An ancient vengeful spirit attempts to return through the body of a terrified young woman in this horror classic by an award-winning “master of the genre” (Rocky Mountain News). Phony psychic and conman Harry Erskine never really believed in the occult until Karen Tandy approached him with a rapidly growing tumor on her neck, complaining of dark and disturbing dreams. When the mass is revealed by doctors to contain something living, the stakes skyrocket—not only for Karen and Harry but for all humanity. Something terrible is returning from the shadows to which it has been confined for centuries—a Native American monstrosity determined to destroy every vestige of the white race that oppressed and preyed upon America’s Indians. And unless a motley group of ill-prepared defenders can harness an ancient native magic, there will be no stopping the malevolent shaman’s terrible rebirth—and no escaping the wholesale carnage it will engender. The Manitou introduced the great Graham Masterton to the canon of horror, instantly placing him among the genre’s elite. A longtime favorite for its bold originality, unrelenting creepiness, supernatural shocks, and otherworldly surprises that would have made H. P. Lovecraft proud, Masterton’s classic continues to stand tall alongside Stephen King’s Carrie, Peter Straub’s Ghost Story, and other unforgettable literary horror debuts.

The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.

In the summer of 1974 Byron Dix discovered in Vermont the first of many areas in New England believed to be ancient Native American ritual sites. Dix and coauthor James Mavor tell the fascinating story of the discovery and exploration of these many stone structures and standing stones, whose placement in the surrounding landscape suggests that they played an important role in celestial observation and shamanic ritual.

Evil is reborn... No one believed little Toby Fenner when he described the man in his wardrobe. A man whose face seemed to grow from the very wood. People smiled when Toby insisted he heard voices begging him for help. Until one day Toby woke up as someone else... And by then, things had gone too far to stop the return of a timeless, malignant force with a burning mission of revenge. The Manitou had been vanquished once before. This time he would not fail. This time evil returned triumphant... Graham Masterton's The Manitou marked a milestone in leading occult bestsellers. Now the acclaimed master of horror has returned with a spine-tingling sequel steeped in blood-chilling terror. 'One of the most original and frightening storytellers of our time' PETER JAMES. 'A true master of horror' JAMES HERBERT.

From the rich oral culture of his own Ojibway Indian heritage, Basil Johnston presents a collection of legends and tales depicting manitous, mystical beings who are divine and essential forces in the spiritual life of his people.

In the extraordinary new Cork O’Connor thriller from New York Times bestselling and Edgar Award–winning author William Kent Krueger, the lives of hundreds of innocent people are at stake when Cork vanishes just days before his daughter’s wedding. Since the violent deaths of his wife, father, and best friend all occurred in previous Novembers, Cork O’Connor has always considered it to be the cruelest of months. Yet, his daughter has chosen this dismal time of year in which to marry, and Cork is understandably uneasy. His concern comes to a head when a man camping in Minnesota’s Boundary Waters Canoe Area Wilderness goes missing. As the official search ends with no recovery in sight, Cork is asked by the man’s family to stay on the case. Although the wedding is fast approaching and the weather looks threatening, he accepts and returns to that vast wilderness. As the sky darkens and the days pass, Cork’s family anxiously awaits his return. Finally certain that something has gone terribly wrong, they fly by floatplane to the lake where the missing man was last seen. Locating Cork’s campsite, they find no sign of him. They do find blood, however. A lot of it. With an early winter storm on the horizon, it’s a race against time as Cork’s family struggles to uncover the mystery behind these disappearances. Little do they know, not only is Cork’s life on the line, but so are the lives of hundreds of others.

An army of the undead threatens humanity. In one of the hottest summers for decades, New York City is swept by a strange and terrible epidemic. Doctors are helpless as victims fall prey to a bizarre blood disorder. They can no longer eat solid food, they become hypersensitive to sunlight and they have an irresistible need to drink human blood. As panic grips the city, psychic Harry Erskine must enter the shadowy realms between the living and the dead, and call on native American spirits to help him... 'One of the most original and frightening storytellers of our time' PETER JAMES. 'A true master of horror' JAMES HERBERT.