The Metamorphoses of Commedia dell’Arte
Title | The Metamorphoses of Commedia dell’Arte PDF eBook |
Author | John Rudlin |
Publisher | Springer Nature |
Pages | 258 |
Release | 2022-10-24 |
Genre | Performing Arts |
ISBN | 3031105117 |
The Metamorphoses of Commedia dell’Arte traces the steps by which Commedia has been transformed by cultural contact outside Italy into popular forms which bear little resemblance to the original. The book follows the Masks of Arlecchino, Pedrolino and Pulcinella as they gradually migrate and mutate into Harlequin, Mr. Punch and seaside Pierrot troupes. What happened to Pantalone, Scaramouche, Colombina and the male Lover is also investigated, though they had no final forms of their own. This study constitutes a history of what happened, notably in France and Great Britain, to a supremely popular theatrical genre as a result of changing fashions in entertainment brought on by societal developments, civil and industrial revolution and dynastic change. It investigates how the genre was exploited by management, and even its own stars, lost its vitality and gradually ended up in ‘sunken’ forms.
The Metamorphoses of Commedia Dell'Arte
Title | The Metamorphoses of Commedia Dell'Arte PDF eBook |
Author | John Rudlin |
Publisher | |
Pages | 0 |
Release | 2022 |
Genre | |
ISBN | 9783031105128 |
The Metamorphoses of Commedia dell'Arte traces the steps by which Commedia has been transformed by cultural contact outside Italy into popular forms which bear little resemblance to the original. The book follows the Masks of Arlecchino, Pedrolino and Pulcinella as they gradually migrate and mutate into Harlequin, Mr. Punch and seaside Pierrot troupes. What happened to Pantalone, Scaramouche, Colombina and the male Lover is also investigated, though they had no final forms of their own. This study constitutes a history of what happened, notably in France and Great Britain, to a supremely popular theatrical genre as a result of changing fashions in entertainment brought on by societal developments, civil and industrial revolution and dynastic change. It investigates how the genre was exploited by management, and even its own stars, lost its vitality and gradually ended up in 'sunken' forms. John Rudlin, now retired, was the founder of Drama courses at Exeter University, UK, and first Head of Department. He left this position to found the Centre Sélavy, a Centre in France for the study of outdoor performance. John's previous publications include Commedia dell'Arte, its Structure and Tradition: Antonio Fava in Conversation with John Rudlin (2020), Jacques Copeau (2009) and Commedia Dell'Arte: A Handbook for Troupes (2002), edited with Olly Crick. .
Directory of Graduates of the FBI National Academy and Officers of the FBI National Academy Associates
Title | Directory of Graduates of the FBI National Academy and Officers of the FBI National Academy Associates PDF eBook |
Author | FBI National Academy |
Publisher | |
Pages | 308 |
Release | 1993 |
Genre | Criminal justice personnel |
ISBN |
The Art of Commedia
Title | The Art of Commedia PDF eBook |
Author | M. A. Katritzky |
Publisher | Rodopi |
Pages | 626 |
Release | 2006 |
Genre | Art |
ISBN | 9042017988 |
Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle lazzi of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the commedia dell'arte and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of commedia stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm Recueil Fossard within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for commedia dell'arte specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with commedia-related aspects of visual, dramatic and festival culture, in and beyond Italy.
The Commedia Dell'arte
Title | The Commedia Dell'arte PDF eBook |
Author | Winifred Smith |
Publisher | |
Pages | 336 |
Release | 1912 |
Genre | Literary Criticism |
ISBN |
The Metamorphoses of Shakespearean Comedy
Title | The Metamorphoses of Shakespearean Comedy PDF eBook |
Author | William C. Carroll |
Publisher | Princeton University Press |
Pages | 304 |
Release | 2014-07-14 |
Genre | Drama |
ISBN | 1400854814 |
This book argues that the idea of metamorphosis is central to both the theory and practice of Shakespearean comedy. It offers a synthesis of several major themes of Shakespearean comedy--identity, change, desire, marriage, and comic form--under the master trope of transformation. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Commedia dell'Arte, its Structure and Tradition
Title | Commedia dell'Arte, its Structure and Tradition PDF eBook |
Author | John Rudlin |
Publisher | Routledge |
Pages | 98 |
Release | 2020-11-29 |
Genre | Performing Arts |
ISBN | 1000296490 |
Commedia dell'Arte, its Structure and Tradition chronicles a series of discussions between two renowned experts in commedia dell'arte – master practitioners Antonio Fava and John Rudlin. These discussions were recorded during three recent visits by Fava to Rudlin’s rural retreat in south west France. They take in all of commedia dell'arte's most striking and enduring elements – its masks, its scripts and scenarios, and most outstandingly, its cast of characters. Fava explores the role of each stock Commedia character and their subsequent incarnations in popular culture, as well as their roots in prominent figures of their time. The lively and wide-ranging conversations also take in methods of staging commedia dell'arte for contemporary audiences, the evolution of its gestures, and the collective nature of its theatre-making. This is an essential book for any student or practitioner of commedia dell'arte – provocative, expansive wisdom from the modern world's foremost exponent of the craft.