This book explores this inherent contradiction present in most facets of Singaporean media, cultural and political discourses, and identifies the key regulatory strategies and technologies that the ruling People Action Party (PAP) employs to regulate Singapore media and culture, and thus govern the thoughts and conduct of Singaporeans. It establishes the conceptual links between government and the practice of cultural policy, arguing that contemporary cultural policy in Singapore has been designed to shape citizens into accepting and participating in the rationales of government. Outlining the historical development of cultural policy, including the recent expansion of cultural regulatory and administrative practices into the ‘creative industries’, Terence Lee analyzes the attempts by the Singaporean authorities to engage with civil society, the ways in which the media is used to market the PAP’s policies and leadership and the implications of the internet for the practice of governmental control. Overall, The Media, Cultural Control and Government in Singapore offers an original approach towards the rethinking of the relationship between media, culture and politics in Singapore, demonstrating that the many contradictory discourses around Singapore only make sense once the politics and government of the media and culture are understood.

"This volume departs from the debilitating deadlock via a new theory of controlled commodification. Informed by political economy, the theory goes beyond the cultural imperialism thesis and the political economy of the media developed for Western contexts. The book offers a comprehensive and nuanced explication of Singapore's print and electronic media. It also critically dissects its culture in an age when media contribute immensely to as well as influence it."--Jacket.

This book addresses the complex issue of global Internet governance by focusing on its implementation in Malaysia and Singapore. The authors draw insights, identify, revisit and flesh out the discourses circulating since the 1990s and pitch them against global internet governance concerns. Internet governance, thought managed domestically/nationally, is a global issue. It is at the heart of how the internet works yet remains hidden within the 'black box' of governance language. While several scholars have entered the fray in recent years, especially in the past decade, very few of them are aware that the Malaysian and Singaporean governments have in fact been at the forefront of Internet regulatory strategies from the early 1990s. The book identifies, revisits and gives flesh to some of the discourses circulating in Southeast Asia at the time and pitches it against current governance concerns. Readers of this book will understand how and why Malaysia and Singapore are important contributors to the issue of internet governance. This knowledge will inform a depth of understanding of why China is keenly seeking to stake its demands on internet governance and sovereignty, and likely American and global responses. Readers will also appreciate how and why the regulation of the Internet has been and will remain a site of contestation and control.

Commentators on the media in Southeast Asia either emphasise with optimism the prospect for new media to provide possibilities for greater democratic discourse, or else, less optimistically, focus on the continuing ability of governments to exercise tight and sophisticated control of the media. This book explores these issues with reference to Malaysia and Singapore. It analyses how journalists monitor governments and cover elections, discussing what difference journalism makes; it examines citizen journalism, and the constraints on it, often self-imposed constraints; and it assesses how governments control the media, including outlining the development and current application of legal restrictions.

. . . the book is in a comprehensive, readable format. . . the book is logically organised, rich in data and statistics regarding the issues that it covers, as well as accessibly written such that its points would not be lost on the average upper-level undergraduate student with some preparation in Asian studies and the social sciences. Jane M. Ferguson, South East Asia Research . . . a serious academic work that should be on the official reading list of every media studies course. Chris Roberts, Presenter, Sky News Jonathan Woodier has written an excellent book on the politics of media control in Southeast Asia. He shows how political elites in the region are using major events such as the 1997 Asian Financial Crisis and the 2001 September 11 terror attacks as well as innovations in media tools such as public relations and the internet to control information flow to their citizens. This book is a must read for anyone interested in an explanation why Southeast Asian models of authoritarian models are surviving. A brilliant analysis, it combines media theory with a critical discussion of contemporary developments in Asia. James Gomez, Keio University, Japan True to the old Chinese adage kill a chicken scare a monkey , the few who once challenged Southeast Asia s ruling elites disappeared and the majority were silent. Crude, but effective. Modern times, however, demand a more sophisticated approach. Ruling elites now strip cultures naked and micro manage people s minds. Their preferred tools of penetration and manipulation are a compliant media and a money hungry PR industry. Jonathan Woodier s insights will ensure that you will never read a newspaper or watch TV news in quite the same way again. Trevor Watson, Professional Public Relations Pty Ltd, Australia This is an engaging and informative analysis of the media landscape in South East Asia. It uncovers the pervasive impact of the global media on the political process, and raises important academic and policy issues in the process. This book is timely, and will be a must read for policymakers, academics and students across communications, media studies, politics and democratization, as well as for everyone with an interest in current day developments in South East Asia. Joep Cornelissen, Leeds University Business School, UK Jonathan Woodier s latest work considers what impact the media has upon the democratization process in Southeast Asia. Has the media had a liberalizing effect or become subject to elite control in Southeast Asia and, if so, why? What role does the global media play in this process, particularly given its conglomerization and commoditization? By examining the communications media and its relationship to political change in Southeast Asia, this fascinating study will endeavour to provide both a regional comparative analysis and a more balanced interpretation of the mass communication media in the wake of September 11, 2001. The book also investigates the durability of authoritarian regimes and the enduring capacity of the media-controlled state alongside the growing sophistication of political communications particularly the use of PR consultants. The author provides an insider s view with unique insights into the practice of political communication and its development throughout the strategically important region of Southeast Asia with its large Moslem states as well as much further afield to countries such as China and post-industrial Europe. As such the book will be warmly welcomed by academics of politics, international relations, media, communications and PR. It will also appeal to researchers interested in political change, the rise of the global media giants and the influence of authoritarian states such as China.

This book covers Singapore's key arts policies and art institutions which have shaped the cultural landscape of the country from the 1950s to the present.The scholars and experts in this volume critically assess arts policies and arts institutions to collectively provide an overview of how arts and culture have been deployed by the state. The chapters are arranged chronologically to cover milestone events from the forging of 'Malayan culture'; the government's 'anti-yellow culture' campaign; the use of 'culture' for tourism; the setting up of the Advisory Council on Arts and Culture, the Renaissance City Report, the setting up of the School of the Arts, and others.Putting to rest the notion that Singapore is a 'cultural desert', this volume is valuable reading for students of cultural policy, policy makers who seek an understanding of Singapore's cultural trajectory, and for international readers interested in Singapore's arts and cultural policy.