Clearly written and persuasively argued, "The Mass Media in Canada" considers the troubling questions of who decides what we read, watch, and hear.

This is the first in-depth analysis of major French- and English-Canadian news companies to show the impact of cross-media ownership on the diversity of new content. Surprisingly, the study lays to rest fears over content convergence of newspaper and television network ownership by Canadian media giants Canwest Global, CTVglobemedia, and Quebecor. Content-sharing between newspaper and television properties of these giant companies did not occur. This leads the authors to examine why, and to assess problems that mass media in Canada will likely face in the coming years, particularly as newsrooms strive to adapt to new media and the online environment. Policy makers, media executives, and journalism students and professors will find this study invaluable.

Canada's creative industries encompass book, periodical, and newspaper publishing; radio and television broadcasting; the music industry; video game production; filmmaking and video production; telecommunications; and the new media. These industries represent a major sector in the Canadian economy and exert a profound influence on many aspects of Canadian life. In Cultural Industries.ca, thirteen contributors take a thought-provoking look at the industries that form this important sector and the central issues that are currently under debate. They also discuss how these industries have adapted to the rise of new digital technologies that have radically altered how they engage with their audiences and how they produce and distribute content. Offering a timely analysis and a wealth of current data, Cultural Industries.ca offers a unique portrait of this key sector of the economy.

Changes in technology and media consumption are transforming the way people communicate about politics. Are they also changing the way politicians communicate to the public? Political Communication in Canada examines the way political parties, politicians, interest groups, the media, and citizens are using new tactics, tools, and channels to disseminate information, and also investigates the implications of these changes. Drawing on recent examples, contributors review such things as the branding of the New Democratic Party, how Stephen Harper’s image is managed, and politicians’ use of Twitter. They also discuss the evolving role of political journalism, including media coverage of politics and how Canadians use the Internet for political discussions. In an era when political communication – from political marketing to citizen journalism – is of vital importance to the workings of government, this timely volume provides insight into the future of Canadian democracy.

Journalism in Crisis addresses the concerns of scholars, activists, and journalists committed to Canadian journalism as a democratic institution and as a set of democratic practices. The authors look within Canada and abroad for solutions for balancing the Canadian media ecology. Public policies have been central to the creation and shaping of Canada’s media system and, rather than wait for new technologies or economic models, the contributors offer concrete recommendations for how public policies can foster journalism that can support democratic life in twenty-first century Canada. Their work, which includes new theoretical perspectives and valuable discussions of journalism practices in public, private, and community media, should be read by professional and citizen journalists, academics, media activists, policy makers and media audiences concerned about the future of democratic journalism in Canada.

Digital Politics in Canada addresses a significant gap in the scholarly literature on both media in Canada and Canadian political science. Using a comprehensive, multidisciplinary, historical, and focused analysis of Canadian digital politics, this book covers the full scope of actors in the Canadian political system, including traditional political institutions of the government, elected officials, political parties, and the mass media. At a time when issues of inclusion are central to political debate, this book features timely chapters on Indigenous people, women, and young people, and takes an in-depth look at key issues of online surveillance and internet voting. Ideal for a wide-ranging course on the impact of digital technology on the Canadian political system, this book encourages students to critically engage in discussions about the future of Canadian politics and democracy.

Alternative media hold the promise of building public awareness and action against the constraints and limitations of media conglomeration and cutbacks to public broadcasting. These media are becoming key venues for community expression and political debate, but what is it that makes them alternative? The contributors to this path-breaking volume answer this question by examining the evolution of various kinds of alternative media – including indigenous, anarchist, ethnic, and feminist media – against the backdrop of political, economic, and cultural developments in Canada. They get at the heart of alternative media by focusing on the three interconnected dimensions that define them: structure, participation, and activism. Alternative Media in Canada not only reveals how alternative media are enabled and constrained within Canada’s complex media and policy environment; it also shows that, in the context of globalization, the Canadian experience parallels media and policy challenges in other nations.