In 1845, an estimated 2,500 emigrants left Independence and St. Joseph, Missouri, for the Willamette Valley in what was soon to become the Oregon Territory. It was general knowledge that the route of the Oregon Trail through the Blue Mountains and down the Columbia River to The Dalles was grueling and dangerous. About 1,200 men, women, and children in over two hundred wagons accepted fur trapper and guide Stephen Meek's offer to lead them on a shortcut across the trackless high desert of eastern Oregon. Those who followed Meek experienced a terrible ordeal when his memory of the terrain apparently failed. Lost for weeks with little or no water and a shortage of food, the Overlanders encountered deep dust, alkali lakes, and steep, rocky terrain. Many became ill and some died in the forty days it took to travel from the Snake River in present-day Idaho to the Deschutes River near Bend, Oregon. Stories persist that children in the group found gold nuggets in a small, dry creek bed along the way. From 2006 to 2011, Brooks Ragan and a team of specialists in history, geology, global positioning, metal detecting, and aerial photography spent weeks every spring and summer tracing the Meek Cutoff. They located wagon ruts, gravesites, and other physical evidence from the most difficult part of the trail, from Vale, Oregon, to the upper reaches of the Crooked River and to a location near Redmond where a section of the train reached the Deschutes. The Meek Cutoff moves readers back and forth in time, using surviving journals from members of the 1845 party, detailed day-to-day maps, aerial photographs, and descriptions of the modern-day exploration to document an extraordinary story of the Oregon Trail.

Researchers James H. and Theona J. Hambleton relate the history of the Meek Cutoff through the words of the diarists that lived through the ordeal. Included in the book are 53 USGS Quadrangle maps showing the actual trail location and many color photos of the remains of the trail itself.

"Freebird is such a timely book. considering the current deep divisions between right and left. A new classic for the collapsing political landscape of America."--Kim Gordon, author of Girl in a Band The Singers, an all-American family in the California style, are about to lose everything. Anne is a bureaucrat in the Los Angeles Office of Sustainability whose ideals are compromised by a proposal from a venture capitalist seeking to privatize the city’s wastewater. Her brother, Ben, a former Navy SEAL, returns from Afghanistan disillusioned and struggling with PTSD, and starts down a path toward a radical act of violence. And Anne’s teenage son, Aaron, can’t decide if he should go to college or pitch it all and hit the road. They all live inside the long shadow of the Singer patriarch Grandpa Sam, whose untold experience of the Holocaust shapes his family’s moral character to the core. Jon Raymond, screenwriter of the acclaimed films Meek’s Cutoff and Night Moves, combines these narrative threads into a hard-driving story of one family’s moral crisis. In Freebird, Raymond delivers a brilliant, searching novel about death and politics in America today, revealing how the fates of our families are irrevocably tied to the currents of history.

Lovisa King, 17, comes of age on the Oregon Trail and finds the strength to help her family survive a deadly shortcut on their journey to the Willamette Valley.

In their bold experimentation and bracing engagement with culture and politics, the “New Hollywood” films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly “grounded” cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history.