The story of the twentieth century's greatest unsung scientific hero, Nikola Tesla, the uncredited inventor of electric light, radio and hydro-electric power. His life was perhaps as intriguing for its extraordinary commercial disasters and painful obscurity as for the remarkable discoveries he made.

Everybody knows that Thomas Edison devised electric light and domestic electricity supplies, that Guglielmo Marconi thought up radio and George Westinghouse built the world's first hydro-electric power station. Everybody knows these 'facts' but they are wrong. The man who dreamt up these things also invented, inter-alia, the fluorescent light, seismology, a worldwide data communications network and a mechanical laxative. His name was Nikola Tesla, a Serbian-American scientist, and his is without doubt this century's greatest unsung scientific hero. His life story is an extraordinary series of scientific triumphs followed by a catalog of personal disasters. Perpetually unlucky and exploited by everyone around him, credit for Tesla's work was appropriated by several of the West's most famous entrepreneurs: Edison, Westinghouse and Marconi among them. After his death, information about Tesla was deliberately suppressed by the FBI. Using Tesla's own writings, contemporary records, court transcripts and recently released FBI files, The Man who Invented the Twentieth Century pieces together for the first time the true extent of Tesla's scientific genius and tells the amazing tale of how his name came to be so widely forgotten. Nikola Tesla is the engineer who gave his name to the unit of magnetic flux. The Man Who Invented the Twentieth Century. Robert's biography of his childhood hero was launched at the 1999 Orkney Science Festival, where Robert gave a talk on Tesla in conjunction with Andrej Detela from the Department of Low and Medium Energy Physics at the Jozef Stefan Institute in Ljubijana, Slovenia. Reviews Robert Gaitskell, a vice-president of the Institution of Electrical Engineers, writing in the Times Higher Education Supplement, said: "Robert Lomas is to be congratulated on an easy-to-read life of a tortured genius. The book not only takes takes us through the roller-coaster fortunes of Tesla, but also has well-constructed chapters on the history of electrical research and on lighting. Although dealing at times, with difficult technical concepts, it never succumbs to jargon and remains intelligible to the informed lay-person throughout. Every scientist or engineer would enjoy this tale of errant brilliance, and a younger student would be enthused towards a research career." Angus Clarke, writing in the Times Metro Magazine said: "Nikola Tesla is the forgotten genius of electricity. He invented or laid the groundwork for many things we take for granted today including alternating current, radio, fax and e-mail. A Croatian immigrant to America in 1884 Tesla combined genius with gaping character flaws and an uncanny ability to be ripped off by everyone. This is scientific popularisation at its most readable." Engineering and Technology Magazine said: "This book is fun, which is not something one often says about engineering books...Tesla is most widely known for the magnetic unit that bears his name, but sadly little else. This book is a thoroughly entertaining way of correcting that injustice, a must for engineers, especially electrical ones."

If you want to learn about one of history’s most fascinating minds and uncover some of his secrets of imagination—secrets that enabled him to invent machines light years ahead of his time and literally bring light to the world—then you want to read this book. Imagination amplifies and colors every other element of genius, and unlocks our potential for understanding and ability. It’s no coincidence that geniuses not only dare to dream of the impossible for their work, but do the same for their lives. They’re audacious enough to think that they’re not just ordinary players. Few stories better illustrate this better than the life of the father of the modern world, a man of legendary imaginative power and wonder: Nikola Tesla. In this book, you’ll be taken on a whirlwind journey through Tesla’s life and work, and not only learn about the successes and mistakes of one of history’s greatest inventors, but also how to look at the world in a different, more imaginative way. Read this book now and learn lessons from Nikola Tesla on why imagination is so vital to awakening your inner genius, and insights into the real “secret” to creativity, as explained by people like Jobs, Picasso, Dali, and Twain.

An account of Henry Ford and his invention of the Model-T, the machine that defined twentieth-century America.

This collection of essays challenges the notion that Japan's present cultural identity is the simple legacy of its pre-modern and insular past. Scholars examine "age-old" Japanese cultural practices and show these to be largely creations of the modern era.

Regarded as the second most important book to come out of Nazi Germany, Alfred Rosenberg's Der Mythus des zwanzigsten Jahrhunderts is a philosophical and political map which outlines the ideological background to the Nazi Party and maps out how that party viewed society, other races, social ordering, religion, art, aesthetics and the structure of the state. The "Mythus" to which Rosenberg (who was also editor of the Nazi Party newspaper) refers was the concept of blood, which, according to the preface, "unchains the racial world-revolution." Rosenberg's no-hold barred depiction of the history of Christianity earned it the accusation that it was anti-Christian, and that unjustified controversy overshadowed the most interesting sections of the book which deal with the world racial situation and the demand for racially homogenous states as the only method to preserve individual world cultures. Rosenberg was hanged at Nuremberg on charges of "waging wars of aggression" even though he had never served in the military, and it is likely that he was hanged purely because of this book. Contents Preface Book One: The Conflict of Values Chapter I. Race and Race Soul Chapter II. Love and Honour Chapter III. Mysticism and Action Book Two: Nature of Germanic Art Chapter I. Racial Aesthetics Chapter II. Will And Instinct Chapter III. Personality And Style Chapter IV. The Aesthetic Will Book Three: The Coming Reich Chapter I. Myth And Type Chapter II. The State And The Sexes Chapter III. Folk And State Chapter IV. Nordic German Law Chapter V. Church And School Chapter VI. A New System Of State Chapter VII. The Essential Unit

Greil Marcus, author of Mystery Train, widely acclaimed as the best book ever written about America as seen through its music, began work on this new book out of a fascination with the Sex Pistols: that scandalous antimusical group, invented in London in 1975 and dead within two years, which sparked the emergence of the culture called punk. âeoeI am an antichrist!âe shouted singer Johnny Rottenâe"where in the world of pop music did that come from? Looking for an answer, with a high sense of the drama of the journey, Marcus takes us down the dark paths of counterhistory, a route of blasphemy, adventure, and surprise.This is no mere search for cultural antecedents. Instead, what Marcus so brilliantly shows is that various kinds of angry, absolute demandsâe"demands on society, art, and all the governing structures of everyday lifeâe"seem to be coded in phrases, images, and actions passed on invisibly, but inevitably, by people quite unaware of each other. Marcus lets us hear strange yet familiar voices: of such heretics as the Brethren of the Free Spirit in medieval Europe and the Ranters in seventeenth-century England; the dadaists in Zurich in 1916 and Berlin in 1918, wearing death masks, chanting glossolalia; one Michel Mourre, who in 1950 took over Easter Mass at Notre-Dame to proclaim the death of God; the Lettrist International and the Situationist International, small groups of Parisâe"based artists and writers surrounding Guy Debord, who produced blank-screen films, prophetic graffiti, and perhaps the most provocative social criticism of the 1950s and âe(tm)60s; the rioting students and workers of May âe(tm)68, scrawling cryptic slogans on city walls and bringing France to a halt; the Sex Pistols in London, recording the savage âeoeAnarchy in the U.K.âe and âeoeGod Save the Queen.âe Although the Sex Pistols shape the beginning and the end of the story, Lipstick Traces is not a book about music; it is about a common voice, discovered and transmitted in many forms. Working from scores of previously unexamined and untranslated essays, manifestos, and filmscripts, from old photographs, dada sound poetry, punk songs, collages, and classic texts from Marx to Henri Lefebvre, Marcus takes us deep behind the acknowledged events of our era, into a hidden tradition of moments that would seem imaginary except for the fact that they are real: a tradition of shared utopias, solitary refusals, impossible demands, and unexplained disappearances. Written with grace and force, humor and an insistent sense of tragedy and danger, Lipstick Traces tells a story as disruptive and compelling as the century itself.