New historical insights into one of the most infamous episodes in the history of anti-Semitism Joseph Süss Oppenheimer—“Jew Süss”—is one of the most iconic figures in the history of anti-Semitism. In 1733, Oppenheimer became the “court Jew” of Carl Alexander, the duke of the small German state of Württemberg. When Carl Alexander died unexpectedly, the Württemberg authorities arrested Oppenheimer, put him on trial, and condemned him to death for unspecified “misdeeds.” On February 4, 1738, Oppenheimer was hanged in front of a large crowd just outside Stuttgart. He is most often remembered today through several works of fiction, chief among them a vicious Nazi propaganda movie made in 1940 at the behest of Joseph Goebbels. Investigating conflicting versions of Oppenheimer’s life and death as told by his contemporaries, Yair Mintzker conjures an unforgettable picture of “Jew Süss” in his final days that is at once moving, disturbing, and profound. The Many Deaths of Jew Süss is a masterful work of history and an illuminating parable about Jewish life in the fraught transition to modernity.

This book challenges a common historical narrative, which portrays medieval Jews as moneylenders who filled an essential economic role in Europe. It traces how and why this narrative was constructed as a philosemitic narrative in the nineteenth and twentieth centuries in response to the rise of political antisemitism. This book also documents why it is a myth for medieval Europe, and illuminates how changes in Jewish history change our understanding of European history. Each chapter offers a novel interpretation of central topics, such as the usury debate, commercial contracts, and moral literature on money and value to demonstrate how the revision of Jewish history leads to new insights in European history.

The period of court absolutism and early capitalism extended from the end of the Renaissance to the Enlightenment. A new world view was created, along with a new type of individual possessing new economic orientations to the marketplace and new social attitudes deriving from such concerns. The unified political and religious world of medieval Europe broke into parts: national differentiation and religious options abounded. The autonomy of the nation-state created a need for new attitudes toward religious minorities, even despised ones such as the Jews. The court Jew phenomenon, as Selma Stern details, was inextricably linked to these larger developments, including the emancipation of Jews as a whole. Dr. Stern's work is an effort to reconstruct this unusual group of Jews who became politically and economically influential and through that mechanism were able to enhance Jewish community life as a whole. In his very existence the court Jew necessarily enlarged, beyond its original meaning, the concept of free expression in European societies. As the dominating idea of defending one church and one emperor collapsed under the weight of the new European system of power balances, a new conception of the Jew developed, one of a transforming agent in economic and political positions. With trade no longer condemned as sinful, collecting interest for loans no longer prohibited, and the merchant no longe'r compared to a thief, the Jewish money changer and tradesman came to be viewed in a more favorable light. In this new environment, the claims of Christianity remained supreme, but the rights of religious minorities were considered. At the time of the book's initial appearance, the Saturday Review hailed it as a "picturesque work giving evidence of great writing talent." The reviewer went on to note that "Dr. Stern's work provided exhaustive historical background of European Jewry—from 1650 to 1750—that period during which the modern European genius emerged." Dr. Stern's work relies heavily upon European archives up to 1938, when the advances of Nazism made further work impossible. As a result, what was started in Europe was completed in America.

This publication considers how cinema, as a major modern art form, has covered topics relating to the Holocaust in documentaries and fiction, historical reconstructions and more symbolic films, focusing on the question of realism in ethical and artistic terms. It explores a range of issues, including whether cinema is an appropriate method for informing people about the Holocaust compared to other media such as CD-ROMs, video or archive collections; whether it is possible to inform and appeal to the emotions without being explicit; and how the medium can nurture greater sensitivity among increasingly younger audiences which have been inured by the many images of violence conveyed in the media. Films discussed include Schindler's List, Life is Beautiful, The Pianist, Sophie's Choice, Shoah, Au revoir les enfants, The Great Dictator and To Be or Not to Be.

In the early modern period, all German cities were fortified places. Because contemporary jurists have defined 'city' as a coherent social body in a protected place, the urban environment had to be physically separate from the surrounding countryside. This separation was crucial to guaranteeing the city's commercial, political and legal privileges. Fortifications were therefore essential for any settlement to be termed a city. This book tells the story of German cities' metamorphoses from walled to de-fortified places between 1689 and 1866. Using a wealth of original sources, The Defortification of the German City, 1689–1866 discusses one of the most significant moments in the emergence of the modern city: the dramatic and often traumatic demolition of the city's centuries-old fortifications and the creation of the open city.

Vol. 4 covers the late Roman period to the rise of Islam. Focuses especially on the growth and development of rabbinic Judaism and of the major classical rabbinic sources such as the Mishnah, Jerusalem Talmud, Babylonian Talmud and various Midrashic collections.