Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly

“Colm Tóibín’s beautiful, subtle illumination of Henry James’s inner life” (The New York Times) captures the loneliness and hope of a master of psychological subtlety whose forays into intimacy inevitably fail those he tried to love. Beautiful and profoundly moving, The Master tells the story of Henry James, a man born into one of America’s first intellectual families who leaves his country in the late nineteenth century to live in Paris, Rome, Venice, and London among privileged artists and writers. The emotional intensity of Tóibín's portrait of James is riveting. Time and again, James, a master of psychological subtlety in his fiction, proves blind to his own heart and incapable of reconciling his dreams of passion with his own fragility. With stunningly resonant prose, “The Master is unquestionably the work of a first-rate novelist: artful, moving, and very beautiful” (The New York Times Book Review).

A blogger details corruption on a South Pacific island while its denizens intermingle in this novel by the acclaimed author of Gone Tomorrow. This captivating novel intertwines the stories of several inhabitants on Saipan, America’s least-appreciated tropical island. George Griffin is a jaded writer who comes for a press junket and stays far longer than expected; Stephanie Warner is a university professor recently on “trial separation” from her husband; Mel Brodie is an elderly entrepreneur; and Khan is a Bangladeshi laborer who comes to Saipan (“America”) to escape hunger. Their voices circle the enthralling element of Saipan—and the hopes that originally drew them to the island. With the versatility that won Kluge accolades as the writer behind Dog Day Afternoon, The Master Blaster is a rare wonder of contemporary storytelling. Praise for The Master Blaster “This is not a young man's book; it’s the work of a writer who has seen the world, literally and figuratively, for a long time. The Master Blaster is tinged with thoughts of mortality, but they are offset by a bon vivant’s occasional flash of gratitude and beauty.” —Janet Maslin, New York Times “Delving deep into his rich setting, P.F. Kluge patiently lays out a tale of intrigue and ignorance worthy of Graham Greene.” —Stewart O’Nan, author of Wish You Were Here “Fear, violence, sex, and money blow like trade winds across this Fantasy Island, a microscopic petri dish of greed and race sweltering in the American Pacific. Kluge is among our finest novelists, and he flexes his muscles over this postage stamp of territory. Like all the greats before him, he saves his best line for last, in this his greatest book.” —Tony D’Souza, author of Mule “Recommended . . . for its interesting character development, plot twists, and “gotcha” ending.” —Booklist

"Author Javier Sierra embarks on a grand tour of the Prado museum in this historical novel that illuminates the fascinating mysteries behind some of the greatest paintings in the world--complete with gorgeous, full-color inserts of artwork by Raphael, Boticelli, and other masters"--

Christopher Buckley’s “hilarious, bawdy, and irreverent frolic of a tale” about a sixteenth-century relic hunter and the artist Albrecht Dürer who conspire to fabricate Christ’s burial shroud reads “like Indiana Jones gone medieval” (USA TODAY). The year is 1517. Dismas is a relic hunter who procures “authentic” religious relics for wealthy and influential clients. His two most important patrons are Frederick the Wise and soon-to-be Cardinal Albrecht of Mainz. While Frederick is drawn to the recent writing of Martin Luther, Albrecht pursues the financial and political benefits of religion and seeks to buy a cardinalship through the selling of indulgences. When Albrecht’s demands for grander relics increase, Dismas and his artist friend Dürer fabricate a shroud to sell to the unsuspecting noble. Unfortunately Dürer’s reckless pride exposes the trickery, so Albrecht puts Dismas and Dürer in the custody of four mercenaries and sends them all to steal Christ’s burial cloth (the Shroud of Chambéry), Europe’s most celebrated artifact. On their journey to Savoy where the Shroud will be displayed, they battle a lustful count and are joined by a beautiful female apothecary. It is only when they reach their destination they realize they are not alone in their intentions to acquire a relic of dubious legitimacy. “A rollicking good time, Christopher Buckley has transported his signature wit and irreverence from the Beltway to sixteenth-century Europe in The Relic Master” (GQ). This epic quest, “as rascally and convivial as any that Mr. Buckley has written” (The Wall Street Journal), is filled with fascinating details about art, religion, politics, and science; Vatican intrigue; and Buckley’s signature wit “holds the reader till the very last page” (The New York Times Book Review).

Satan, Judas, a Soviet writer, and a talking black cat named Behemoth populate this satire, “a classic of twentieth-century fiction” (The New York Times). In 1930s Moscow, Satan decides to pay the good people of the Soviet Union a visit. In old Jerusalem, the fateful meeting of Pilate and Yeshua and the murder of Judas in the garden of Gethsemane unfold. At the intersection of fantasy and realism, satire and unflinching emotional truths, Mikhail Bulgakov’s classic The Master and Margarita eloquently lampoons every aspect of Soviet life under Stalin’s regime, from politics to art to religion, while interrogating the complexities between good and evil, innocence and guilt, and freedom and oppression. Spanning from Moscow to Biblical Jerusalem, a vibrant cast of characters—a “magician” who is actually the devil in disguise, a giant cat, a witch, a fanged assassin—sow mayhem and madness wherever they go, mocking artists, intellectuals, and politicians alike. In and out of the fray weaves a man known only as the Master, a writer demoralized by government censorship, and his mysterious lover, Margarita. Burned in 1928 by the author and restarted in 1930, The Master and Margarita was Bulgakov’s last completed creative work before his death. It remained unpublished until 1966—and went on to become one of the most well-regarded works of Russian literature of the twentieth century, adapted or referenced in film, television, radio, comic strips, theater productions, music, and opera.