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The Memoirs of Yellowplush are one of Thackeray's early satiric productions, casting a disrespectful eye at the dissispation of fashionable young aristocrats and the attitudes of their servants as well as contemporary literary fashions. Here it is joined by two other short satiric fictions, Samuel Titmarsh and the Great Hoggarty Diamond and A Little Dinner at Timmins's.

Written in what was supposed to be a footman's version of English, this book tells the story of Charles J. Yellowplush's different masters: one of whom sweeps a street crossing and another is an astute nobleman who gets ensnared in a very clever matrimonial trap set by his own father.

William Makepeace Thackeray (1811-1863) was an English novelist of the 19th century. He was famous for his satirical works, particularly Vanity Fair (1847), a panoramic portrait of English society. Thackeray began as a satirist and parodist, with a sneaking fondness for roguish upstarts like Becky Sharp in Vanity Fair, Barry Lyndon in Barry Lyndon (1844) and Catherine in Catherine (1839). In his earliest works, writing under such pseudonyms as Charles James Yellowplush, Michael Angelo Titmarsh and George Savage Fitz-Boodle, he tended towards the savage in his attacks on high society, military prowess, the institution of marriage and hypocrisy. His writing career really began with a series of satirical sketches now usually known as The Yellowplush Papers, which appeared in Fraser's Magazine beginning in 1837. Between May 1839 and February 1840, Fraser's published the work sometimes considered Thackeray's first novel, Catherine also notable among the later novels are The Fitz-Boodle Papers (1842), Men's Wives (1842), The History of Pendennis (1848), The History of Henry Esmond, Esq., (1852), The Newcomes (1853) and The Rose and the Ring (1855) .