This book presents a philosophical history of Tasmania’s past and present with a particular focus on the double stories of genocide and modernity. On the one hand, proponents of modernisation have sought to close the past off from the present, concealing the demographic disaster behind less demanding historical narratives and politicised preoccupations such as convictism and environmentalism. The second story, meanwhile, is told by anyone, aboriginal or European, who has gone to the archive and found the genocidal horrors hidden there. This volume blends both stories. It describes the dual logics of genocide and modernity in Tasmania and suggests that Tasmanians will not become more realistic about the future until they can admit a full recognition of the colonial genocide that destroyed an entire civilisation, not much more than 200 years ago.

At a time when we have all lived through profound and unexpected disruptions to our shared spaces, routines, economies, societies, and work-lives, this book considers the nature and implications of rupture, the commons, and their conjoining. Addressing rupture and disruption through the lens of literary and cultural studies, this volume traverses genres — film, fiction, theatre, poetry, and the graphic novel — and continents, and addresses histories and identities as ecologies. The focus is resolutely contemporary, with nearly all of the texts being analyzed produced within the last decade. Beginning with the history of, and debates about, Garrett Hardin’s famous “tragedy of the commons,” Ruptured Commons engages with texts and cultures of disaster wherein artistic expression becomes a form of protest and a path to change. This collection both critically examines our arrival at and understanding of this moment, and explores diverse, and hopeful, visions for the future embedded within contemporary culture.

This volume focuses on the impact of the Armenian Genocide on different academic disciplines at the crossroads of the centennial commemorations of the Genocide. Its interdisciplinary nature offers the opportunity to analyze the Genocide from different angles using the lens of several fields of study.

The role of the mass media in genocide is multifaceted with respect to the disclosure and flow of information. This volume investigates questions of responsibility, denial, victimisation and marginalisation through an analysis of the media representations of the Armenian genocide in different national contexts.

Ionescu examines the process of economic Romanianization of Bucharest during the Antonescu regime that targeted the property, jobs, and businesses of local Jews and Roma/Gypsies and their legal resistance strategies to such an unjust policy.

Britain formally colonised Van Diemen’s Land in the early years of the nineteenth century. Small convict stations grew into towns. Pastoralists moved in to the aboriginal hunting grounds. There was conflict, there was violence. But, governments and gentlemen succeeded in burying the real story of the Vandemonian War for nearly two centuries. The Vandemonian War had many sides and shades, but it was fundamentally a war between the British colony of Van Diemen’s Land (Tasmania) and those Tribespeople who lived in political and social contradiction to that colony. In The Vandemonian War acclaimed history author Nick Brodie now exposes the largely untold story of how the British truly occupied Van Diemen’s Land deploying regimental soldiers and special forces, armed convicts and mercenaries. In the 1820s and 1830s the British deliberately pushed the Tribespeople out, driving them to the edge of existence. Far from localised fights between farmers and hunters of popular memory, this was a war of sweeping campaigns and brutal tactics, waged by military and paramilitary forces subject to a Lieutenant Governor who was also Colonel Commanding. The British won the Vandemonian War and then discretely and purposefully concealed it. Historians failed to see through the myths and lies – until now. It is no exaggeration to say that the Tribespeople of Van Diemen’s Land were extirpated from the island. Whole societies were deliberately obliterated. The Vandemonian War was one of the darkest stains on a former empire which arrogantly claimed perpetual sunshine. This is the story of that fight, redrawn from neglected handwriting nearly two centuries old.

Photography, Truth and Reconciliation charts the connections between photography and a crucial issue in contemporary social history. The book examines the prevalence of photography in cultural responses to processes of truth and reconciliation, and argues that photographs are a valuable means through which stories can be retold and historiography can be rethought. Five compelling case studies from Argentina, Canada, Australia, South Africa and Cambodia underscore the special role that this medium has played in facilitating processes of recovery, and in reconstructing suppressed histories, even when a documentary record of the events does not exist. The diverse practices addressed in this book – including artistic, protest, institutional, archival, legal and personal photography – prompt a new consideration of photography’s links to presence, place, time, spectatorship and justice. Collectively, these practices attest to photography’s key role in transitional justice, and in shaping historical understanding internationally. Important reading for students taking photography, visual culture, history and media studies courses, Photography, Truth and Reconciliation explores key historical and theoretical themes, including photography and testimony, international discourses on human rights and justice, and problematic notions of public and collective memory. The introduction and conclusion of this book are freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com