The Man Who Sold the World is a critical study of David Bowie's most inventive and influential decade, from his first hit, "Space Oddity," in 1969, to the release of the LP Scary Monsters (and Super Creeps) in 1980. Viewing the artist through the lens of his music and his many guises, the acclaimed journalist Peter Doggett offers a detailed analysis—musical, lyrical, conceptual, social—of every song Bowie wrote and recorded during that period, as well as a brilliant exploration of the development of a performer who profoundly affected popular music and the idea of stardom itself. Dissecting close to 250 songs, Doggett traces the major themes that inspired and shaped Bowie's career, from his flirtations with fascist imagery and infatuation with the occult to his pioneering creation of his alter-ego self in the character of Ziggy Stardust. What emerges is an illuminating account of how Bowie escaped his working-class London background to become a global phenomenon. The Man Who Sold the World lays bare the evolution of Bowie's various personas and unrivaled career of innovation as a musician, singer, composer, lyricist, actor, and conceptual artist. It is a fan's ultimate resource—the most rigorous and insightful assessment to date of Bowie's artistic achievement during this crucial period.

An award-winning journalist shatters the myth of Ronald Reagan

A resonant new collection on love and persistence from the author of The Big Smoke, a finalist for the National Book Award and the Pulitzer Prize The poems in Adrian Matejka's newest and fifth collection, Somebody Else Sold the World, meditate on the ways we exist in an uncontrollable world: in love and its aftermaths, in families that divide themselves, in protest-filled streets, in isolation as routines become obsolete because of lockdown orders and curfews. Somebody Else uses past and future touchstones like pop songs, love notes, and imaginary gossip to illuminate those moments of splendor that persist even in exhaustion. These poems show that there are many possibilities of brightness and hope, even in the middle of pandemics and revolutions.

We live in an age of persuasion. Leaders and institutions of every kind--public and private, large and small--must compete in the marketplace of images and messages. This has been true since the advent of mass media, from broad circulation magazines and radio through the age of television and the internet. Yet there have been very few true geniuses at the art of mass persuasion in the last century. In public relations, Edward Bernays comes to mind. In advertising, most Hall-of-Famers--J. Walter Thomson, David Ogilvy, Bill Bernbach, Bruce Barton, Ray Rubicam, and others--point to one individual as the "father" of modern advertising: Albert D. Lasker. And yet Lasker--unlike Bernays, Thomson, Ogilvy, and the others--remains an enigma. Now, Jeffrey Cruikshank and Arthur Schultz, having uncovered a treasure trove of Lasker's papers, have written a fascinating and revealing biography of one of the 20th century's most powerful, intriguing, and instructive figures. It is no exaggeration to say that Lasker created modern advertising. He was the first influential proponent of "reason why" advertising, a consumer-centered approach that skillfully melded form and content and a precursor to the "unique selling proposition" approach that today dominates the industry. More than that, he was a prominent political figure, champion of civil rights, man of extreme wealth and hobnobber with kings and maharajahs, as well as with the likes of Albert Einstein and Eleanor Roosevelt. He was also a deeply troubled man, who suffered mental collapses throughout his adult life, though was able fight through and continue his amazing creative and productive activities into later life. This is the story of a man who shaped an industry, and in many ways, shaped a century.

A comprehensive exploration of the final four decades of David Bowie’s musical career—covering every song he wrote, performed, or produced In Ashes to Ashes, the ultimate David Bowie expert offers a song-by-song retrospective of the legendary pop star's musical career from 1976 to 2016. Starting with Low, the first of Bowie's Berlin albums, and finishing with Blackstar—his final masterpiece released just days before his death in 2016—each song is annotated in depth and explored in essays that touch upon the song's creation, production, influences and impact.

From “a marvelous new voice” (Rebecca Makkai), these “extraordinarily imaginative” (Sigrid Nunez), “revelatory” (Nicole Krauss), “superb” (Kiran Desai) stories transcend borders as they render the intimate lives of people striving for connection. WINNER OF THE AJL JEWISH FICTION AWARD • FINALIST FOR THE WINGATE PRIZE The Man Who Sold Air in the Holy Land announces the arrival of a natural-born storyteller of immense talent. Warm, poignant, delightfully whimsical, Omer Friedlander’s gorgeously immersive and imaginative stories take you to the narrow limestone alleyways of Jerusalem, the desolate beauty of the Negev Desert, and the sprawling orange groves of Jaffa, with characters that spring to vivid life. A divorced con artist and his daughter sell empty bottles of “holy air” to credulous tourists; a Lebanese Scheherazade enchants three young soldiers in a bombed-out Beirut radio station; a boy daringly “rooftops” at night, climbing steel cranes in scuffed sneakers even as he reimagines the bravery of a Polish-Jewish dancer during the Holocaust; an Israeli volunteer at a West Bank checkpoint mourns the death of her son, a soldier killed in Gaza. These stories render the intimate lives of people striving for connection. They are fairy tales turned on their head by the stakes of real life, where moments of fragile intimacy mix with comedy and notes of the absurd. Told in prose of astonishing vividness that also demonstrates remarkable control and restraint, they have a universal appeal to the heart.