document and begin a further exploration either of its specific historical context or its relationship to broader themes in modern Middle Eastern history, whilst scholars will find it of value for its use in teaching and discussion. Themes covered include the expansion of state power, changing gender roles, religious revival, nationalist mobilization, increasing participation in a wider global culture and economy, and the redefinition of traditions and identities.

This introductory text explores the gendered history of the modern Middle East, from the eighteenth century to the present, studying the various ways in which gender has defined the region and shaped relations in the modern era. The book captures three aspects of change simultaneously: the events that mark the “modern” Middle East, women’s encounters with the transition to modernity and gendered responses to modernity. It contains both new fieldwork and a synthesis of secondary scholarship that highlight the role of gender in the modernization of Egypt, Turkey, Iran, the Levant and the Persian Gulf states. Chapters are organized chronologically to chart the rapid developments of the modern era, but each chapter also stands on its own, with coverage of masculinity and femininity, sexuality, marriage and the family, labor and women’s contributions to Arab Spring uprisings. Through this comprehensive account, the book pushes back on stereotypes that the Middle East is an ahistorical region and that women have not been vital actors in the process of change. Richly illustrated and accessible for a variety of readers, History, Women and Gender in the Modern Middle East is an ideal resource for undergraduate and postgraduate students in gender studies and Middle Eastern history.

This second edition considers how the 'global war on terror' has changed the way the West views the Islamic world.