The History Of TamilNadu Kings (Cholas,Nayakas) and accomplishments during their rule,with the Brief history of The Great Maratha warrior Chatrapathi Shivaji,his son Dharmaveer Sambhaji, their spiritual guru Samartha Ramdas and their visit to Tamilnadu has been included . Thanjavur was ruled by Maratha kings for 180 years and they had a vast accomplishments in many fields and were scholars themselves.History of Thanjavur Marathas has been included. King Serfoji II who was a Bibliophile developed arts,culture and literature and one of the present world largest library, SARASWATI MAHAL is named after him. Brief historical detail on Indian Classical art form-Bharatanatyam has also been written. The founder of Maratha rule in Thanjavur (TamilNadu) was King Venkoji alias Ekoji, founded in 1676 A.D. Details of all kings who ruled after him and their works and accomplishments in the field of arts,literature,culture,dance,drama, science,medicines,Engineering,ship building etc which they did in those days (300 years back) with a brief detail on Maratha Royal family of Thanjavur, Sadar Mahal Palace has been included. Thanjavur Maratha Kings were the patron of arts, learning and many scholars and artists were flourished during their reign. Trip to Thanjavur,TamilNadu (India) is incomplete without visiting Remarkable places of Raja Raja Chola’s Brihadeshwara temple and Thanjavur Maharaja’s Serfoji Saraswati Mahal Library (TMSSML).Brihadeshwara Temple and Saraswati Mahal Library are the imperishable and living monuments of Raja Raja Cholan and King Serfoji II. “The Tanjore Country is celebrated all over the world for its charities.It is called Dharma Raj-and I consider this reputation,which reverts upon me through all countries from this appellation as the most honorable distinction of my rank”- Raja Serfoji.

This book is a general account of the painting of the period when Tanjavur was under Maratha rule. It was a time of turmoil and change, notable for the strands of many different cultures which met and stimulated art in this small territory. Numerous forms arose, some traditional, others showing the assimilation of contemporary ideas. It was an exotic heterogeneous flowering reflecting the demands of different kinds of patrons and the versatility, skill and open-mindedness of the artists. The painting of this period is dealt with showing its connections to South Indian Art in general and also its responses to the impact of Western ideas. It is a tribute to the people of the South and their traditions that even in a period of comparative instability, wars, famine and confusion there was still a need and a desire for objects of art. The era is characteristically eclectic but its painting mirrors the faith, the values and the requirements of the people. So far the visual arts of this period have not received much attention. It is hoped that this study will lead one to see that art was an important facet of southern culture as a whole

The Book Written In English Is A Novel Set In The Mid-18Th Century. The Story Is Based On A Historical Figure, A Real Clarinda, The Widow Of A Maratha Brahmin, Who Had Been One Of The KingýS Servants In Tanjore, And After Her HusbandýS Death Became The Concubine Of An English Officer Of The Name Of Lyttleton. The Imagined Story Of This Unusual Woman, Who Gradually Takes Control Of Her Life, Gives Madhaviah The Opportunity To Work Out Some Of His Favourite Themes: WomenýS Education, The Questions Of Sati And Widow Remarriage, And The Encounter Between Hinduism And Christianity. The Cross-Cultural, Inter-Religious Relationship Which Is At The Heart Of The Novel Is Unusual And Profoundly Interesting.

Many have told of the East India Company’s extraordinary excesses in eighteenth-century India, of the plunder that made its directors fabulously wealthy and able to buy British land and titles, but this is only a fraction of the story. When one of these men—Warren Hastings—was put on trial by Edmund Burke, it brought the Company’s exploits to the attention of the public. Through the trial and after, the British government transformed public understanding of the Company’s corrupt actions by creating an image of a vulnerable India that needed British assistance. Intrusive behavior was recast as a civilizing mission. In this fascinating, and devastating, account of the scandal that laid the foundation of the British Empire, Nicholas Dirks explains how this substitution of imperial authority for Company rule helped erase the dirty origins of empire and justify the British presence in India. The Scandal of Empire reveals that the conquests and exploitations of the East India Company were critical to England’s development in the eighteenth century and beyond. We see how mercantile trade was inextricably linked with imperial venture and scandalous excess and how these three things provided the ideological basis for far-flung British expansion. In this powerfully written and trenchant critique, Dirks shows how the empire projected its own scandalous behavior onto India itself. By returning to the moment when the scandal of empire became acceptable we gain a new understanding of the modern culture of the colonizer and the colonized and the manifold implications for Britain, India, and the world.