With a worldwide box office of more than a half-billion dollars, The Purge franchise has become one of the top horror franchises in film history, with many reviewers wowed by the concept of the series and differentiating on the execution. With five films and a TV show (and another film possibly in the works), the series seems unstoppable. The franchise's main concept taps into underlying tensions throughout America. The vast differences between the films are largely due to the ever-changing casts, including actors, writers, and directors, so that each film has its own unique commentary, sometimes getting right at the nerve of social issues that seem to be best discussed in fictional worlds' metaphors and parables. Acclaimed film and television critics and horror scholars such as Dale Bailey, Jason V. Brock, Chesya Burke, Lisa Morton, Katherine A. Troyer, and Kevin J. Wetmore give a wide range of analyses of just what The Purge films are saying about modern-day America and the world. Essays in the collection examine politics, violence, Trump, Freud, class issues, feminism, race, and more.

ONE NIGHT. THAT WAS ALL IT TOOK. Creatures that once lived in the shadows, hidden from humankind, have risen, spreading like a plague across the globe over the course of a single night. Their numbers growing exponentially through infection, these seemingly unkillable creatures have swallowed up whole cities and collapsed unprepared governments. Survivors call it The Purge. Against all odds, a disparate group of survivors has emerged from that blood-soaked night that devastated the planet and reduced humanity to an endangered species. Among the survivors are two ex-Army Rangers, a businesswoman, and a third-year medical student. But surviving The Purge was one thing - staying alive is another matter entirely. Hope exists in the countryside, in the form of a self-sustaining underground facility designed to withstand any calamity. But in order to reach its safety, the survivors must travel hundreds of treacherous miles, with the night - and the creatures that dwell within it - always at their backs. The rules are simple: stay out of the dark, load up on silver bullets, and whatever you do, stay alive. The road to salvation has begun ...

The frightening yet comic clown is one of the best and most enduring characters in literature, theater, television, and film. Across the centuries, from Shakespeare's Porter in Macbeth to Edgar Allan Poe's "Hop-Frog," or Stephen King's Pennywise, horror and comedy have blended to create the perfect recipe for entertainment. This volume gives an in-depth analysis of the clown horror genre, including essays by revered horror scholars such as Kevin Wetmore, Dale Bailey, Kim Hester Williams, Jennifer K. Cox, and Joanna Parypinski. Their essays cover topics such as nostalgia, race, class, and new portrayals of the scary clown as zombies or phantoms. It also offers interviews with actors and directors working in the clown horror genre: Eoghan McQuinn (Stitches), Kevin Kangas (Fear of Clowns), and Jaysen Buterin (Kill Giggles). Some of fiction's most terrifying creations--like the Killer Klowns, Captain Spaulding, Art the Clown, Krusty, Frowny, the Joker, and Twisty--jig through these pages of analysis and deconstruction, asking what these many iterations of scary clowns have to say about our society and its fears.

Keep your head down. Do what you're told. It's easier that way. Walter Lawrence Baucom is used to the troops that patrol Agrarian District 89. He grew up with the sight of Chinese and Russian soldiers, right alongside the American ones. They are the Coalition. "The Three Brothers," they call themselves. They claim that they are there to help. And he thinks that if he doesn't rock the boat, then they will never have a reason to break in his door and disappear him, like they did to his brother. But when a Chinese captain is kidnapped by resistance members, Walter is suddenly thrust into a fight he never wanted. A fight where there are many sides, but very few allies. As things in District 89 quickly spiral out of control and the borders are closed by Coalition troops, Walter will have to make a decision: What is he willing to fight for? His life? His freedom? His family?

The Purge of the Thirtieth Division by Major General Henry Dozier Russell is the only known written work by any of the eighteen National Guard division commanders mobilized in1940 and 1941. It chronicles from a National Guard perspective many of the challenges and growing pains experienced by the Army in the critical months leading up to its entry into World War II. Through Russell, the reader gains insight into the vast cultural differences between the Regular Army and the National Guard at the time. Russell’s memoir offer an invaluable source of a commander’s first-hand account of how his division trained and fared during the 1940 Louisiana Maneuvers, and 1941 Tennessee and Carolina Maneuvers, respectively, in its preparation for overseas deployment. The narrative also contains a compelling account of the relations and tensions between Regulars and National Guardsmen. It was a scathing indictment of the Regular Army high command for what he perceived to be unfair treatment of National Guard officers during World War II. He cited many examples to bolster his claims, and contended that the U.S. Army, under Chief of Staff George C. Marshall, was out to “get” the Thirtieth Division and other National Guard divisions. He further contended that the Army believed that a non-Regular officer should not advance beyond the grade of lieutenant colonel. His memoir, which he privately printed, pulled no punches. His first-hand account was very critical of how a number of senior Regular Army officers handled affairs with his division that led to his relief as the division commander. Russell completed his memoir in 1947 and subsequently printed 500 copies, which he distributed to senior National Guard officers. He did not sell any of the books, nor were they intended for or made available to the general public. Although there was a demand for additional copies, he did not print any more. The republication of The Purge of the Thirtieth Division is intended to expand the scholarship on the history of World War II and the history of the U.S. Army.

From acclaimed author Sarah Darer Littman, a striking story about a girl's recovery from bulimia in the tradition of CUT, PERFECT, and GIRL INTERRUPTED. Janie Ryman hates throwing up. So why does she binge eat and then stick her fingers down her throat several times a day? That's what the doctors and psychiatrists at Golden Slopes hope to help her discover. But first Janie must survive everyday conflicts between the Barfers and the Starvers, attempts by the head psychiatrist to fish painful memories out of her emotional waters, and shifting friendships and alliances among the kids in the ward.

Purge is a beautifully crafted memoir that has a Girl, Interrupted feel. In this raw and engaging account of her months in rehab, Nicole Johns documents her stay in a residential treatment facility for eating disorders. Her prose is lucid and vivid, as she seamlessly switches verb tenses and moves through time. She unearths several important themes: body image and sexuality, sexual assault and relationships, and the struggle to piece together one's path in life. While other books about eating disorders and treatment may sugarcoat the harsh realities of living with and recovering from an eating disorder, Purge does not hold back. The author presents an honest, detailed account of her experience with treatment, avoiding the clichd happily-ever-after ending while still offering hope to those who struggle with eating disorders, as well as anyone who has watched a loved one fight to recover from an eating disorder. Purge sends a message: though the road may be rough, ultimately there is hope.