Photography and pop-culture buffs, get out your crayons and colored pencils! Martin Parr's colorful and tongue-in-cheek photographs--his comedy of contemporary manners--have been transformed into a coloring book. Here is Parr's affectionate and hilarious catalogue of human foibles--bad fashion choices, messy foods, trashy souvenirs and the tourists who buy them--rendered afresh. The book's eighty pages are packed with the most iconic and beloved Parr images, made into original drawings by Jane Mount, offering hours of coloring entertainment.

Revised and updated edition of Parr's sought-after classic, first published in 1996. It is a biting, funny satire in which Parr looks at tourism worldwide, exposing the increasingly homogenous global culture' where, in the search for different cultures, those same cultures are destroyed. The issues raised by Parr a decade ago are even more relevant today. A member of the prestigious Magnum photo agency, Parr is one of the best known photographers in the world today. He has published innumerable books and his work has been exhibited worldwide.'

When You Want It All, You've Got To Give It All From the outside, Bliss Sinclair's life seems very glamorous--a high-profile job with a publishing house, a fashionable boyfriend who looks good on her arm, and ultra-chic parties where the come-ons are as hot and thrilling at night as they are empty as an air-kiss greeting the next day. It's a world Bliss wanders through with blinders on, all the while craving more. And she finds it in the most unlikely of places. Embarking on a series of carnal adventures with a notorious bad girl as her guide, Bliss opens herself to every new experience and every taboo. In abandoned warehouses, private fetish clubs, even her own office, Bliss is skating on the thin ice of desire--until her world comes crashing in. Now, broken and wanting, Bliss decides to spend a summer in her birthplace, Jamaica, where she hopes to reconcile with her estranged father and rediscover herself. There, in a land of lush ripeness, of heat, warm breezes, easy smiles, and the family she left behind, Bliss will discover what she didn't know was missing. It's a journey that will awaken every one of her senses and take her to the edge of known pleasure and far beyond it, to a love that is as sexy as it gets, as real as can be, and more surprising than she can imagine--a place of total bliss.

Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for 20 years, and here is the cream of his collection - his boring postcards. With no introduction or commentary of any kind, Parr's boring postcards are reproduced straight. They are exactly what they say they are, namely boring picture postcards showing boring photographs of boring places, presumably for boring people to buy to send to their boring friends. All of them are shot in Britain, taking us on a boring tour of its motorways, ring roads, traffic interchanges, bus stations, pedestrian precincts, factories, housing estates, airports, caravan sites, convalescent homes and shopping centres. Some attempt to idealize their subjects, only to fail dismally. Others lack any apparent purpose or interest, but the resultant collection of photographic images is wholly compelling. Boring Postcardsis multi-layered: a commentary on British architecture, social life and identity, a record of a folk photography which is today being appropriated by the most fashionable photographers (including Parr), an exercise in sublime minimalism and, above all, a richly comic photographic entertainment.

An extraordinary and exceptional collection of Magnum photographer Parr's new work covering the last two years. Hilariously funny, though with a sharp and biting edge, it combines lurid and luscious colour with his wonderful sense of irony. Publication will coincide with a world wide exhibition of the work which is being shown in a staggering 38 venues in 22 different countries during March and April 1999. Features 160 colour plates.

A revised edition of the classic book that launched Martin Parr and transformed the world of documentary photography.