At seventeen, Indiana Jones thirsted for adventure--but what he found in World War I Paris was beyond his wildest dreams...

In his new novel, Paulo Coelho, bestselling author of The Alchemist and Adultery, brings to life one of history's most enigmatic women: Mata Hari. HER ONLY CRIME WAS TO BE AN INDEPENDENT WOMAN When Mata Hari arrived in Paris she was penniless. Within months she was the most celebrated woman in the city. As a dancer, she shocked and delighted audiences; as a courtesan, she bewitched the era’s richest and most powerful men. But as paranoia consumed a country at war, Mata Hari’s lifestyle brought her under suspicion. In 1917, she was arrested in her hotel room on the Champs Elysees, and accused of espionage. Told in Mata Hari’s voice through her final letter, The Spy is the unforgettable story of a woman who dared to defy convention and who paid the ultimate price.

Biography of the most infamous woman of the early 20th century, the Dutch courtesan and alleged spy Margaretha Zelle (1876-1917), - Mata Hari Mata Hari was the prototype of the beautiful but unscrupulous female agent who used sexual allure to gain access to secrets, if she was indeed a spy. In 1917, the notorious dancer Mata Hari was arrested, tried, and executed for espionage. It was charged at her trial that the dark-eyed siren was responsible for the deaths of at least 50,000 gallant French soldiers. Irrefutably, she had been the mistress of many senior Allied officers and government officials, even the French Minister of War: a point viewed as highly suspicious. Worse yet, she spoke several European languages fluently and travelled widely in wartime Europe. But was she guilty of espionage? For all the publicity Mata Hari and her trial received, key questions remain unanswered. These questions concern not only her inadequate trial and her unproven guilt, but also the events in her personal life. What propelled Margaretha Zelle, destined to be a Dutch schoolteacher, to transform herself into Mata Hari, the most desirable woman in early 20th-century Paris? She danced before enthusiastic crowds in Paris, Berlin, Vienna, Madrid, Monte Carlo, Milan and Rome, inspiring admiration, jealousy, and bitter condemnation. Pat Shipman's brilliant biography pinpoints the powerful yet dangerous attributes that evoked such strong emotions in those who met Mata Hari, for hitherto the focus has been on espionage, not on exploring the events that shaped her life and caused her to transform herself from rural Dutch girl to international femme fatale.

“IN THIS THIRD ACT OF MY LIFE, MUCH HAS BECOME CLEARER. SO MUCH IS OVER, AND I AM OVER SO MUCH . . .” At a certain time in life, we all come to realize what is truly important to us and what just doesn’t matter. For Shirley MacLaine, that time is now. In this wise, witty, and fearless collection of small observations and big-picture questions, she shares with readers all those things that she is over dealing with in life, in love, at home, and in the larger world . . . as well as the things she will never get over, no matter how long she lives. Among the things that Shirley is over: people who repeat themselves (“when you didn’t care what they said the first time”); conservatives and liberals; ill-mannered young people; the poison of celebrity (“Why do so many people want to be famous when they see how it can destroy your life?”); being polite to boring people (“If they won’t stop talking, I go into a trance and meditate”); getting older in Hollywood (“How peaceful it is not to have to look particularly pretty anymore or to wear a size 6”). In the opposite camp, there are some things Shirley will never get over: good lighting (“Marlene Dietrich taught me how to light myself”); gorgeous costars (“The vanity of male actors is an impossible wall to scale”); performing live (“Yes, it is better than sex”); and above all, brave people with curious minds (“Fear is the most powerful weapon of mass destruction”). Along the way, she recalls stories of some of the true greats she has known—Alfred Hitchcock, Elizabeth Taylor, Frank Sinatra, the two Jacks (Lemmon and Nicholson)—and ruminates on the state of Hollywood past and present. She recollects her relationships and romances with politicians (including two prime ministers), scientists, journalists, and costars. An unabashed seeker of truth and unrepentant free spirit, Shirley looks squarely at a world that can irritate, confuse, and provoke her, but that can also delight her with its beauty, humor, and future promise. Reading I’m Over All That will make you feel you have been reunited with an old friend who tells it like it is but never takes herself too seriously. Shirley MacLaine may be over all that, but this irresistible book ensures that we will never get over her.

When struggling painter Nicholas Gray first sees Margaretha Zelle, it is in a poor photograph. But something draws him to her. All men are drawn to Margaretha—her mysterious eyes, her effortless sensuality. In another life, she will become known as Mata Hari. As a dancer, she becomes famous. As a seductress, she becomes legendary. Soon, Mata Hari is crisscrossing Europe, collecting generals, aristocrats, and businessmen as her lovers. But staying behind in Paris, only Gray truly loves her. He watches from afar as her shifting alliances and brushes with power entangle her in a world of espionage and danger. Can Gray save her before the trap springs shut? Author Dan Sherman brings his mastery of modern suspense to this thrilling story of the world’s most legendary femme fatale. Blending history with fiction, The Man Who Loved Mata Hari has earned its author comparison to John La Carré and Graham Greene. It will ensnare readers with its tale of the woman who held all of Europe spellbound.

The daring missions and cloak-and-dagger skullduggery of America's World War II intelligence agency, the Office of Strategic Services (OSS), have become the stuff of legend. Yet the contributions of the four thousand women who made up one-fifth of its staff have gone largely unheralded. Here, at last, are their fascinating stories, told by one of their own. A seasoned journalist and veteran of sensitive OSS and CIA operations, McIntosh draws on her own experiences and in-depth interviews with more than one hundred OSS women to uncover some of the most tantalizing stories and best-kept secrets of the war.

This book explores the life of the controversial and historical figure, Mata Hari -- the exotic dancer, convicted double agent, and original femme fatale--told from her own perspective. It collects the five-issue series and includes additional historical material and an artist's sketchbook. Dancer. Courtesan. Spy. Executed by a French firing squad in 1917. One hundred years on from her death, questions are still raised about her conviction. Now, the lesser-known, often tragic story of the woman who claimed she was born a princess, and died a figure of public hatred, with no one to claim her body is told by break-out talent writer Emma Beeby (Judge Dredd), artist Ariela Kristantina (Insexts), and colorist Pat Masioni drawing on biographies and released MI5 files We meet Mata Hari in prison at the end of her life as she writes her memoir--part romantic tale of a Javanese princess who performed "sacred" nude dances for Europe's elite, and part real-life saga of a disgraced wife and mother, who has everything she loves taken from her. But, as she sits trial for treason and espionage, we hear another tale, of a flamboyant Dutch woman who became "the most dangerous spy France has ever captured"--a double agent who whored herself for secrets, lived a life of scandal and loved only money. Leading us to ask . . . who was the real Mata Hari?