This catalogue is the first comprehensive study of medieval stained glass in South Yorkshire. Not only does it describe and illustrate the surviving glass, but it also gives detailed information on the subjects portrayed, the inscriptions, donors and heraldry. Glass was imported into the areafrom other sources - including an important collection from New College, Oxford, Tudor Renaissance glass, and some German glass. The diverse artistic heritage recorded in this volume sheds much light on the history of South Yorkshire and the surrounding region.

This is a catalogue of the pre-Gothic Revival stained glass found at 57 sites in Lancashire. The extensive and magnificent, but virtually unknown, collection of Liverpool's Walker Art Gallery is catalogued here for the first time. he introduction places the indigenous glass in the context of the social and religious history of Tudor Lancashire.

The Medieval Stained Glass of West Yorkshire is the first complete catalogue of the glass in the county predating the Gothic Revival. The book presents important and well-known glazing schemes, such as those at Thornhill (adjudged by some the best and most important in any church outside York), Elland, and Normanton, alongside glazing that was previously very little known, such as that at Methley and Ripponden. It draws on dispersed information to give accounts of lost and excavated glass, and offers the first overview of stained glass in the region, placing the schemes in the contexts of donors, makers, and post-installation histories. The volume is complemented with an account of some post-medieval glass-painters whose work is found in the county.

South Yorkshire has some of the most varied countryside in England, ranging from the Pennine moors and the wooded hills and valleys in the west to the estate villages on the magnesian limestone escarpment and the lowlands in the east. Each of these different landscapes has been shaped by human activities over the centuries. This book tells the story of how the present landscape was created. It looks at buildings, fields, woods and moorland, navigable rivers and industrial remains, and the intriguing place-names that are associated with them.

First published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.

This comprehensive two-volume catalogue covers the outstanding collection of English and French medieval stained glass in the Metropolitan Museum of Art in New York. Written by curator Jane Hayward, the catalogue is posthumously published as Part I in the Corpus Vitrearum series and represents the culmination of Hayward's pioneering work in the field. 123 panels are examined in depth, ranging from 12th-century border ornaments from the Abbey Church of Saint-Denis to early 16th-century English Passion glass. The catalogue is illustrated with over 500 black and white reproductions and 40 colour plates. It includes discussions on provenance, collection history, dating, style, and iconography, as well as detailed descriptions, restoration charts, and considerations of the current condition of each panel.