This book studies one of the most remarkable collections of medieval manuscripts in Ireland. In the popular mind the medieval manuscripts of Ireland were all destroyed in the Four Courts fire of 1922 but this is far from the truth. From the 1170s the Augustinian cathedral priory at Christ Church in Dublin commissioned, collected and used manuscript materials in its everyday life. In the process they created an important series of codices and deeds that remained in the cathedral~and so survived the Record Office fire. This large assemblage of material from the 12th-century martyrology to the 16th-century 'Book of Obits' reflects the changing religious, social, cultural and intellectual concerns of the world in which they were written. Each essay analyzes a manuscript and places it in its wider context; therefore this volume makes a significant contribution to the intellectual and cultural history of medieval Ireland. Contributors: Alan Fletcher (UCD), Raymond Gillespie (NUIM), Colm Lennon (NUIM), Colmán Ó Clabaigh (Glenstal Abbey), Pádraig Ó Riain (UCC), Raymond Refaussé (RCB Library).

Irish inhabitants of the 'four obedient shires' - a term commonly used to describe the region at the heart of the English colony in the later Middle Ages - were significantly anglicised, taking on English names, dress, and even legal status. However, the processes of cultural exchange went both ways. This study examines the nature of interactions between English and Irish neighbours in the four shires, taking into account the complex tensions between assimilation and the preservation of distinct ethnic identities and exploring how the common colonial rhetoric of the Irish as an 'enemy' coexisted with the daily reality of alliance, intermarriage, and accommodation. Placing Ireland in a broad context, Sparky Booker addresses the strategies the colonial community used to deal with the difficulties posed by extensive assimilation, and the lasting changes this made to understandings of what it meant to be 'English' or 'Irish' in the face of such challenges.

The twelfth century saw a wide-ranging transformation of the Irish church, a regional manifestation of a wider pan-European reform movement. This book, the first to offer a full account of this change, moves away from the previous concentration on the restructuring of Irish dioceses and episcopal authority, and the introduction of Continental monastic observances, to widen the discussion. It charts changes in the religious culture experienced by the laity as well as the clergy and takes account of the particular Irish experience within the wider European context. The universal ideals that were defined with increasing clarity by Continental advocates of reform generated a series of initiatives from Irish churchmen aimed at disseminating reform ideology within clerical circles and transmitting it also to lay society, even if, as elsewhere, it often proved difficult to implement in practice. Whatever the obstacles faced by reformist clergy, their genuine concern to transform the Irish church and society cannot be doubted, and is attested in a range of hitherto unexploited sources this volume draws upon. Marie Therese Flanagan is Professor of Medieval History at the Queen's University of Belfast.

Christ Church cathedral is an Anglican cathedral in a catholic country. Musical and archival sources (the most extensive for any Irish cathedral) provide a unique perspective on the history of music in Ireland. Christ Church has had a complex and varied history as the cathedral church of Dublin, one of two Anglican cathedrals in the capital of a predominantly Catholic country and the church of the British administration in Ireland before1922. An Irish cathedral within the English tradition, yet through much of its history it was essentially an English cathedral in a foreign land. With close musical links to cathedrals in England, to St Patrick's cathedral in Dublin, and to the city's wider political and cultural life, Christ Church has the longest documented music history of any Irish institution, providing a unique perspective on the history of music in Ireland. Barra Boydell, a leading authority on Irish music history, has written a detailed study drawing on the most extensive musical and archival sources existing for any Irish cathedral. The choir, its composers and musicians, repertoire and organs are discussed within the wider context of city and state, and of the religious and political dynamics which have shaped Anglo-Irish relationships since medieval times. More than just a history of music at one cathedral, this book makesan important contribution to English cathedral music studies as well as to Irish musical and cultural history. BARRA BOYDELL is Senior Lecturer in Music, National University of Ireland, Maynooth.

This book celebrates the work and contribution of Professor Janet Burton to medieval monastic studies in Britain. Burton has fundamentally changed approaches to the study of religious foundations in regional contexts (Yorkshire and Wales), placing importance on social networks for monastic structures and female Cistercian communities in medieval Britain; moreover, she has pioneered research on the canons and their place in medieval English and Welsh societies. This Festschrift comprises contributions by her colleagues, former students and friends – leading scholars in the field – who engage with and develop themes that are integral to Burton’s work. The rich and diverse collection in the present volume represents original work on religious life in the British Isles from the twelfth to the sixteenth century as homage to the transformative contribution that

Featuring new essays by international literary scholars, the two-volume Companion to Irish Literature encompasses the full breadth of Ireland's literary tradition from the Middle Ages to the present day. Covers an unprecedented historical range of Irish literature Arranged in two volumes covering Irish literature from the medieval period to 1900, and its development through the twentieth century to the present day Presents a re-visioning of twentieth-century Irish literature and a collection of the most up-to-date scholarship in the field as a whole Includes a substantial number of women writers from the eighteenth century to the present day Includes essays on leading contemporary authors, including Brian Friel, Seamus Heaney, Eavan Boland, Roddy Doyle, and Emma Donoghue Introduces readers to the wide range of current approaches to studying Irish literature

From music written in praise of Irish, Scottish, Welsh, and English saints to the selection of Gospel readings by the Dominicans, this book introduces readers to the richness of medieval liturgical culture from across Britain and Ireland. Each of its three main sections opens with a chapter that offers a contextual frame for its key themes. With contributions from leading experts in pre-Reformation music and its sources, the book's focus on Insular liturgy – rather than that of only one part of Britain or Ireland – allows readers to learn about the devotional, political and creative networks at play in shaping liturgical practices: personal, secular, monastic, lay, and professional. The opening part includes broader discussions of Uses, including that of Salisbury, and case studies explore Insular witnesses to devotional activities in honour of both local cults and widely known figures, including St Columba, St Margaret, St Katherine, and the Magi.