Dennis Cooper unveils a mesmerizing debut story collection for his Little House on the Bowery fiction series. “[A] provocative and refreshing debut collection.” —Publishers Weekly “Praise seems superfluous for a book as accomplished, cohesive, and devastating as Lonely Christopher’s debut collection, so consider these words admiration instead, and admonishment: if you still think fiction counts for anything, then you should buy this book right now.” —Dale Peck, author of What We Lost and Time To Say Goodbye A selection of Dennis Cooper’s Little House on the Bowery series. Two boys lie on a bed, one of them is already dead; they listen to Glenn Gould playing Bach and talk about suicide and love. A lonely narrator mourns the end of a relationship and the disappearance of a mysterious object as a frustrated artist jumps out of a moving car on his birthday and runs for the last streetlamp in the universe. Awkward parents and angsty teens negotiate a dark suburban landscape, searching for something they can’t name, spelling out balletic sentences of failure and shame. Helicopters menace the night sky, a horse is murdered in a kitchen, victims go missing in swamps of ambiguity, and everybody waits for what the construction of a new road into town will bring: the end of the world or something worse. The Mechanics of Homosexual Intercourse, a radical map of shortcomings in our daily experiences in the form of a debut story collection, presents thematically related windows into serious emotional trouble and monstrous love. Lonely Christopher combines a striking emotional grammar with an unyielding imagination in the lovely-ugly architecture of his stories.

Two boys lie on a bed, one of them is already dead; they listen to Glenn Gould playing Bach and talk about suicide and love. A lonely narrator mourns the end of a relationship and the disappearance of a mysterious object as a frustrated artist jumps out of a moving car on his birthday and runs for the last street lamp in the universe. The Mechanics of Homosexual Intercourse, a radical map of shortcomings in daily experiences in the form of a debut story collection, presents thematically related windows into serious emotional trouble and monstrous love.

The third title on Dennis Cooper's Little House on the Bowery series, Grab Bag is comprised of two interrelated novels, Dark Rides and Wish Book, from one of Canada's most important young writers. Both books are set in the same small rural city, in different eras (1950s, 1930s), each characterised by McCormack's spare and elliptical prose. Anyone interested in the more wicked, crafty and inventive forms of Canadian writing would be well advised to spend time with McCormack' - Toronto Star'

The author of the acclaimed transgressive cult classic Dear Dead Person returns with this long-awaited second collection of brilliantly written, outrageously imaginative and comedic short stories. In Headless, Weissman turns his daredevil wit and fearless storytelling gifts on subjects ranging from Hitler's secret life as a skier to the philosophical musings of identical twin porn stars to the travails of the world's most sitcom defying family.

Poetry. LGBTQIA Studies. Lonely Christopher's debut poetry collection was a controversial cris de coeur that attracted scorn and praise on its initial release for an unsparing portrayal of a young alcoholic gay writer struggling to find meaning in the loss of his mother to cancer. Inspired by Rimbaud's derangement of the senses, Christopher embraces an enfant terrible persona, unafraid of raw emotions, scrawling intense and devastating lyrics that push verse to its breaking point. In a combination of experimental and confessional modes, using a complex array of styles, personal bereavement is trapped between penury and hatred of capitalism. This notorious volume has been acclaimed as a contemporary classic of the queer avant-garde.

'"Relationships in New York are about detachment, so how do you get attached when you decide you want to?" "Honey, you leave town."' Meet Carrie, Miranda, Sam and their stylish friends. Successful, attractive, thirty-something career women living the high life in New York; blazing a glorious cocktail trail from the Bowery Bar to the Baby Doll Lounge; holidaying in the Hamptons and going to Aspen by Lear Jet. But they have more in common than just their enviable lifestyle; they're all searching for lasting love. Finding it is easier said than done in a town full of gorgeous, single, rich men, none of whom want to settle down. Toxic bachelors and serial daters are a perennial problem - but maybe Mr. Big will be different?

From the star of Broadway's The Book of Mormon and HBO's Girls, the heartfelt and hilarious coming-of-age memoir of a Midwestern boy surviving bad auditions, bad relationships, and some really bad highlights as he chases his dreams in New York City With a new afterword • “Candid, funny, crisp . . . honest and tender about lessons of the heart.”—Vogue When Andrew Rannells left Nebraska for New York City in 1997, he, like many young hopefuls, saw the city as a chance to break free. To start over. To transform the fiercely ambitious but sexually confused teenager he saw in the mirror into the Broadway leading man of his dreams. In Too Much Is Not Enough, Rannells takes us on the journey of a twentysomething hungry to experience everything New York has to offer: new friends, wild nights, great art, standing ovations. At the heart of his hunger lies a powerful drive to reconcile the boy he was when he left Omaha with the man he desperately wants to be. As Rannells fumbles his way towards the Great White Way, he also shares the drama of failed auditions and behind-the-curtain romances, the heartbreak of losing his father at the height of his struggle, and the exhilaration of making his Broadway debut in Hairspray at the age of twenty-six. Along the way, he learns that you never really leave your past—or your family—behind; that the most painful, and perversely motivating, jobs are the ones you almost get; and that sometimes the most memorable nights with friends are marked not by the trendy club you danced at but by the recap over diner food afterward. Honest and hilarious, Too Much Is Not Enough is an unforgettable look at love, loss, and the powerful forces that determine who we become.