Still adrift and on the hunt for their sister ship, The Massive, the crew of the Kapital—all that's left of Callum Israel's dwindling environmental-activism group Ninth Wave—are challenged at every turn as they face mutiny, sharks, snowy isolation, and the tempting possibility of a new life on a utopian sea station. The strain of life in a crumbling world, as well as secrets about Israel's failing health, threaten to destroy a crew stretched to its limits. Collects issues #7–#12. * Features an introduction by Sea Sheperd's, Captain Peter Hammarstedt.

Vol. 1: "This volume reprints the comic-book series The Massive #1-#6 from Dark Horse Comics, as well as material originally published in Dark Horse presents #8-#10"--T.p. verso.

The Crash was only the beginning. What remains of civilization is being obliterated by a series of cataclysmic events. The truth about the identity of Captain Callum's companion Mary, which began as a faint signal, grows louder--and she's seemingly connected to it all. The secret of the Crash and the mystery of the missing ship The Massive continues as the crew take on Norwegian whalers, and Callum's nemesis, Arkady. This second volume omnibus edition collects issues #16-#30 of acclaimed writer Brian Wood's sprawling, post-apocalyptic epic. Collects issues #16-#30 of The Massive.

Geology is the Component of Encyclopedia of Earth and Atmospheric Sciences, in the global Encyclopedia of Life Support Systems (EOLSS)), which is an integrated compendium of twenty Encyclopedias. The theme on geology in the Encyclopedia of Earth and Atmospheric Sciences, presents many aspects of geology under the following nine different topics: The Organized Earth.; Tectonics and Geodynamics; Igneous and Metamorphic Petrology; Sedimentary Geology and Paleontology; Overview of the Mineralogical Sciences; Geology of Metallic and Non-Metallic Mineral Resources; Regional Geology; Geology of Petroleum, Gas, and Coal; Environmental and Engineering Geology.

This four-volume, reset collection takes as its starting point the earliest substantial descriptions of tea as a commodity in the mid-seventeenth century, and ends in the early nineteenth century with two key events: the discovery of tea plants in Assam in 1823, and the dissolution of the East India Company’s monopoly on the tea trade in 1833.

As awareness of climate change grows, so do the number of cultural depictions of environmental disaster. Graphic novels have reliably produced dramatizations of such disasters. Many use themes of dystopian hopefulness, or the enjoyment readers experience from seeing society prevail in times of apocalypse. This book argues that these generally inspirational narratives contribute to a societal apathy for real-life environmental degradation. By examining the narratives and art of the environmental apocalypse in contemporary graphic novels, the author stands against dystopian hope, arguing that the ways in which we experience depictions of apocalypse shape how we respond to real crises.