This book is a formal and functional study of the three distinct meters of Old Norse eddic poetry, fornyrðislag, málaháttr, and ljóðaháttr. It provides a systematic account of these archaic meters, both synchronic and diachronic, and from a comparative Germanic perspective; particularly concerned with Norse innovations in metrical practice, Suzuki explores how and why the three meters were shaped in West Scandinavia through divergent reorganization of the Common Germanic metrical system. The book constitutes the first comprehensive work on the meters of Old Norse eddic poetry in a single coherent framework; with thorough data presentation, detailed philological analysis, and sophisticated linguistic explanation, the book will be of enormous interest to Old Germanic philologists/linguists, medievalists, as well as metrists of all persuasions. A strong methodological advantage of this work is the extensive use of inferential statistical techniques for giving empirical support to specific analyses and claims being adduced. Another strength is a cognitive dimension, a (re)construction of a prototype-based model of the metrical system and its overall characterization as an integral part of the poetic knowledge that governed eddic poets' verse-making technique in general.

This is the first comprehensive and accessible survey in English of Old Norse eddic poetry: a remarkable body of literature rooted in the Viking Age, which is a critical source for the study of early Scandinavian myths, poetics, culture and society. Dramatically recreating the voices of the legendary past, eddic poems distil moments of high emotion as human heroes and supernatural beings alike grapple with betrayal, loyalty, mortality and love. These poems relate the most famous deeds of gods such as Óðinn and Þórr with their adversaries the giants; they bring to life the often fraught interactions between kings, queens and heroes as well as their encounters with valkyries, elves, dragons and dwarfs. Written by leading international scholars, the chapters in this volume showcase the poetic riches of the eddic corpus, and reveal its relevance to the history of poetics, gender studies, pre-Christian religions, art history and archaeology.

From the translator of the bestselling Poetic Edda (Hackett, 2015) comes a gripping new rendering of two of the greatest sagas of Old Norse literature. Together the two sagas recount the story of seven generations of a single legendary heroic family and comprise our best source of traditional lore about its members—including, among others, the dragon-slayer Sigurd, Brynhild the Valkyrie, and the Viking chieftain Ragnar Lothbrok.

Text, with English translation in two formats, of all the Old Norse poetry attributed to women - skáldkonur. The rich and compelling corpus of Old Norse poetry is one of the most important and influential areas of medieval European literature. What is less well known, however, is the quantity of the material which can be attributed to women skalds. This book, intended for a broad audience, presents a bilingual edition (Old Norse and English) of this material, from the ninth to the thirteenth century and beyond, with commentary and notes. The poems here reflect the dramatic and often violent nature of the sagas: their subject matter features Viking Age shipboard adventures and shipwrecks; prophecies; curses; declarations of love and of revenge; duels, feuds and battles; encounters with ghosts; marital and family discord; and religious insults, among many other topics. Their authors fall into four main categories: pre-Christian Norwegian and Icelandic skáldkonur of the Viking Age; Icelandic skáldkonur of the Sturlung Age (thirteenth century); additional early skáldkonur from the Islendingasögur and related material, not as historically verifiable as the first group; and mythical figures cited as reciting verse in the legendary sagas (fornaldarsögur). Sandra Ballif Straubhaar is Senior Lecturer in Germanic Studies at the University of Texas at Austin.

Eddic, Skaldic, and Beyond shines light on traditional divisions of Old Norse–Icelandic poetry and awakens the reader to work that blurs these boundaries. Many of the texts and topics taken up in these enlightening essays have been difficult to categorize and have consequently been overlooked or undervalued. The boundaries between genres (Eddic and Skaldic), periods (Viking Age, medieval, early modern), or cultures (Icelandic, Scandinavian, English, Continental) may not have been as sharp in the eyes and ears of contemporary authors and audiences as they are in our own. When questions of classification are allowed to fade into the background, at least temporarily, the poetry can be appreciated on its own terms. Some of the essays in this collection present new material, while others challenge long-held assumptions. They reflect the idea that poetry with “medieval” characteristics continued to be produced in Iceland well past the fifteenth century, and even beyond the Protestant Reformation in Iceland (1550). This superb volume, rich in up-to-date scholarship, makes little-known material accessible to a wide audience.

The Poetic Edda comprises a treasure trove of mythic and spiritual verse holding an important place in Nordic culture, literature, and heritage. Its tales of strife and death form a repository, in poetic form, of Norse mythology and heroic lore, embodying both the ethical views and the cultural life of the North during the late heathen and early Christian times. Collected by an unidentified Icelander, probably during the twelfth or thirteenth century, The Poetic Edda was rediscovered in Iceland in the seventeenth century by Danish scholars. Even then its value as poetry, as a source of historical information, and as a collection of entertaining stories was recognized. This meticulous translation succeeds in reproducing the verse patterns, the rhythm, the mood, and the dignity of the original in a revision that Scandinavian Studies says "may well grace anyone's bookshelf."

This book offers new dating of the poems of the Old Norse Poetic Edda , perhaps our best sources about the mythology and legends of the Viking Age. This study compares the anonymous Eddic poems to dated skaldic poems with respect to five phenomena that develop diachronically in early Old Norse: the expletive particle of, types of negation, word order, types of relative clause, and metrical criteria. After examining these dating features individually, the three most reliable criteria—the particle of, negation, and relative clause type—are combined into a multifactorial analysis using a Naïve Bayes Classifier. The classifier assigns a date to each Eddic poem, and these proposed dates have interesting implications for our understanding of these texts as sources for the medieval history, mythology, linguistics, and literature of the Germanic peoples. This book will have broad interdisciplinary interest, not just to historical linguists and philologists but also to scholars of Norse history, literature, and mythology.