The collapse of the communist states is regarded as the starting point of the new Europe. With this turning point, historical narratives have had to be rewritten in the post-socialist countries. Focusing on the little known case of Slovenia, this issue of zeitgeschichte offers a comprehensive survey of the transformations affecting collective memory and the writing of history in one post-communist country. The essays analyze the ways in which Slovenian society has grappled with traumatic historical events and thus give insight into the ongoing struggle over the interpretation of Slovenia's past. Given the proliferating illiberal tendencies in the political culture of numerous European countries, the strategies of historical revisionism described in this issue are likely to be of considerable interest not only to scholars interested specifically in the case of Slovenia.

The collapse of the communist states is regarded as the starting point of the new Europe. With this turning point, historical narratives have had to be rewritten in the post-socialist countries. Focusing on the little known case of Slovenia, this issue of zeitgeschichte offers a comprehensive survey of the transformations affecting collective memory and the writing of history in one post-communist country. The essays analyze the ways in which Slovenian society has grappled with traumatic historical events and thus give insight into the ongoing struggle over the interpretation of Slovenia’s past. Given the proliferating illiberal tendencies in the political culture of numerous European countries, the strategies of historical revisionism described in this issue are likely to be of considerable interest not only to scholars interested specifi cally in the case of Slovenia.

The collapse of the communist states is regarded as the starting point of the new Europe. With this turning point, historical narratives have had to be rewritten in the post-socialist countries. Focusing on the little known case of Slovenia, this issue of zeitgeschichte offers a comprehensive survey of the transformations affecting collective memory and the writing of history in one post-communist country. The essays analyze the ways in which Slovenian society has grappled with traumatic historical events and thus give insight into the ongoing struggle over the interpretation of Slovenia's past. Given the proliferating illiberal tendencies in the political culture of numerous European countries, the strategies of historical revisionism described in this issue are likely to be of considerable interest not only to scholars interested specifi cally in the case of Slovenia. ...

The genre of this book may be difficult to define, but any effort to do so can be a celebration of God’s grace, rewarding for those who may thirst for a better way to define their relationship with a living and personal God. For some, it will appear autobiographical, steeped in references to personal struggles, lost direction, forgotten dreams. For others, it may be only a confessional narrative journaling the need every man has, a silent urging to escape the pain and burdens inflicted by a twisted allegiance to some sin, an onerous darkness that has enslaved. For still others, it can be a book of sermons outing a familiar text from which truth might be gleaned. The truth is, Gift Revisited chronicles a journey “back to Bethel,” an experience many believers are destined to take. We people of faith often lose our way, whether defined by spiritual exhaustion or the weight of some misstep we have taken. A “revisit” to the places of a genuine encounter with God can result in a renewed sense of hope and a rewarding promise for the future.

Borneman theorizes modes of accountability, the meaning of "regime changeand the American occupation of Iraq, and the mechanisms of democratic authority in Europe and North America.

A USA TODAY BESTSELLER In this thrilling sequel to the New York Times bestselling novella by Stephen King and award-winning author Richard Chizmar, an adult Gwendy is summoned back to Castle Rock after the mysterious reappearance of the button box. Something evil has swept into the small Maine town of Castle Rock on the heels of the latest winter storm. Sheriff Norris Ridgewick and his team are desperately searching for two missing girls, but time is running out. In Washington, DC, thirty-seven-year-old Gwendy Peterson couldn’t be more different from the self-conscious teenaged girl who once spent a summer running up Castle Rock’s Suicide Stairs. That same summer, she had been entrusted—or some might say cursed—with the extraordinary button box by Richard Farris, the mysterious stranger in the black suit. The seductive and powerful box offered Gwendy small gifts in exchange for its care and feeding until Farris eventually returned, promising the young girl she’d never see the box again. One day, though, the button box suddenly reappears but this time, without Richard Farris to explain why, or what she’s supposed to do with it. Between this and the troubling disappearances back in Castle Rock, Gwendy decides to return home. She just might be able to help rescue the missing girls and stop a dangerous madman before he does something ghastly. With breathtaking and lyrical prose, Gwendy’s Magic Feather explores whether our lives are controlled by fate or the choices we make and what price we sometimes have to pay. Prepare to return again to Stephen King’s Castle Rock, the sleepy little town built on a bedrock of deep, dark secrets, just as it’s about to awaken from its quiet slumber once more.