This is the first full-scale history of Mass-Observation, the independent social research organisation which, between 1937 and 1949, set out to document the attitudes, opinions, and every-day lives of the British people. Through a combination of anthropological fieldwork, opinion surveys, and written testimony solicited from hundreds of volunteers, Mass-Observation created a huge archive of popular life during a tumultuous decade which remains central to British national identity. The social history of these years has been immeasurably enriched by the archive, and extracts from the writings of M-O's volunteers have won a wide and admiring audience. Now James Hinton, whose acclaimed Nine Wartime Lives demonstrated how the intensely personal writing of some of M-O's volunteers could be used to shed light on broader historical issues, has written a wonderfully vivid and evocative account which does justice not only to the two founders whose tempestuous relationship dominated the early years of Mass-Observation, but also to the dozens of creative and imaginative, and until now largely unknown, young enthusiasts whose work helped to keep the show on the road. The history of the organisation itself - the staff, the research methods, the struggle for funding, M-O's characteristic 'voice', and its role in the cultural and political life of the period - are themselves as interesting as any of the themes that the founders set out to document. This long-awaited and deeply researched history corrects and revises much of our existing knowledge of Mass-Observation, opens up new and important perspectives on the organisation, and will be seen as the authoritative account for years to come.

Mass Observation was founded in 1937 with the aim of researching the everyday lives of ordinary people in Britain. One of its best-loved publications is The Pub and the People (1943), a unique study of one of Britain's best-loved pastimes, describing how people behaved in pubs, what and how much they drank, and the decor and layout of the average pre-war alehouse. Alongside sociological interest it offers amusing insights into an era when supping pints was only for the roughest customers, and beer was considered helpful not only to general health ('There is no bad ale, so Grandma said') but also (contra the porter in Macbeth) to the act of love. 'The authors of this book have unearthed much curious information.' George Orwell, Listener 'Anyone with an interest in the history of beer and pubs in Britain ought to read it.' Boak and Bailey's Beer Blog

Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision. Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.

Mass Observation was founded by Tom Harrisson, Charles Madge and Humphrey Jennings in 1937. Its purpose was to create 'an anthropology of ourselves' in other words, to study the everyday lives of ordinary people in Britain. Discounting an initial pamphlet, this was the first book to be published. It appears in Faber Finds as a part of an extensive reissue programme of the original Mass Observation titles. May the Twelfth is a portrait of life on a single day, the day of the Coronation of George V1 in 1937. Compiled from the individual reports of hundreds of people, the Mass Observers, from all walks of life, it vividly recreates the atmosphere and excitement of a great national occasion. When first published it received a long review from Evelyn Waugh in the short-lived Night and Day. One might have imagined it wouldn't have been to his taste but he was won round. Having congratulated Faber on the price of 12s 6d he goes on to say, '. . . it would be hard to find any recent work of the same length which had so little that was dull and so much that was highly amusing.' He especially praises the London section, 'The succeeding section on London's May 12 could scarcely be better. It provides a real documentary survey of the event as seen by the crowds.'

The first full-scale history of Mass-Observation, the independent social research organisation which set out to document the attitudes, opinions, and every-day lives of British people between 1937 and 1949. Corrects and revises much of our existing knowledge of M-O, and opens up new and important perspectives on the organisation itself.

Collecting texts taken from letters, diaries, literature, scientific journals and reports, Pandæmonium gathers a beguiling narrative as it traces the development of the machine age in Britain. Covering the years between 1660 and 1886, it offers a rich tapestry of human experience, from eyewitness reports of the Luddite Riots and the Peterloo Massacre to more intimate accounts of child labour, Utopian communities, the desecration of the natural world, ground-breaking scientific experiments, and the coming of the railways. Humphrey Jennings, co-founder of the Mass Observation movement of the 1930s and acclaimed documentary film-maker, assembled an enthralling narrative of this key period in Britain's national consciousness. The result is a highly original artistic achievement in its own right. Thanks to the efforts of his daughter, Marie-Louise Jennings, Pandæmonium was originally published in 1985, and in 2012 it was the inspiration behind Danny Boyle's electrifying Opening Ceremony for the London Olympic Games. Frank Cottrell Boyce, who wrote the scenario for the ceremony, contributes a revealing new foreword for this edition.