First English translation of one of the most influential French poems of the Middle Ages. The anonymous Ovide moralisé (Moralized Ovid), composed in France in the fourteenth century, retells and explicates Ovid's Metamorphoses, with generous helpings of related texts, for a Christian audience. Working from the premise that everything in the universe, including the pagan authors of Graeco-Roman Antiquity, is part of God's plan and expresses God's truth even without knowing it, the Ovide moralisé is a massive and influential work of synthesis and creativity, a remarkable window into a certain kind of medieval thinking. It is of major importance across time and across many disciplines, including literature, philosophy, theology, and art history. This three volume set offers an English translation of this hugely significant text - the first into any modern language. Based on the only complete edition to date, that by Cornelis de Boer and others completed in 1938, it also reflects more recent editions and numerous manuscripts. The translation is accompanied by a substantial introduction, situating the Ovide moralisé in terms of the reception of Ovid, the mythographical tradition, and its medieval French religious and intellectual milieu. Notes discuss textual problems and sources, and relate the text to key issues in the thought of theologians such as Bonaventure and Aquinas.

First English translation of one of the most influential French poems of the Middle Ages. The anonymous Ovide moralisé (Moralized Ovid), composed in France in the fourteenth century, retells and explicates Ovid's Metamorphoses, with generous helpings of related texts, for a Christian audience. Working from the premise that everything in the universe, including the pagan authors of Graeco-Roman Antiquity, is part of God's plan and expresses God's truth even without knowing it, the Ovide moralisé is a massive and influential work of synthesis and creativity, a remarkable window into a certain kind of medieval thinking. It is of major importance across time and across many disciplines, including literature, philosophy, theology, and art history. This three volume set offers an English translation of this hugely significant text - the first into any modern language. Based on the only complete edition to date, that by Cornelis de Boer and others completed in 1938, it also reflects more recent editions and numerous manuscripts. The translation is accompanied by a substantial introduction, situating the Ovide moralisé in terms of the reception of Ovid, the mythographical tradition, and its medieval French religious and intellectual milieu. Notes discuss textual problems and sources, and relate the text to key issues in the thought of theologians such as Bonaventure and Aquinas.

Essays examining both the theory and practice of medieval translation.

The first English translation of Ovid’s Metamorphoses was the work of William Caxton, not just England’s first printer but also a successful merchant, diplomat, and one of the most prolific translators of the fifteenth century. Extremely popular in the late Middle Ages, the stories in the Metamorphoses featured in works by Chaucer, Gower, and Lydgate.Caxton’s translation, which survives only in a single manuscript now in Magdalene College, Cambridge, was made not from the original Latin but from a prose version of the French Ovide moralisé, a chivalric adaptation which includes allegorical and historical interpretations of the fables as well as additional classical tales. In the fifteenth century, Burgundian chivalric taste influenced the proliferation of the prose romance, and this genre was, in turn, sought as the height of English literary fashion. The Booke of Ovyde is thus a perfect example of how Caxton both reflected and influenced literary tastes of his day.This critical edition, the first of the entire work, seeks to encourage the study of Caxton’s Ovyde, both as an example of the late-medieval mise en prose and as a significant part of Caxton’s considerable oeuvre. It also serves as an entry point into the complex textual tradition of medieval Ovidian commentaries.

This book explores the extraordinary influence of Ovid upon the culture - learned, literary, artistic and popular - of medieval Europe.