The world was divided between the Men and the Monsters - but which were Monsters and which were Men? An incredible science fiction tale woven by a genius of the genre, William Tenn! Well worth the read, and presented to you finally by the fine folks of Endymion Press!

It was Eric's birthday, the day he became a man. And that could only mean one thing. It was time for him to steal for mankind. The aliens had subjugated humans with technology so far in advanced of anything that mankind had ever developed that it was unthinkable that man would ever claim back his home planet. Or was it?

The excellent Monsieur Dutilleul has always been able to pass through walls, but has never seen the point of using his gift, given the general availability of doors. One day, however, his tyrannical boss drives him to desperate, creative measures — he develops a taste for intramural travel and becomes something of a super-villain. How will the unassuming clerk adjust to a glamorous life of crime? Aymé’s genius lies in imagining the practical unfolding of bizarre and difficult situations. In each story, anarchic comedy is arrested by moments of pathos, only to descend into anarchy and hilarity once more ...

For years, many have believed that the rise of superpowered mutants represents a threat to the survival of ordinary humans. The uncanny X-Men have dedicated their lives to proving that peaceful coexistence is possible. When a refugee spacecraft crashes on Earth, hounded by a warship bent on its destruction, the X-Men race to the rescue -- only to learn that it carries beings of an entirely different order whose very existence may jeopardize life as we know it. Now, facing a direct threat to all life on Earth, the X-Men grapple with an impossible moral dilemma -- to defend the aliens whose only crime is being born different . . . or to embrace the methods of those who have long condemned mutantkind, joining forces with their own greatest persecutors to go hunt down their common enemy and end the evolutionary menace, once and for all.

In "The Rats in the Walls" by H.P. Lovecraft, a man restores his ancestral estate in England, only to be haunted by mysterious noises within the walls. As he investigates, he uncovers horrifying secrets about his family's dark past and the ancient horrors lurking beneath the mansion.

In the Lovecraftian universe there exists many terrible and horrifying things, from extraterrestrial gods and ancient secrets to zealous cults, supernatural beasts and beyond. Lovecraft's 1939 short story "In the Walls of Eryx" centres around the life and demise of a Venetian prospector who becomes lost in an invisible maze while mining on the planet Venus. Lovecraft's first and only science fiction story, this book is not to be missed by short story lovers and fans of Lovecraft's exceptional fiction. Other notable works by this author include: “At the Mountains of Madness”, “The Rats in the Walls”, and “The Shadow Over Innsmouth”. Howard Phillips Lovecraft (1890–1937) was an American writer of supernatural horror fiction. Though his works remained largely unknown and did not furnish him with a decent living, Lovecraft is today considered to be among the most significant writers of supernatural horror fiction of the twentieth century. Read & Co. is publishing this classic short story now as part of our “Fantasy and Horror Classics” imprint in a new edition with a dedication by George Henry Weiss.

What does it mean to live against a wall? Travel to the world’s most disputed edges to meet the people who live alongside the razor wire, concrete, and steel and how the structure of the walls has influenced their lives. In this ambitious first person narrative, Marcello Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier. From Native American reservations on the U.S.-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they pen in. He learns that while every wall fails to accomplish what it was erected to achieve – the walls are never solutions – each wall succeeds at something else. Some walls define Us from Them with Medieval clarity. Some walls encourage fear or feed hate. Some walls steal. Others kill. And every wall inspires its own subversion, either by the infiltrators who dare to go over, under, or around them, or by the artists who transform them.