The Pygmalion myth, most famously told by Ovid in his Metamorphoses, has always fascinated artists. This fascination, due to the erotic potential of the story, resulted in an abundance of patriarchal re-narrations from the Middle Ages to the late 19th century. With the turn of the 20th century, however, the Pygmalion stories gradually changed under the influence of feminist thought and emancipation. The woman created by Pygmalion no longer remained a passive creature but began to resist her master and his male fantasies, sometimes in a subtle way, sometimes in open rebellion. The study at hand focuses on the development of the tale in the Anglo-Saxon literature of the 20th and 21st centuries. The author will analyze some of these modern Pygmalion versions, written by George Bernard Shaw, Carol Ann Duffy and Neil LaBute amongst other significant author

Translated from the Greek for the first time, these 41 myths and legends by Antoninus Liberalis form a laconic but picaresque collection of tales about metamorphoses. Celoria's commentary furnishe s parallels and provides much explanatory materialThese forty-one tales written in the second century AD by Greek author Antoninus Liberalis and translated from the Greek for the first time, offer an unusual insight into the preoccupations and legends of antiquity. These tales are quirky, exciting and sometimes disturbing. Many have relevance for modern as well as classical understanding of psychology and the imagination. Each story is usefully provided with full annotation and commentary.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

This title was published in 2001. Pygmalion and Galatea presents an account of the development of the Pygmalion story from its origins in early Greek myth until the twentieth century. It focuses on the use of the story in nineteenth-century British literature, exploring gender issues, the nature of artistic creativity and the morality of Greek art.

Was anyone undone by fire, or turned to ashes through desire? Two young trans people find love whilst escaping oppression; a shipwrecked migrant searches for his family; goddesses clash; parents fret; an alchemist brews magic and a teenage Cupid sets hearts on fire - causing chaos and near disaster. And all the while, time is running out! Galatea is an unapologetically queer tale of love, magic, and the importance of welcoming outsiders. Galatea was originally written in the 1580s by John Lyly, William Shakespeare's best-selling but now long-forgotten contemporary, inspiring Shakespeare's comedies from As You Like It to A Midsummer Night's Dream. Performed in front of Queen Elizabeth I over four hundred years ago, this tale of love, joy and the importance of welcoming outsiders is an incredibly resonant story for modern times. Galatea was originally commissioned by Brighton Festival, and adapted by Emma Frankland and Subira Joy, and edited by Andy Kesson. This text features set and costume design sketches by Mydd Pharo, BSL translation support from Duffy, and notes from each contributor on the creation of the piece. This edition was published to coincide with the world premiere at Brighton Festival, in May 2023.