A life of glamour and tragedy, set against the watershed cultural and political movements of twentieth-century Europe. "Toto" Koopman (1908–1991) is a new addition to the set of iconoclastic women whose biographies intrigue and inspire modern-day readers. Like her contemporaries Lee Miller or Vita Sackville-West, Toto lived with an independent spirit more typical of the men of her generation, moving in the worlds of fashion, society, art, and politics with an insouciant ease that would stir both admiration and envy even today. Sphinxlike and tantalizing, Toto conducted her life as a game, driven by audacity and style. Jean-Noël Liaut chases his enigmatic subject through the many roles and lives she inhabited, both happy and tragic. Though her beauty, charisma, and taste for the extraordinary made her an exuberant fixture of Paris fashion and café society, her intelligence and steely sense of self drove her toward bigger things, culminating in espionage during WWII, for which she was imprisoned by the Nazis in Ravensbruck. After the horrors of the camp, she found solace in Erica Brausen, the German art dealer who launched the career of Francis Bacon, and the two women lived out their lives together surrounded by cultural luminaries like Edmonde Charles-Roux and Luchino Visconti. But even in her later decades, Toto remained impossible for anyone to possess. The Many Lives of Miss K explores the allure of a freethinking and courageous woman who, fiercely protective of her independence, was sought after by so many but ultimately known by very few.

Writer Tami Lewis Brown and illustrator Keith Negley present a joyful picture book biography of modern art icon Keith Haring, celebrating the ways his life embodied the message: art is for everyone. Art is life... and life is art. Keith Haring believed that art should be enjoyed by everyone. When Keith first moved to New York City, he rode the subway and noticed how the crowds were bored and brusque, and that the subways were decayed and dreary. He thought the people of New York needed liberating, illuminating, and radiating art. So he bought a stick of white chalk and started drawing...

Throughout Europe, Patrick Casement's work on the interactional aspects of the therapeutic process is well known and highly acclaimed. In Casement's lucid treatise, LEARNING FROM THE PATIENT, everything in psychoanalytic theory and technique is up for questioning and for careful testing in the clinical setting; every concept used is explained and illustrated with clinical examples. The author offers an unusual openness about what really happens in the consulting room, including mistakes--his own as well as others'. The patient's unconscious contribution to analytic work is fully illustrated. As a result of this approach, insight is arrived at with a rare freshness as theory is rediscovered in the consulting room. In the course of this volume, Casement develops some familiar concepts and evolves a number that are new, such as: internal supervision, a process in which the analyst/therapist explores the implications of various options during each session with the patient; trial identification with the patient, which encourages analysts and therapists to look at themselves as a patient might see them; and communication by impact, a graphic way of considering the various dimensions of projective identification. Others include the dynamics of containment, the communication of hurt, the pain of contrast, and unconscious hope. In Part I, Casement lays the foundation by establishing the first principles of psychoanalysis and psychoanalytic therapy, as well as those for the process of learning from the patient. In Part II, he more fully explores what emerges from this way of working. He discusses the importance of the analytic space and the need to keep it and the analytic process free from interference of any kind, including that of working style or theoretical bias. He makes a strong case for viewing the analytic process as an expression of the unconscious search for what previously was delayed and is now needed for healthy growth and recovery. Highly accessible, honest, and most of all helpful, this book offers profound insights and is a joy to read. It has much to offer all levels of readership--from students to experienced practitioners--in the disciplines of analysis, psychotherapy, child therapy, clinical psychology, counseling, and social work. It is therefore of interest for anyone in the helping professions and all those concerned with the dynamics of human relationships.

The Gods of Man are Real, but they are not bigger than Life ITSelf. The Gods of Man do Kontrol Creation, but Creation IS Not The TruReality LifeIS. Most people are usually the Effect of the Causes in Creation, because they are unaware that Creation and Consciousness is not The Wholeniss LifeIS. YU, The RealU has come thru millions of lifetimes that pass like wisps in the wind to this very moment. YU are Now in The NUNowniss of The TruReality, THE ALLIS... LUCKY YU!!! DR. NUMAN IS The Direct Representative with ALLIS The Natural Environment that Supports ALL of US. Along with DR. EVA, we are here creating and providing 'An Adventure Like No Other!' Very Real! www.DuaneTheGreatWriter.info / ASK DUANE&EVA on Facebook

The second edition of this popular introductory text explores the many sensitive issues of culture, race and ethnicity as they affect patient care, including: -health and illness beliefs, and their relationship to religious beliefs -mental health and culture -women's health in a multicultural society -caring for older people death and bereavement All chapters have been updated to present the latest theory and practice and new chapters on men's health and cultural care, and migration and asylum seekers have been added, along with updated case studies and reflective exercises to help the reader link theory to practice. This book is essential reading for all nursing students, as well as midwifery, allied health and health and social care students. It is also a useful reference for qualified nurses, midwives, health care assistants, assistant healthcare practitioners and allied health professionals.

With a new Introduction by Andrew Samuels, the classic edition of this invaluable text explores the dynamics of the therapeutic relationship.

Arthur Jeffress was an art dealer and collector from a Virginian family who bequeathed his “subversive little collection” (Derek Hill) to Tate and Southampton City Art Gallery on his suicide in 1961. That suicide, a result of his expulsion from Venice, has been the subject of speculation in many memoirs. Gill Hedley's biography of Jeffress has benefited from access to many hundreds of unpublished letters written between Jeffress and Robert Melville, who ran Jeffress' own gallery from 1955-1961. The letters were written largely while Jeffress was in Venice and reveal a vivid picture of the London gallery world as well as frank details of artists, collectors and the definitive story of his suicide. Previously unpublished research reveals new information about the lives of Jeffress' lover John Deakin, his business partner Erica Brausen, the French photographer André Ostier and Henry Clifford, and the way in which all of them influenced Jeffress' first steps as a collector from the 1930s onwards.