Memoirs of the American Indian Chief, born in 1870.

Son of the Sioux, nephew of Crazy Horse and leading spokesman for the great Indian legacy, Chief Red Fox witnessed both Custer's last stand and heard the news of the Vietnam War. Here, in his own words, is his unforgettable story, the story of a long-suffering but still proud people.

Blood Narrative is a comparative literary and cultural study of post-World War II literary and activist texts by New Zealand Maori and American Indians—groups who share much in their responses to European settler colonialism. Chadwick Allen reveals the complex narrative tactics employed by writers and activists in these societies that enabled them to realize unprecedented practical power in making both their voices and their own sense of indigeneity heard. Allen shows how both Maori and Native Americans resisted the assimilationist tide rising out of World War II and how, in the 1960s and 1970s, they each experienced a renaissance of political and cultural activism and literary production that culminated in the formation of the first general assembly of the World Council of Indigenous Peoples. He focuses his comparison on two fronts: first, the blood/land/memory complex that refers to these groups' struggles to define indigeneity and to be freed from the definitions of authenticity imposed by dominant settler cultures. Allen's second focus is on the discourse of treaties between American Indians and the U.S. government and between Maori and Great Britain, which he contends offers strong legal and moral bases from which these indigenous minorities can argue land and resource rights as well as cultural and identity politics. With its implicit critique of multiculturalism and of postcolonial studies that have tended to neglect the colonized status of indigenous First World minorities, Blood Narrative will appeal to students and scholars of literature, American and European history, multiculturalism, postcolonialism, and comparative cultural studies.

Cultural displacement -- physical dislocation from one's native culture or the colonizing imposition of a foreign culture -- is one of the most formative experiences of our century. These essays examine the impact of this experience on contemporary notions of cultural identity from the perspectives of anthropology, history, philosophy, literature, and psychology.

Ishi in Three Centuries brings together a range of insightful and unsettling perspectives and the latest research to enrich and personalize our understanding of one of the most famous Native Americans of the modern era?Ishi, the last Yahi. After decades of concealment from genocidal attacks on his people in California, Ishi (ca. 1860?1916) came out of hiding in 1911 and lived the last five years of his life in the University of California Anthropological Museum in San Francisco. ø Contributors to this volume illuminate Ishi the person, his relationship to anthropologist A. L. Kroeber and others, his Yahi world, and his enduring and evolving legacy for the twenty-first century. Ishi in Three Centuries features recent analytic translations of Ishi?s stories, new information on his language, craft skills, and his personal life in San Francisco, with reminiscences of those who knew him and A. L. Kroeber. Multiple sides of the repatriation controversy are showcased and given equal weight. Especially valuable are discussions by Native American writers and artists, including Gerald Vizenor, Louis Owens, and Frank Tuttle, of how Ishi continues to inspire the creative imagination of American Indians.

Black and Blue: The Redd Foxx Story tells the remarkable story of Foxx, a veteran comedian and "overnight sensation" at the age of 49 whose early life was defined by adversity and his post- Sanford and Son years by a blur of women, cocaine, endless lawsuits, financial chaos, and a losing battle with the IRS. Foxx's frank, trailblazing style as the "King of the Party Records" opened the door for a generation of African-American comedians including Dick Gregory, Bill Cosby, Richard Pryor, Eddie Murphy, and Chris Rock. Foxx took the country by storm in January 1972 as crotchety, bow-legged Watts junk dealer Fred Sanford in Sanford and Son , one of the most beloved sitcoms in television history. Fred's histrionic "heart attacks" ("It's the big one, Elizabeth! I'm comin' to join ya, honey!") and catchphrases ("You big dummy!") turned Fred Sanford into a cultural icon and Redd Foxx into a millionaire. Sanford and Son took Foxx to the pinnacle of television success but would also prove to be his downfall. Interviews with friends, confidantes, and colleagues provide a unique insight into this generous, brash, vulnerable performer a man who Norman Lear described as "inherently, innately funny in every part of his being."

The centenarians highlighted in this wonderful book are noted only for the length but for the depth and breadth of their lives. In their century of living these fascinating people were able to prove that an individual can make a difference. From music greats Irving Berlin and Eubie Blake to political figures Alfred Landon and Madame Chiang Kai-shek to icons of the American scene George Burns and Rose Kennedy to the trailblazing Delany sisters, Centenarians celebrates the indomitable spirit of humanity. People are living longer nowadays, which is great. And it appears that more and more people are achieving the centenarian stage of their lives. If you dont believe me, just ask Willard Scott. Bob Hope