This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1936.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1936.

Shakespeare has never been more ubiquitous, not only on the stage and in academic writing, but in film, video and the popular press. On television, he advertises everything from cars to fast food. His birthplace, the tiny Warwickshire village of Stratford-Upon-Avon, has been transformed into a theme park of staggering commercialism, and the New Globe, in its second season, is already a far bigger business than the old Globe could ever have hoped to be. If popular culture cannot do without Shakespeare, continually reinventing him and reimagining his drama and his life, neither can the critical and scholarly world, for which Shakespeare has, for more than two centuries, served as the central text for analysis and explication, the foundation of the western literary canon and the measure of literary excellence.The Shakespeare the essays collected in these volumes reveal is fully as multifarious as the Shakespeare of theme parks, movies and television. Indeed, it is part of the continuing reinvention of Shakespeare. The essays are drawn for the most part from work done in the past three decades, though a few essential, enabling essays from an earlier period have been included. They not only chart the directions taken by Shakespeare studies in the recent past, but they serve to indicate the enormous and continuing vitality of the enterprise, and the extent to which Shakespeare has become a metonym for literary and artistic endeavor generally.

In this volume, 8 lively, original essays by eminent scholars trace the kaleidoscopically shifting dramatic forms, performance contexts, and social implications of tragedy throughout the period and across geographic, political, and social references. They attend not only to the familiar cultural lenses of English and mainstream Continental dramas but also to less familiar European exempla from Croatia and Hungary. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.

"The book is at the same time rooted in the theater, and thus relates the theatrical conventions of Shakespeare's time to the thematic matter of the book. In particular, Ko demonstrates how the divisions explored in the plays are related to stage practices like the use of boy-actors and the volatile interplay of illusionistic and non-illusionistic modes of acting. In this context, Ko introduces a new term - charactor - that combines the fictional character and the stage actor and enables a new, nuanced exploration of stage personae."--Jacket.

A study of the medieval idea that defined the "world" as recorded in I John 2:16-the lust of the flesh, and the lust of the eyes, and the pride of life. Conflict in Troilus and Criseyde, Piers Plowman, and Sir Gawain and the Green Knight is explored. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Battenhouse's Shakespearean tragedy: Its art and Christian premises, Irving Ribner's Patterns in Shakespearian tragedy, Virgil K. Whitaker's The mirror up to nature: The techniques of Shakespeare's tragedies, and Robert Grams Hunter's Shakespeare and the mystery of God's judgments. Waters questions, for example, Battenhouse's validity of Christian theological and didactic emphases on the old purgation theory of catharsis. His approach differs also from Northrop Frye's views on the tragedies in Northrop Frye on Shakespeare, an archetypal approach to representative plays including the tragedies.