In 1864, a large metal hoard of copper, bronze and silver objects was discovered at Pile in the southern Swedish region of Scania. The hoard has been dated to the onset of the rich Nordic Bronze Age, and emerges as the earliest, finest and one of the largest of the Nordic sacrificial deposits of metalwork in or near water. The Metal Hoard from Pile in Scania, Sweden provides the first detailed documentation, scientific examination and historical interpretation of the assemblage. Around 2000 BCE the site of Pile was networked with places near and far in a manner that boosted the political economy of Southern Scandinavia, adding to an atmosphere of tensions and charge - and it made history. The chapters unfold as a 'history from beneath' beginning with place, Things and time and concluding with metals and the worlds that intersected in Pile at the threshold of the long Bronze Age.

Trade before Civilization explores the role that long-distance exchange played in the establishment and/or maintenance of social complexity, and its role in the transformation of societies from egalitarian to non-egalitarian. Bringing together research by an international and methodologically diverse team of scholars, it analyses the relationship between long-distance trade and the rise of inequality. The volume illustrates how elites used exotic prestige goods to enhance and maintain their elevated social positions in society. Global in scope, it offers case studies of early societies and sites in Europe, Asia, Oceania, North America, and Mesoamerica. Deploying a range of inter-disciplinary and cutting-edge theoretical approaches from a cross-cultural framework, the volume offers new insights and enhances our understanding of socio-political evolution. It will appeal to archaeologists, cultural anthropologists, conflict theorists, and ethnohistorians, as well as economists seeking to understand the nexus between imported luxury items and cultural evolution.

The papers gathered in this volume explore the economic and social roles of exchange systems in past societies from a variety of different perspectives. Based on a broad range of individual case studies, the authors tackle problems surrounding the identification of (pre-monetary) currencies in the archaeological record.

The destruction and deposition of metalwork is a widely recognised phenomenon across Bronze Age Europe. Weapons were decommissioned and thrown into rivers; axes were fragmented and piled in hoards; and ornaments were crushed, contorted and placed in certain landscapes. Interpretation of this material is often considered in terms of whether such acts should be considered ritual offerings, or functional acts for storing, scrapping and recycling the metal. This book approaches this debate from a fresh perspective, by focusing on how the metalwork was destroyed and deposited as a means to understand the reasons behind the process. To achieve this, this study draws on experimental archaeology, as well as developing a framework for assessing what can be considered deliberate destruction. Understanding these processes not only helps us to recognise how destruction happened, but also gives us insights into the individuals involved in these practices. Through an examination of metalwork from south-west Britain, it is possible to observe the complexities involved at a localised level in the acts of destruction and deposition, as well as how they were linked to people and places. This case study is used to consider the social role of destruction and deposition more broadly in the Bronze Age, highlighting how it transformed over time and space.

A consideration of the rock art of the Mälaren bay region exploring the potential efficacy of petroglyphs as physical devices through organization, design, and articulation. The Bronze Age (1700–500 BCE) petroglyphs of southern Scandinavia comprise a unique tradition of rock art in northern Eurasia. Despite a limited repertoire of motifs such as cupmarks, boats, anthropomorphs, zoomorphs, podomorphs and circles, it shows great variability in design, elaboration and articulation. This book is a study of the Mälaren region in southern-central Sweden that includes one of the most prominent rock art clusters of southwest Uppland as well as the hinterland of Södermanland county. The rock art in this region is studied on three scales: regional, local and particular. This allows for comparisons between dense and small sites, an exploration of how the Bronze Age rock art tradition developed over time in the area, and equally how the design and articulation of certain motifs relate to contemporary settlements, waterways and varying environmental settings. Patterns and structures in the distribution and articulation of the petroglyphs show that the different motifs are not only visual expressions but very much material enactments. The motifs often physically relate to each other, the flows of water, and the microtopography and mineral contents of the rocks. The study is therefore not as much about rock art as images and symbols as it is about the ecology of rock art – the web of social and physical relations in which it was enacted and employed. From this perspective, the petroglyphs are seen as petrofacts, that is something akin to tools or devices articulated in various ways to affect humans, other-than-humans and the animacies of the coastal milieus where they were made.

The Great Orme copper mine in North Wales is one of the largest surviving Bronze Age mines in Europe. This book presents new interdisciplinary research to reveal a copper mine of European importance, dominating Britain’s copper supply from c. 1600-1400 BC, with some metal reaching mainland Europe - from Brittany to as far as the Baltic.

This work presents a comprehensive classification of the morphology of early metal age axe-heads, chisels and stakes from southern Britain. It is illustrated by a type series of 120 representative examples.