Kenji Miyazawa (1896 1933) is one of Japan's most beloved writers and poets. He has recently become known as the unofficial poet laureate of the tsunami-stricken districts of northern Japan. Some of you may know him from his fantasy novel "Night of the Milky Way Railway" (or the anime version, "Night on the Galactic Railroad"). Others may know him from his short stories, such as "The Restaurant of Many Orders." Still others will know him from his poetry, such as "Someone who is unfazed by the rain." Some have enjoyed the anime "Spring and Chaos," which beautifully depicts the world of creativity and imagination in which he lived as a mature artist. Few in the English-speaking world, however, know the full story of his life in any detail. This is precisely the story told in "The Manga Biography of Kenji Miyazawa, Author of Night of the Milky Way Railway." From being a somewhat odd child, to his early empathy for others, to his passion for rock collecting, mountain climbing, and the beauty of nature, to his study of soil sciences and fertilizers, his awakening to fantasy literature, poetry, and music, to the devastating loss of his sister, his religious conflicts with his father, his vegetarianism, his heroic and sometime quixotic efforts to come to the aid of impoverished local farmers, and, finally, to his failing health and eventual death at the age of thirty-seven -- all this and more is graphically depicted in this marvelous manga devoted to the short but full life of Kenji Miyazawa. "Upon finishing the book, I found myself moved to tears." Michael, Goodreads "--absolutely wonderful little book." Maria Papova, brainpicker "Brief, but surprisingly complex and information-rich." Ed Sizemore, Manga Worth Reading "--essential." David Cozy, Japan Times

A tender, timeless fable about afterlife from Japan's best-loved children's writer.

Essential reading for students of Japanese society, An Introduction to Japanese Society now enters its third edition. Here, internationally renowned scholar, Yoshio Sugimoto, writes a sophisticated, yet highly readable and lucid text, using both English and Japanese sources to update and expand upon his original narrative. The book challenges the traditional notion that Japan comprises a uniform culture, and draws attention to its subcultural diversity and class competition. Covering all aspects of Japanese society, it includes chapters on class, geographical and generational variation, work, education, gender, minorities, popular culture and the establishment. This new edition features sections on: Japan's cultural capitalism; the decline of the conventional Japanese management model; the rise of the 'socially divided society' thesis; changes of government; the spread of manga, animation and Japan's popular culture overseas; and the expansion of civil society in Japan.

Collects a wide range of the early 20th century Japanese poet's verse, with an introduction examining the poet's significance and suggesting ways for contemporary readers to approach his work, and appreciations from three other poets.

Twenty years ago, animated features were widely perceived as cartoons for children. Today, though, they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan's Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day. There are key studio brands such as Disney, Pixar and Dreamworks, but there are also recognised auteur directors such as America's Brad Bird (The Incredibles) and Japan's Hayao Miyazaki (Spirited Away). Technologies such as motion-capture, used in films such as Avatar, blur the distinctions between live-action and animation. Meanwhile, lone artists such as Nina Paley (Sita Sings the Blues) and Bill Plympton (Idiots and Angels) make entire films by themselves. Blending in-depth history and criticism, 100 Animated Feature Films balances the blockbusters with local success stories from Eastern Europe to Hong Kong. There are entries on Dreamworks' Shrek, Pixar's Toy Story, and Disney's The Jungle Book, but you will also find pieces on Germany's silhouette-based The Adventures of Prince Achmed, the oldest surviving animated feature; on the thirty year production of Richard Williams' legendary opus, The Thief and the Cobbler; and on the lost work of Argentina's Quirino Cristiani, who reputedly made the first animated feature in 1917.

Kenji Miyazawa is one of modern Japan’s most beloved writers, a great poet and a strange and marvelous spinner of tales, whose sly, humorous, enchanting, and enigmatic stories bear a certain resemblance to those of his contemporary Robert Walser. John Bester’s selection and expert translation of Miyazawa’s short fiction reflects its full range from the joyful, innocent “Wildcat and the Acorns,” to the cautionary tale “The Restaurant of Many Orders,” to “The Earthgod and the Fox,” which starts out whimsically before taking a tragic turn. Miyazawa also had a deep connection to Japanese folklore and an intense love of the natural world. In “The Wild Pear,” what seem to be two slight nature sketches succeed in encapsulating some of the cruelty and compensations of life itself.

Edited by Roy Starrs, this collection of essays by an international group of leading Japan scholars presents new research and thinking on Japanese modernism, a topic that has been increasingly recognized in recent years to be key to an understanding of contemporary Japanese culture and society. By adopting an open, multidisciplinary, and transnational approach to this multifaceted topic, the book sheds new light both on the specific achievements and on the often-unexpected interrelationships of the writers, artists and thinkers who helped to define the Japanese version of modernism and modernity. Specific topics addressed include the literary modernism of major writers such as Akutagawa, Kawabata, Kajii, Miyazawa, and Murakami, avant-garde modernism in painting, music, theatre, and in the performance art of Yoko Ono, and the everyday modernism of popular culture and of new urban activities such as shopping and sports.