SOME SECRETS REFUSE TO STAY BURIED In the dark and silent halls of a defunct secret government facility, buried deep in the mountains surrounding Los Lunas, New Mexico, Dr. Clara Rivers—a civilian consultant and agent for a fledgling Federal task force—has been abducted. Imprisoned in the pitch black of The Pit, she fights to survive, while hunted by the Comrade—the man below. Somehow tied to the abduction is the mysterious Decalogue Stone—an ancient, carved rock bearing an impossible message. Archaeologist and FBI consultant Dr. Dan Kotler is asked to assist in finding the lost agent. And joining him, hiding in plain sight from the very people who are pursing her, is the fugitive Alex Kayne. Together, using their wits and genius, as well as Kayne's incredible QuIEK technology, they race along side the FBI to find the missing woman and stop the plans of a psychotic madman. THE FIRST CROSSOVER FOR DAN KOTLER AND ALEX KAYNE MAY BE THEIR LAST An Historic Crimes Crossover event! Kevin Tumlinson's Dan Kotler Archaeological thrillers and Quake Runner: Alex Kayne Thrillers.

We are all born with a destiny to fulfill-a journey that gives our life meaning and purpose. This man embarks on that journey that seems easy. The hard part? Is knowing who to trust.

Traditional historical documentaries strive to project a sense of objectivity, producing a top-down view of history that focuses on public events and personalities. In recent decades, in line with historiographical trends advocating “history from below,” a different type of historical documentary has emerged, focusing on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrén Cuevas categorizes these films as “microhistorical documentaries” and examines how they push cinema’s capacity as a producer of historical knowledge in new directions. Cuevas pinpoints the key features of these documentaries, identifying their parallels with written microhistory: a reduced scale of observation, a central role given to human agency, a conjectural approach to the use of archival sources, and a reliance on narrative structures. Microhistorical documentaries also use tools specific to film to underscore the affective dimension of historical narratives, often incorporating autobiographical and essayistic perspectives, and highlighting the role of the protagonists’ personal memories in the reconstruction of the past. These films generally draw from family archives, with an emphasis on snapshots and home movies. Filming History from Below examines works including Péter Forgács’s films dealing with the Holocaust such as The Maelstrom and Free Fall; documentaries about the Israeli-Palestinian conflict; Rithy Panh’s work on the Cambodian genocide; films about the internment of Japanese Americans during the Second World War such as A Family Gathering and History and Memory; and Jonas Mekas’s chronicle of migration in his diary film Lost, Lost, Lost.