Ever wonder how good you’d be with a sword? This book is for you. Do love movie sword fights? Learn how real sword fights work. Are you into stage combat? Add depth with historically accurate technique. You’re a bad uncle looking for a present for your niece? Get her this book, though her parents might hate you. Or do you just like swords? If you’ve ever wanted to turn your sword dreams into reality, then this book is for you. Anyone can learn the medieval Art of the longsword. This book will give you a thorough grounding in the techniques and tactics from the 600-year-old manuscript Il Fior di Battaglia, and includes free access to additional resources such as videos and full-sized images, to help you translate the movements from page to real life. Sure, it’s a 600-year old manuscript, but you know what? People who studied this manuscript lived. Why not stick with something that works? The Medieval Longsword covers everything you need to know from tools of the trade, to footwork, strikes and defences, to how to exploit your adversary’s mistakes, and how to disarm your opponent. This complete and approachable guide to the Art of Arms provides a gateway to a world-wide community of likeminded people also practicing this historical martial art. Whether you’re an absolute beginner or a competent fencer, this book by author and internationally renowned swordsman Guy Windsor will guide you towards mastery of this ancient Art.

The formidable European longsword – featuring a double-edged straight blade in excess of 40in, and capable of being used with one or both hands – remains one of the most impressive and distinctive edged weapons of the late medieval era. Also known as the 'bastard' sword and the 'hand-and-a-half' sword, the longsword evolved from the war swords and great swords of the 14th century, and emerged as a battlefield weapon in the early stages of the Hundred Years' War. It went on to become a key weapon on the battlefields of late medieval Europe, creating a new system of sword fighting. Drawing together period sources, modern technical analysis and his own experiences with the longsword, Neil Grant explores the origins, manufacture and evolving use of this iconic late-medieval edged weapon. Illustrated throughout with specially commissioned full-colour artwork and an array of period illustrations and close-up photographs, this is the enthralling story of one of late-medieval Europe's most distinctive and deadly close-combat weapons.

In From Medieval Manuscript to Modern Practice, renowned historical swordsman Guy Windsor demystifies one of the greatest martial arts books of all time, Fiore dei Liberi's Il Fior di Battaglia (The Flower of Battle). In the late 14th century dei Liberi, an Italian knightly combat master, wrote Il Fior di Battaglia (The Flower of Battle). This magnificent, illustrated manuscript described how to fight on foot and on horseback, in armour and without, with sword, spear, pollax, dagger, or with no weapon at all. Windsor spent the last twenty years studying Fiore's work and creating a modern practice of historical swordsmanship from it. In this book, Windsor takes you through all of Fiore's longsword techniques on foot without armour. Each technique (or “play”) is shown with the drawing from the treatise, Windsor's transcription and translation of the text, his commentary on how it fits into the system and works in practice, and a link to a video of the technique in action. The book also contains a detailed introduction describing Fiore's life and times, and extensive discussion of the contexts in which Fiore's art belongs. From Medieval Manuscript to Modern Practice is essential reading for all martial artists and historians of the medieval and early Renaissance.

Additional Manuscript 39564, Cottonian Titus A XXV, and Harleian MS 3542 are believed to be the only surviving martial arts texts of medieval England. Written before 1500, these rare texts on the art and lore of the longsword have now been transcribed, translated and boldly interpreted for modern students of the medieval combat arts. In Lessons on the English Longsword, Brandon Heslop and Benjamin Bradak combine dedicated scholarship with years of rigorous training to provide the mst complete look yet at the English tradition of the longsword, including: Full transcription and translations of the three texts, insights into training methods in medieval England and a useful lexicon of terms Detailed photographic interpretations of the texts to serve as a visual reference in the study and application of the art of swordsmanship A convincing case for a pan-European art of the longsword, linking the techniques and training of the English tradition with the better-known German and Italian traditions Focus on two important aspects of medieval swordsmanship found in the English manuscripts but rarely in the numerous German and Italian sources: set training forms and the facing of multiple opponents

Celebrate two decades of historical martial arts development with the 20th Anniversary Edition of The Swordsman's Companion by Guy Windsor. This seminal guide has transformed the lives of thousands of swordsmanship enthusiasts worldwide, becoming a timeless classic in historical martial arts literature. This special edition retains the original's practical approach with detailed instructions, illustrations, and drills, which were state-of-the-art in 2004. The field has moved on considerably, so this book includes access to Guy's fully updated interpretation of Fiore's longsword techniques in The Medieval Longsword. Whether you're revisiting this influential text or discovering it for the first time, The Swordsman's Companion is a fascinating resource for both beginners and seasoned martial artists. Join the community of dedicated practitioners who have begun their martial arts journey through this book.

This book builds on the foundation laid in The Medieval Longsword, and teaches you how to train Fiore dei Liberi’s Art of Arms, as shown in his 1410 manuscript ll Fior di Battaglia. Renowned swordsman and author Guy Windsor explains three of the longsword forms that are used every day in The School of European Swordsmanship: The Cutting Drill, The Farfalla di Ferro, and The Longsword Syllabus Form. Each form is explained step by step and application by application, with abundant photographs and images from Fiore’s manuscript. Guy takes you through each step first as a pair drill, then as part of the form, then as a starting point for further training, or for further research into Il Fior di Battaglia. Within these pages you will find in-depth instructions and analysis, dozens of tips for how to improve your skills, and enough material for years of study.

Recorded over six centuries ago, the teachings of the 14th-century Master-at-Arms Johannes Liechtenauer have been given new life by a world-wide community of modern swordsmen and women, fascinated by the elegance, efficiency and depth of his unique martial art. Christian Henry Tobler was one of the pioneers in reviving the medieval Master's art, creating the first, published syllabus for training with the two-handed longsword back in 2004. This fully rewritten, revised and expanded edition brings to bear a decade of refinement, creating a definitive, "how to" guide for students. Beginning with a short historical overview of the art, Mr. Tobler teaches stance, footwork, methods for gripping the sword, and step-by-step instructions for executing the core techniques of the Liechtenauer tradition. Additional chapters introduce students to wrestling, spear and armoured combat; demonstrating the art's depth and breadth. Heavily photo-illustrated, the book also makes use of decision-trees and training drills to aid in learning. Used as a complete, self-contained course, or a primer for studying the original medieval works themselves, this unique book will be invaluable to martial artists, reenactors, medieval historians, or anyone who has ever wondered "how did knights fight?"