The Medusa Gaze offers striking insights into the desires and frustrations of women through the narratives of the impressive contemporary novelists Angela Carter, Toni Morrison, Sylvia Plath, Margaret Atwood, A.S. Byatt, Iris Murdoch, Jeanette Winterson, Jean Rhys and Michèle Roberts. It illuminates women’s power and vulnerability as they construct their own egos in opposition to their hostile alter egos or others facing them in their mirrors, and fixes a panoptic gaze on the women stalking its pages, as they learn how to deflect the menacing gaze of others by returning their look defiantly back at them. Some stare back and win assurance; others are stared down, reduced to psychic trauma, madness and even suicide. The book shows how Freud’s, Sartre’s and Lacan’s androcentric views define the Medusa m/other as monstrous, and how the efforts of mothers to nurture may be slighted as inadequate or devouring. It presents Medusa and other goddess figures as inspirational, repelling harm through the ‘evil eye’ of their powerful gaze. Conversely, it also shows women who are condemned as monstrous Gorgons, trapped in enmity, rivalry and rage. Representing English, American and African American, Canadian and Caribbean writing, the works explored here include realistic, social narrative and magical realist writings, in addition to tales of the past and dystopian narratives.

Vicious thieves smash a cursed Medusa statue and steal the supercomputer Sapphire in a terrifying museum raid. Jazz and Phoenix are first on the scene and they soon find themselves in the midst of a dangerous mystery. Their friend and museum owner, Dr Zhang, is the prime suspect, but he is nowhere to be found. Determined to prove him innocent and find Sapphire, Jazz and Phoenix have just 48 HOURS to follow the trail of evidence before it goes cold. Will the amateur investigators discover that a centuries-old curse has struck again, or is something even more sinister going on? The clock is ticking...

When geology-mad Sam goes to stay with her American cousin, Trey, neither of them have any idea what adventures they're about to unleash. They bring together two pieces of The Heart of Light and whoosh! they're thrown back into Ancient Greece, where

Medusa Pilot Captain TiCara X273, ex-street kid and former bondslave, thought she wanted nothing more than to be captain of her own starship. Or, at least, that was all that she thought she wanted until Sherin Khan came back into her life. A bar singer turned corporate rep, Sherin is now working for Ser Trin Vahn, one of TiCara's best clients and head of Vahn Corp. Once they are thrown together on TiCara’s ship, TiCara and Sherin can no longer deny their simmering attraction to each other. A simple mission to transport the ailing Vahn to the legendary asteroid, Electra 12, for medical treatments turns dark and dangerous as betrayal leads to betrayal. TiCara's greatest enemy is pursuing them, there's a traitor on her crew and Sherin has a secret that can tear them apart. Can they learn to trust each other before it's too late?

American Disaster Movies of the 1970s is the first scholarly book dedicated to the disaster cycle that dominated American cinema and television in the 1970s. Through examining films such as Airport (1970), The Poseidon Adventure (1972), Two-Minute Warning (1976) and The Swarm (1978), alongside their historical contexts and American contemporaneous trends, the disaster cycle is treated as a time-bound phenomenon. This book further contextualises the cycle by drawing on the longer cultural history of modernist reactions to modern anxieties, including the widespread dependence on technology and corporate power. Each chapter considers cinematic precursors, such as the 'ark movie', and contemporaneous trends, such as New Hollywood, vigilante and blaxploitation films, as well as the immediate American context: the end of the civil rights and countercultural era, the Watergate crisis, and the defeat in Vietnam.As Scott Freer argues, the disaster movie is a modern, demotic form of tragedy that satisfies a taste for the macabre. It is also an aesthetic means for processing painful truths, and many of the dramatized themes anticipate present-day monstrosities of modernity.

Brian De Palma's adaptation of Stephen King's debut novel, Carrie (1976), is one of the defining films of 1970s "New Hollywood" style and a horror classic. The story of a teenage social outcast who discovers she possesses latent psychic powers that allow her to deliver retribution to her peers, teachers, and abusive mother, Carrie was an enormous commercial and critical success and is still one of the finest screen adaptations of a King novel. This contribution to the Devil's Advocates series not only breaks the film down into its formal componenets--its themes, stylistic tropes, technical approaches, uses of color and sound, dialogue, and visual symbolism--but also considers a multitude of other factors contributing to the work's classic status. The act of adapting King's novel for the big screen, the origins of the novel itself, the place of Carrie in De Palma's oeuvre, the subsequent versions and sequel, and the social, political, and cultural climate of the era (including the influence of second wave feminism, loosening sexual norms, and changing representations of adolescence), as well as the explosion of interest in and the evolution of the horror genre during the decade, are all shown to have played an important part in the film's success and enduring reputation.