* Laina Dawes is not always the only black woman at metal shows and she's not always the only headbanger among her black female friends. In this book, she questions herself, her hardcore heroes and dozens of black punk, metal and hard-rock fans to answer a knee-jerk question she's heard a hundred times 'What are you doing here?'.

During the dreary month of March in Copenhagen in the early 1970s, a 25 year old American woman travels on a solitary quest to become, in her mind, a "woman of the world." In fact, she is lost, adrift, dislocated, not only from familiar surroundings but from her innermost being: "It was the era of rising feminist consciousness, but my mind had not yet caught up to my age and my consciousness was not the part of me that was rising up that winter." The memoir-like narrative of The Metal Girl is told by the mature woman who looks back on her younger, more naive self. Describing a timeless and highly personal milieu, she tells her story with intimate candor as it unfolds in a lyrical, ironic and insightful voice. She takes a room in a cheap pension, which, unbeknownst to her, is located on the edge of the city's red light district. The hotel is run by the enigmatic Elke, a quintessential blond, Scandinavian beauty, and Manfred, a German man of beefy proportions and portentous looks. Venturing out one evening to a jazz club, she meets Olaf, who attracts her with his handsome face, kindness and charm, and his friend Elizabeth, whom she finds the most alluring of all beautiful, poetic, intelligent, mysterious, wise and tragic. Her journey through these relationships climaxes late one night when she discovers the raison d'etre of everyone else and, even more surprising, the disillusioning truth about herself.

A genre-warping, time-travelling horror novel-slash-feminist manifesto for fans of Clarice Lispector and Jeanette Winterson. Welcome to 1990s Norway. White picket fences run in neat rows and Christian conservatism runs deep. But as the Artist considers her work, things start stirring themselves up. In a corner of Oslo a coven of witches begin cooking up some curses. A time-travelling Edvard Munch arrives in town to join a death metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic. Jenny Hval's latest novel is a radical fusion of queer feminist theory and experimental horror, and a unique treatise on magic, writing and art. "Strange and lyrical. Hval’s writing is surreal and rich with the grotesque banalities of human existence." —Publishers Weekly "The themes of alienation, queerness, and the unsettling nature of desire align Hval with modern mainstays like Chris Kraus, Ottessa Moshfegh, and Maggie Nelson." —Pitchfork

With all the fun of a heavy metal parking lot without the beer stains and moshing, this activity book for kids and adults is an entirely new take on the coloring book genre.

From the author of Bonds of Brass, don't miss Hullmetal Girls, which NPR calls "a little Ender's Game, a little Hunger Games, [and] a little Battlestar Gallactica." Aisha Un-Haad would do anything for her family. When her brother contracts a plague, she knows her janitor's salary isn't enough to fund his treatment. So she volunteers to become a Scela, a mechanically enhanced soldier sworn to protect and serve the governing body of the Fleet, the collective of starships they call home. If Aisha can survive the harrowing modifications and earn an elite place in the Scela ranks, she may be able to save her brother. Key Tanaka awakens in a Scela body with only hazy memories of her life before. She knows she's from the privileged end of the Fleet, but she has no recollection of why she chose to give up a life of luxury to become a hulking cyborg soldier. If she can make it through the training, she might have a shot at recovering her missing past. In a unit of new recruits vying for top placement, Aisha's and Key's paths collide, and the two must learn to work together--a tall order for girls from opposite ends of the Fleet. But a rebellion is stirring, pitting those who yearn for independence from the Fleet against a government struggling to maintian unity. With violence brewing and dark secrets surfacing, Aisha and Key find themselves questioning their loyalties. They will have to put aside their differences, though, if they want to keep humanity from tearing itself apart. A Boston Globe Best Book of the Year A Paste Best Book of the Year “Filled with badass girls and epic adventures…this one's guaranteed to take you on a ride.”— Buzzfeed "A captivating sci-fi adventure that will make you fall madly for Skrutskie's fabulous writing, if you haven't already. [Perfect] for fans of: Cindy Pon (Want) and Pierce Brown (Red Rising)."-- Paste "A book you will devour in one sitting, Hullmetal Girls is not to be missed!"—Beth Revis, New York Times bestselling author of A World Without You and Across the Universe "Hullmetal Girls has everything I love in a space opera: deep faith, high stakes, endless questions about humanity, and a cast that shows the best (and less-best) of what we might become." -E.K. Johnston, #1 New York Times bestselling author of That Inevitable Victorian Thing ★ "Unexpected and clever...A great science fiction story."--VOYA, Starred Review "An engaging narrative with a complex cast that intersects race, sexual identity, religion, and class."--Kirkus Reviews

This book provides a sociological examination of gender issues concerning the status of women in the subculture of heavy metal. The study specifically analyzes how women are perceived to ‘do gender’ in the heavy metal community, which is known for its hypermasculine qualities. Relying on interviews with fans of heavy metal, the respondents describe their own music (sub)culture as having been dominated by men, but they also note distinct signs of the progress women have made in the heavy metal culture on terms aspiring to equality with men. Despite these changes, gendered conditions driven by masculinity continue to exist for women in heavy metal. Even as women are slowly finding their way to develop what might one day become, but as of now not yet is, a realized identity and culture of heavy metal feminism, patterns of masculinity continue to hamper gender equity in this area of popular culture.

BANG! BANG! BANG! went the guns of the Tin-Pot Foreign General BANG! BANG! BANG! went the guns of the Old Iron Woman Raymond Briggs's visceral take on the Falklands War is uncompromising in its dark and moving satire of the build-up and aftermath of the conflict. This controversial book's infamous stars - General Leopoldo Galtieri and Margaret Thatcher - are depicted as robotic caricatures with a pointless blood lust. Now available as an eBook for the first time.