This book explores for the first time the individual and collective significance of First World War facially disfigured combatants, with a special focus on France, Germany and Great Britain. It illuminates our understanding of how the combatant and the onlooker made sense of the experience and the memory of the war.

A remote medical clinic in an abandoned Canadian meat plant specializes in restoring people's faces. The owner recuits a young disgraced ER doctor & together they expand the clinic's reputation by handling only the most difficult high profile cases, those other doctors refuse. Three horribly disfigured sisters are discovered in remote Montana. The doctors create 3 beauties, one of which closely resembles a deceased movie star. Two sisters are offered movie careers in Hollywood & eventually one dies of AIDS & the other commits suicide. The younger doctor unexpectedly finds & marries the 3rd sister. During an emergency procedure on the only survivor of a plane crash in Vail, he discovers through routine DNA testing that the boy is related to his wife. She hires a retired LA police detective to solve the mystery. Repercussion in the the form of letter bombs & attacks immediately follow & the Clinic hires a group of forgotten Vietnam era military snipers, now led by a self proclaimed Reverend to protect them.

The poems in The Broken Face explore a sacramental, imaginative vision within contexts of crime, perception, memory and love. In this collection, Russell Thornton returns to the vital themes of intimacy and family, loss, fear and hope, bringing to each poem the essential quality of a myth or incantation. Reverent and revealing, within those familiar relationships he ushers in a connection with something transcendent: “A man has come floundering late in the night / to stand alone at the shore of a sleeping infant’s face.” The poems capture life at the periphery, whether describing homelessness or incarceration, or even the universal experiences of aging and mortality, love and fear of love, all of which bring the speaker into a detached yet energized state of watching and waiting: “the door that was my grandfather into our passing lives / will arrive at a house where each of us is his own door / that opens on our first selves, fundamental together.” With intense lyricism, Thornton displays a mastery of craft so complete as to be nearly invisible. While stunningly beautiful, his imagery is also in such complete service to the deeper emotional resonance of each poem that it feels inevitable, and contributes to making the collection deeply moving.

The casualty rates of the First World War were unprecedented: approximately 10 million combatants were wounded from Britain, France and Germany alone. In consequence, military-medical services expanded and the war ensured that medical professionals became firmly embedded within the armed services. In a situation of total war civilians on the home front came into more contact than before with medical professionals, and even pacifists played a significant medical role. Medicine in First World War Europe re-visits the casualty clearing stations and the hospitals of the First World War, and tells the stories of those who were most directly involved: doctors, nurses, wounded men and their families. Fiona Reid explains how military medicine interacts with the concerns, the cultures and the behaviours of the civilian world, treating the history of wartime military medicine as an integral part of the wider social and cultural history of the First World War.

What is a face and how does it relate to personhood? Approaching Facial Difference: Past and Present offers an interdisciplinary exploration of the many ways in which faces have been represented in the past and present, focusing on the issue of facial difference and disfigurement read in the light of shifting ideas of beauty and ugliness. Faces are central to all human social interactions, yet their study has been much overlooked by disability scholars and historians of medicine alike. By examining the main linguistic, visual and material approaches to the face from antiquity to contemporary times, contributors place facial diversity at the heart of our historical and cultural narratives. This cutting-edge collection of essays will be an invaluable resource for humanities scholars working across history, literature and visual culture, as well as modern practitioners in education and psychology.

Comparing Grief in French, British and Canadian Great War Fiction (1977-2014) offers a comparative analysis of twenty-three First World War novels. Engaging with such themes as war trauma, facial disfigurement, women’s war identities, communal bonds, as well as the concepts of mourning and post-memory, Anna Branach-Kallas and Piotr Sadkowski identify the dominant trends in recent French, British and Canadian fiction about the Great War. Referring to historical, sociological, philosophical and literary sources, they show how, by both consolidating and contesting national myths, fiction continues to construct the 1914-1918 conflict as a cultural trauma, illuminating at the same time some of our most recent ethical concerns.