In 15th century Bruges, master painter Hans Memling is about to find himself at the heart of a political storm that stretches from his home city to Plantagenet England.

This study is an important new account of the life and work of the flemish master Petrus Christus. It is the first volume to focus specifically on the physical characteristics of his works as criteria for judging attribution, dating, and the extent to which he was indebted to Jan Van Eyck and other artists for the development of his technique and style.

Hans Memling was the leading painter in Bruges during the last quarter of the fifteenth century, receiving commissions from patrons in England, Germany and Italy as well as Flanders itself. For the Romantics of the nineteenth century, he ranked even above Jan van Eyck as the greatest of the Flemish primitives. By the middle of the twentieth century, however, his exalted reputation had declined sharply under the shadow of his presumed teacher, Rogier van der Weyden. In 1953, Panofsky labelled Memling a major minor master, leading subsequent writers to consider him unworthy of serious study. It was only in 1994, the five-hundredth anniversary of his death, that the major exhibition on Memling in Bruges launched a veritable flood of publications on his life and work, finally granting him the recognition he deserves.This book contributes to the ongoing reappraisal of Memling by addressing some of the tantalizing problems that remain unresolved despite much recent study of his work. Beginning with the question of his training, the text follows him on his Wanderjahre from his native Germany to Bruges, where he became a citizen in 1465. It then considers his activities as a master painter in Bruges, concentrating on the late fifteenth and early sixteenth centuries, including the work of such major artists as Leonardo da Vinci and Raphael.

A jet-black comedy debut from Martin McDonagh.

This catalogue features a selection of fifty exquisite European drawings dating from the 16th to the early 18th century in the Print Room of Musea Brugge. It brings together the most relevant findings of recent research, including new attributions and significant new insights into the drawing and workshop practices of the period. The selection includes drawings by important Flemish and Dutch artists such as Frans Floris and Govaert Flinck, as well as by Italian masters like Federico Zuccari and French artists Jacques Callot and Pierre Mignard. In addition to these well-known names, significant works by lesser-known draughtsmen like Jan van Mieris, Johan van Lintelo and Louis de Deyster are represented. AUTHOR: Virginie D'haene is Assistant Curator Prints and Drawings, Museum Plantin Moretus/Prentenkabinet, Musea Antwerpen in Antwerp, Belgium. SELLING POINTS: * Recent scholarly research yields new insights into European Old Master drawing practices * Includes drawings in the collection of the Musea Brugge by important Flemish and Dutch artists such as Frans Floris and Govaert Flinck, as well as Italian masters like Federico Zuccari and French artists Jacques Callot and Pierre Mignard 120 colour, 100 b/w images

Provides a guide for more experienced crocheters to create lacework patterns and projects, including openwork pillows, lacy cardigans, and fingerless gloves.