Newbery Medal–winning author Paula Fox’s gripping and sensitive portrayal of a teenage girl who discovers her father is not the man she thought he was. Catherine Ames’s father, Harry, has always been a mystery. Her parents divorced when she was three, and she has spent most of her life in a Montreal boarding school. When Harry suggests a month-long stay with him at his summer cabin in Nova Scotia, Catherine is thrilled. Finally she’ll have the kind of relationship with her father that other girls at school have with theirs. But the bright summer quickly darkens. Harry drinks—a lot. The more Catherine witnesses his drinking, the more she begins to hate him. Only, Catherine can’t help but love him too. A travel writer with a poet’s tongue, Harry is clever and exciting, and tells wonderful stories—until he drinks again, and the playful father that takes her on picnics becomes someone dark and frightening. How can the man she grew up wishing to be close to seem so far away? And how can Catherine bring him back to her? A School Library Journal Best Book of the Year, The Moonlight Man is a lyrical and emotional account of love, acceptance, and the difficult lessons of growing up.

In the second novel in her bestselling Edilean trilogy, Jude Deveraux returns to the idyllic Virginia town where three best girlfriends joyfully reunite as they each seek out their heartfelt dreams and desires. Kim Aldredge is delighted that her dear college "sister" Jecca has found lasting love with Kim's cousin Tristan. But despite her flourishing jewelry-making career, Kim's own happiness seems as distant as the childhood summer when she played the hours away with young Travis Merritt, who came to Edilean with his mother under mysterious circumstances. At the end of that innocent season, he promised Kim he would return one day . . . and then vanished without even a goodbye. Years later, a worn photo is Kim's only proof of the perfect joy they shared. But when she least expects it, Travis, now a savvy Manhattan attorney, will crash into her life once more. Will Kim see the boy she knew under the man he's become?

The sensational true story of George Dinning, a freed slave, who in 1899 joined forces with a Confederate war hero in search of justice in the Jim Crow south. “Taut and tense. Inspiring and terrifying in its timelessness.”(Colson Whitehead, Pulitzer Prize-winning author of The Underground Railroad ) Named a most anticipated book of 2021 by O, The Oprah Magazine Named a "must-read" by the Chicago Review of Books One of CNN's most anticipated books of 2021 After moonrise on the cold night of January 21, 1897, a mob of twenty-five white men gathered in a patch of woods near Big Road in southwestern Simpson County, Kentucky. Half carried rifles and shotguns, and a few tucked pistols in their pants. Their target was George Dinning, a freed slave who'd farmed peacefully in the area for 14 years, and who had been wrongfully accused of stealing livestock from a neighboring farm. When the mob began firing through the doors and windows of Dinning's home, he fired back in self-defense, shooting and killing the son of a wealthy Kentucky family. So began one of the strangest legal episodes in American history — one that ended with Dinning becoming the first Black man in America to win damages after a wrongful murder conviction. Drawing on a wealth of never-before-published material, bestselling author and Pulitzer Prize finalist Ben Montgomery resurrects this dramatic but largely forgotten story, and the unusual convergence of characters — among them a Confederate war hero-turned-lawyer named Bennett H. Young, Kentucky governor William O'Connell Bradley, and George Dinning himself — that allowed this unlikely story of justice to unfold in a time and place where justice was all too rare.

Director and screenwriter Michael Mann is the creative force behind such movies as Last of the Mohicans and Ali. Markedly reticent, Mann prefers that his personal background remain an enigma, but his disparate films contain clear and consistent messages. One of Mann's focuses is on the Information Age. He addresses the nature of modern communication, its use to manipulate and coerce, and the resultant subjugation of truth. The perils inherent in modern technology and communication stand in stark contrast to the power of symbolic and oral exchange, the trusted medium of Mann's protagonists. This critical exploration of the films of Michael Mann examines his recurring focus on the nature of modern communication and information and their effect on the individual and society. Mann's films highlight the struggle to maintain a connection to reality in a world where information is a commodity manipulated and abused by forces that exert increasing control over its content and dissemination. Each chapter examines one of Mann's films--including Manhunter, The Keep, Last of the Mohicans, The Insider and Ali--in which the protagonist longs for a sense of human connection but is pitted against forces that devalue and destroy individuality. Photographs illustrate specific moments from the films. A bibliography and an index are included.

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic clichés, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture—from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover—Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.

When Denis O'Connor rescues a three-week-old kitten from certain death during a snowstorm, little does he know how this tiny creature will change his life forever. Against all odds the kitten - who he names Toby Jug - survives and forms an unusually strong bond with his rescuer. Set against the rural splendour of Northumberland, Paw Tracks in the Moonlight charmingly chronicles the adventures of one man and his Maine Coone cat. From an invasion of bees at Owl Cottage to the case of the disappearing tomatoes, life with Toby Jug - who believes himself to be human - is never dull. Nevertheless, it is only when Denis and Toby Jug embark on a summer camping trip on horseback in the Cheviot Hills that a new world opens up for them both.