In You Know Who Killed Me, by multiple award-winning author Loren D. Estleman, Amos Walker is at low ebb. Just released from a rehab clinic, the Detroit private detective has to marshal his energies to help solve a murder in Iroquois Heights, his least favorite town. The area is flooded with billboards rented by the widow of Donald Gates, an ordinary suburbanite found shot to death in his basement on New Year's Eve: "YOU KNOW WHO KILLED ME!" they read, above the number of the sheriff's tip line. Complicating matters is a $10,000 reward for information leading to the arrest and conviction of the murderer, offered by an anonymous donor through the dead man's place of worship. Initially hired by the sheriff's department to run down anonymous tips, Walker investigates further. The trail leads to former fellow employee Yuri Yako, a Ukrainian mobster, relocated to the area through the U.S. Marshals' Witness Protection Program. Shadowed by government operatives, at odds with the sheriff, and struggling with his addiction, Walker soldiers on, in spite of bodies piling up and the fact that almost everyone involved with the case is lying to him. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

To all hearts, especially the disillusioned ones.She has no idea what she is looking for, she barely knows who she is, so when he comes, she can't grasp what she finds. Flawed declarations of love, empty promises, full-mouthed pretenses, among other things, many stinging contradictions-Clarissa has to face them all. The man she loves sharpens feelings eclipsed deep within her bosom. Between them: a history of blushed gazes, long telephonic exchanges, and, with blissful pain, unforgettable orgasms. Clarissa struggles with understanding her individuality, sometimes, expressing her sexuality at will, accepting his absences, and lightly waiting for the possibility of shared moments of theirs. In this trying journey, she's a drop in the ocean that is he, and it is in it that she loses herself over and over. With every one of his comings and goings, she is forced to figure out whether he is what she feels or what she knows to be true. To her ill-luck, her happy ending may also be tied to the death of her greatest love. She believes that the demise of all that ever wronged her will allow her to reclaim her identity and restart.

In the 100 days of genocide that ravaged Rwanda in 1994, one million people were killed and as many as 500,000 women and girls were raped. No one was spared. Grandmothers were raped in front of their grandchildren; young girls witnessed their families being massacred before being taken as sex slaves. Nearly all the women who survived were victims of sexual violence or were profoundly affected by it. An astounding 70 percent are HIV-positive. In Rwanda’s social and cultural climate, survivors who speak out face discrimination and isolation. The Men Who Killed Me features testimonials from 17 Rwandan survivors. Through their narratives and Samer Muscati’s powerful portraits of them, these 16 women and one man bear witness not only to the crimes they and their countrymen endured, but to the incredible courage that has allowed them to survive and flourish.

The classic graphic novel collaboration from the minds behind LADY KILLER returns in a new softcover format! Antonio Mercer is a private eye by trade, a man bad luck seems to follow, as evidenced by his newest client—the sister of his former lover, Julie Roman, who's now disappeared. And Julie's sister, Jessica, is a real piece of work. Still, Mercer takes the case, getting entangled in the same family drama that drove him away. Well, maybe not exactly the same, because the Romans have made some... unsavory connections. As the bodies start piling up, Mercer has no choice but to see the case through to its end—or become one of its casualties.

This bracing new nonfiction book by the young superstar E´douard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father This bracing new nonfiction book by the young superstar Édouard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father. Who Killed My Father rips into France’s long neglect of the working class and its overt contempt for the poor, accusing the complacent French—at the minimum—of negligent homicide. The author goes to visit the ugly gray town of his childhood to see his dying father, barely fifty years old, who can hardly walk or breathe:“You belong to the category of humans whom politics consigns to an early death.” It’s as simple as that. But hand in hand with searing, specific denunciations are tender passages of a love between father and son, once damaged by shame, poverty and homophobia. Yet tenderness reconciles them, even as the state is killing off his father. Louis goes after the French system with bare knuckles but turns to his long-alienated father with open arms: this passionate combination makes Who Killed My Father a heartbreaking book.

Born a slave in the antebellum South, Oney has spent the last century trying to make the world a better place. It isn’t easy and it’s a calling that often requires the killing of her own kind. That’s fine. She’ll do whatever it takes to keep the people around her safe. But when horrors from her past threaten to destroy her future, Oney is forced back to the once place she never wanted to see again. Home. Previously released as Home Is Where Death Is, this is a novelette of 9000 words.

Paul Vanderman could be at any normal high school where bullies, girls, and annoying teachers are just part of life. But “normal” doesn’t apply when it comes to the school’s biggest bully, Roth—a twisted and threatening thug with an evil agenda. When Paul ends up delivering a message from Roth to the leader of a gang at a nearby school, it fuels a rivalry with immediate consequences. Paul attempts to distance himself from the feud, but somehow Roth keeps finding reasons for him to stick around. Then one day Roth hands him a knife. And even though Paul is scared, he has never felt so powerful.