The story of Martiniano, The Man Who Killed the Deer, is a timeless story of Pueblo Indian sin and redemption, and of the conflict between Indian and white laws; written with a poetically charged beauty of style, a purity of conception, and a thorough understanding of Native American values.

The stunning true story of a murder that rocked the Mississippi Delta and forever shaped one author’s life and perception of home. “Mix together a bloody murder in a privileged white family, a false accusation against a Black man, a suspicious town, a sensational trial with colorful lawyers, and a punishment that didn’t fit the crime, and you have the best of southern gothic fiction. But the very best part is that the story is true.” —John Grisham In 1948, in the most stubbornly Dixiefied corner of the Jim Crow south, society matron Idella Thompson was viciously murdered in her own home: stabbed at least 150 times and left facedown in one of the bathrooms. Her daughter, Ruth Dickins, was the only other person in the house. She told authorities a Black man she didn’t recognize had fled the scene, but no evidence of the man's presence was uncovered. When Dickins herself was convicted and sentenced to life in prison, the community exploded. Petitions pleading for her release were drafted, signed, and circulated, and after only six years, the governor of Mississippi granted Ruth Dickins an indefinite suspension of her sentence and she was set free. In Deer Creek Drive, Beverly Lowry—who was ten at the time of the murder and lived mere miles from the Thompsons’ home—tells a story of white privilege that still has ramifications today, and reflects on the brutal crime, its aftermath, and the ways it clarified her own upbringing in Mississippi.

"This true story splashed all over the news on November 21, 2004. A deer hunter shot and killed six other deer hunters including a young woman. In the Blue Hills east of Rice Lake, Wisconsin, Chai Soua Vang -- caught trespassing on private property and occupying another hunter's tree stand -- became infuriated and exploded into a rampage after being tongue-lashed by the property owner. [...] Because the shooter was Hmong and the victims were white, the media reported this as racial. In actuality, race played a minor role. Cultural differences, private property rights, and a personality clash created a gripping drama"--Page 4 of cover.

In the bitter cold of 1985, two buddies embark on a hunting trip from suburban Detroit to rural Michigan, unaware they would soon become the hunted. Darker than Night tells the chilling true story of the mystery that haunted a community and baffled the police for two decades. The eerie silence surrounding their sudden disappearance is broken after nearly two decades when a relentless investigator inspires a terrified witness to break her silence. The witness narrates a haunting scene that had unfolded years back, pointing fingers at the prime suspects–the Duvall brothers. With no bodies unearthed, the justice system is riveted by the startling revelations during an electrifying trial in 2003. The brothers, Raymond and Donald Duvall, had bragged about the murders, evocatively explaining how they dismembered their victims and fed them to pigs. Despite the shocking confession, the case holds its ground purely on a single witness's account, taking the courtroom through a labyrinth of dark secrets and sinister acts. This gripping thriller presents a vivid tale of crime that reveals the devastating power of evil.

Originally published in 1941, An Apache Life-Way remains one of the most important and innovative studies of southwestern Native Americans, drawing upon a rich and invaluable body of data gathered by the ethnographer Morris Edward Opler during the 1930s. Blending the analysis of individual Apache lives with the analysis of their culture, this landmark study tells of the ceremonies, religious beliefs, social life, and economy of the Chiricahua Apache. Opler traces, in fascinating detail, how a person “becomes an Apache,” beginning with conception, moving through puberty rites, marriage, and the various religious, domestic, and military duties and experiences of adulthood, and concluding with the rites and beliefs surrounding death.

Guess what -- Gary Paulsen was being kind to Brian. In Guts, Gary tells the real stories behind the Brian books, the stories of the adventures that inspired him to write Brian Robeson's story: working as an emergency volunteer; the death that inspired the pilot's death in Hatchet; plane crashes he has seen and near-misses of his own. He describes how he made his own bows and arrows, and takes readers on his first hunting trips, showing the wonder and solace of nature along with his hilarious mishaps and mistakes. He shares special memories, such as the night he attracted every mosquito in the county, or how he met the moose with a sense of humor, and the moose who made it personal. There's a handy chapter on "Eating Eyeballs and Guts or Starving: The Fine Art of Wilderness Nutrition." Recipes included. Readers may wonder how Gary Paulsen survived to write all of his books -- well, it took guts.