“This is punishment, beautiful. You disobeyed. You will feel my displeasure.” Three days for five grand and the ultimate reporter’s scoop. I just have to make myself available to six royal bad boys on a yacht. How hard could it be? Except the Devil Duke sees right away I'm not a professional and now he's holding me captive. Training me in the art of submission. Keeping me away from the real story. He won't let me go until I sign a confidentiality agreement. Which I'm not going to do. So that leaves me at his mercy... Devour this steamy royalty romance novella by USA Today bestselling author Renee Rose. No cheating, HEA guaranteed.

When Dr. Darren Drake catches his Certified Nurse Assistant smoking behind the clinic and gushing on the phone about him, he decides she requires punishment: an embarrassing examination including anal play. Playing around with an employee opens him up for sexual harassment charges or getting kicked out of his practice, but when Chloe asks for more, he just can’t resist. Despite working in an OB/Gyn clinic, Chloe hates doctors. Their know-it-all God-playing rubs her the wrong way—until the man she refers to as Dr. Dreamy shows her giving up control might fulfill fantasies of submission she never knew she had. He seems to enjoy torturing her in the most delicious ways, but he also reduces her to stammers and blushes, which makes it hard to get to know one another. Can he use his dominance to remove all semblance of control, leaving her with no option but to obey and show her true heart?

Tara Sue Me’s New York Times bestselling Submissive series continues with a delicious new story that explores the thin line between pleasure and pain. . . . She’s ready to try again. . . . Sasha Blake is scarred from a BDSM session gone wrong, but she can’t deny how much a strong Master turns her on. Determined to overcome her fears and rejoin the Partners in Play community, she asks Abby and Nathaniel West to set her up with a Dom who can help her feel safe again as a sub. They know the very experienced Cole is exactly the kind of man who can push all of Sasha’s buttons—and she soon wants to go much faster than she had planned. . . . Cole knows that Sasha is not the kind of submissive he needs. He wants someone who will serve him 24-7, not a part-time partner. Still, the further they go into their play, the more Cole begins to wish he could make Sasha his all the time. . . . When forbidden desires turn into scorching action, Sasha and Cole come face-to-face with their demons—and realize their scorching relationship might be too dangerous to last. . . .

Though he was born and raised in Augusta, Georgia, home of fabled Augusta National and The Masters, all ten?year?old Trip Bowden knew about golf was that it took up too much of his father?s time. But all that changed once Bowden?s father, a local doctor, introduced him to one of his patients, legendary Augusta National Caddy Master Freddie Bennett. The two formed a friendship and Bowden soon absorbed Bennett?s passion for the sport. But it was the lessons Bennett taught Bowden off the course that had the profoundest impact on his life. Soon to be a major motion picture, Freddie & Me is a heartwarming tale of an uncommon bond forged through sport.

Satan, Judas, a Soviet writer, and a talking black cat named Behemoth populate this satire, “a classic of twentieth-century fiction” (The New York Times). In 1930s Moscow, Satan decides to pay the good people of the Soviet Union a visit. In old Jerusalem, the fateful meeting of Pilate and Yeshua and the murder of Judas in the garden of Gethsemane unfold. At the intersection of fantasy and realism, satire and unflinching emotional truths, Mikhail Bulgakov’s classic The Master and Margarita eloquently lampoons every aspect of Soviet life under Stalin’s regime, from politics to art to religion, while interrogating the complexities between good and evil, innocence and guilt, and freedom and oppression. Spanning from Moscow to Biblical Jerusalem, a vibrant cast of characters—a “magician” who is actually the devil in disguise, a giant cat, a witch, a fanged assassin—sow mayhem and madness wherever they go, mocking artists, intellectuals, and politicians alike. In and out of the fray weaves a man known only as the Master, a writer demoralized by government censorship, and his mysterious lover, Margarita. Burned in 1928 by the author and restarted in 1930, The Master and Margarita was Bulgakov’s last completed creative work before his death. It remained unpublished until 1966—and went on to become one of the most well-regarded works of Russian literature of the twentieth century, adapted or referenced in film, television, radio, comic strips, theater productions, music, and opera.

Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly

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