The Mani-fcking-esters is a self-help fiction rooted in the ideals of living a holistic life by pursuing and attaining success in all areas of life- Health and fitness, Emotional well-being, Intellectual Life, Relationships, Parenting, Professional life, and Materialistic Cravings. All the techniques and teachings are knitted into an entertaining story to make the self-improvement journey enjoyable for the readers. The essence of the book is well illustrated by the poem below Once, I was a little lad, Full of dreams and overjoyed. Things were simple for my brain, Like beautiful clouds bringing rain. While I was growing up into a man, The world got busy guiding me to a fen. The rules, they said, were for a better life, Got me into an endless fight. They promised an open stage, Instead, boxed me into a cage. I kept my faith in the process, And hoped that it would lead to a bed of roses. But all I got was a hanging thread. An endless struggle for butter and bread. Dreams got less, and joys were hard to find. The shameless world still advocated their grind. When I dared to break the shackle, And chose my own road to travel. Dreams were back, and life turned simple. Joys became the theme of my existence, And life moved without resistance. A few years down the line, I am back to being a happy lad, Again, full of dreams and overjoyed. Everything is simple for my brain, Like beautiful clouds bringing rain.

Winner, 2012 Book Award, Society for the Study of Early Modern WomenHonorable Mention, Literature, 2012 PROSE Awards, Professional and Scholarly Publishing Division of the Association of American Publishers In her award-winning, critically acclaimed Women’s Writing in Italy, 1400–1650, Virginia Cox chronicles the history of women writers in early modern Italy—who they were, what they wrote, where they fit in society, and how their status changed during this period. In this book, Cox examines more closely one particular moment in this history, in many ways the most remarkable for the richness and range of women’s literary output. A widespread critical notion sees Italian women’s writing as a phenomenon specific to the peculiar literary environment of the mid-sixteenth century, and most scholars assume that a reactionary movement such as the Counter-Reformation was unlikely to spur its development. Cox argues otherwise, showing that women’s writing flourished in the period following 1560, reaching beyond the customary "feminine" genres of lyric, poetry, and letters to experiment with pastoral drama, chivalric romance, tragedy, and epic. There were few widely practiced genres in this eclectic phase of Italian literature to which women did not turn their hand. Organized by genre, and including translations of all excerpts from primary texts, this comprehensive and engaging volume provides students and scholars with an invaluable resource as interest in these exceptional writers grows. In addition to familiar, secular works by authors such as Isabella Andreini, Moderata Fonte, and Lucrezia Marinella, Cox also discusses important writings that have largely escaped critical interest, including Fonte’s and Marinella’s vivid religious narratives, an unfinished Amazonian epic by Maddalena Salvetti, and the startlingly fresh autobiographical lyrics of Francesca Turina Bufalini. Juxtaposing religious and secular writings by women and tracing their relationship to the male-authored literature of the period, often surprisingly affirmative in its attitudes toward women, Cox reveals a new and provocative vision of the Italian Counter-Reformation as a period far less uniformly repressive of women than is commonly assumed.

I Will Survive is the story of Gloria Gaynor, America's "Queen of Disco." It is the story of riches and fame, despair, and finally salvation. Her meteoric rise to stardom in the mid-1970s was nothing short of phenomenal, and hits poured forth that pushed her to the top of the charts, including "Honey Bee," "I Got You Under My Skin," "Never Can Say Goodbye," and the song that has immortalized her, "I Will Survive," which became a #1 international gold seller. With that song, Gloria heralded the international rise of disco that became synonymous with a way of life in the fast lane - the sweaty bodies at Studio 54, the lines of cocaine, the indescribable feeling that you could always be at the top of your game and never come down. But down she came after her early stardom, and problems followed in the wake, including the death of her mother, whose love had anchored the young singer, as well as constant battles with weight, drugs, and alcohol. While her fans always imagined her to be rich, her personal finances collapsed due to poor management; and while many envied her, she felt completely empty inside. In the early 1980s, sustained by her marriage to music publisher Linwood Simon, Gloria took three years off and reflected upon her life. She visited churches and revisited her mother's old Bible. Discovering the world of gospel, she made a commitment to Christ that sustains her to this day.

The most comprehensive anthology of primary sources available, spanning the entire history of the American civil rights movement. A record of one of the greatest and most turbulent movements of this century, The Eyes on the Prize Civil Rights Reader is essential for anyone interested in learning how far the American civil rights movements has come and how far it has to go. Included are the Supreme Court's Brown vs Board of Education decision in its entirety; speeches by Martin Luther King, Jr., and his famous "Letter from Birmingham City Jail"; an interview with Rosa Parks; selections from Malcolm X Speaks; Black Panther Bobby Seale's Seize the Time; Ralph Abernathy's controversial And the Walls Came Tumbling Down; a piece by Herman Badillo on the infamous Attica prison uprising; addresses by Harold Washington, Jesse Jackson, Nelson Mandel, and much more. “An important volume for students and professionals who wish to grasp the basic nature of the civil rights movement and how it changed America in fundamental ways.” —Aldon Morris, Northwestern University