A stellar collection of short fantasy fiction from authors who have made an impact over the last decade, along with some bestselling favourites. These stories of life-and-death struggles and magical force, used for good and evil, by Elizabeth Bear, Jay Lake, Tanith Lee, K. J. Parker, Carrie Vaughn and many others provide thrills and entertainment aplenty.

A bumper collection of the most outrageous, but absolutely true, news stories.

Dieselpunk: an emerging retro-futuristic sub-genre, similar to steampunk, based on the era between the First World War and the start of the Atomic Age, merging elements of noir, pulp, and the past with today’s technology . . . and sometimes a dash of the occult. Award-winning editor Wallace presents a cutting-edge collection of twenty-five vibrant stories that explore the possibilities of history while sweeping readers into high-powered hydrocarbon-fuelled adventures. Join us in an era when engines were huge, fuel was cheap and plentiful, and steel and chrome blended with the grit and grease of modern machines. Praise for The Mammoth Book of Steampunk: 'World Fantasy Award-winning editor Wallace has compiled an outstanding anthology . . . sure to satisfy even the most jaded steampunk fans and engage newcomers and skeptics. Each story exemplifies steampunk’s knack for critiquing both the past and the present, in a superb anthology that demands rereading.' Publishers Weekly

Giant monsters whose every roar and footstep shakes the earth, whose simple stroll through a city wreaks havoc: KAIJU! And even though humankind has never really seen such monsters - we tremble at the thought of them and love to shiver as their screen versions make mayhem: the beast from twenty-thousand fathoms, Godzilla demolishing Tokyo, the massive creature in Cloverfield destroying New York, all of Earth warring with the colossal monsters in Pacific Rim. Now, for the first time, a definitive anthology that gathers a wide range of larger-than-life short fiction with creatures that run a gargantuan gamut: the stealthy gabbleduck of Neal Asher's Polity universe; Gary McMahon's huge sea-born terror; An Owomoyela 's incredibly tall alien invaders; Frank Wu's city-razing, eighty-foot-high, fire-breathing lizard; Lavie Tidhar's titanic ship-devouring monstrosity; a really big Midwest US smackdown related by Jeremiah Tolbert . . . and many more mega-monster stories to feed your need for killer kaiju! With an introduction by Robert Hood, co-editor of the groundbreaking, Ditmar Award-winning Daikaiju: Giant Monster Tales and host of Undead Backbrain, the premier website for matters relating to giant monsters.

Jack is an apprentice bard and just beginning to learn the secrets of his mysterious master, when he and his little sister are captured by Viking chief, Olaf One-Brow, and taken to the court of Ivar the Boneless. Ivar is married to a half-troll named Frith, an evil and unpredictable queen with a strange power over her husband's court. Jack is sent on to the kingdom of the trolls, where he has to find the magical well and undo the charm he has cast on Frith. He is accompanied by Thorgill, a shield maiden, aged 12, who wants to be a berserker when she grows up. Together, they are set for a magical and exciting adventure.

Rather than providing a dictionary of superstitions, of which there are already numerous excellent, exhaustive and, in many cases, academic works which list superstitions from A to Z, Bainton gives us an entertaining flight over the terrain, landing from time to time in more thought-provoking areas. He offers an overview of humanity's often illogical and irrational persistence in seeking good luck and avoiding misfortune. While Steve Roud's two excellent books - The Penguin Dictionary of Superstitions and his Pocket Guide - and Philippa Waring's 1970 Dictionary concentrate on the British Isles, Bainton casts his net much wider. There are many origins which warrant the full back story, such as Friday the thirteenth and the Knights Templar, or the demonisation of the domestic cat resulting in 'cat holocausts' throughout Europe led by the Popes and the Inquisition. The whole is presented as a comprehensive, entertaining narrative flow, though it is, of course, a book that could be dipped into, and includes a thorough bibliography. Schoenberg, who developed the twelve-tone technique in music, was a notorious triskaidekaphobe. When the title of his opera Moses und Aaron resulted in a title with thirteen letters, he renamed it Moses und Aron. He believed he would die in his seventy-sixth year (7 + 6 = 13) and he was correct; he also died on Friday the thirteenth at thirteen minutes before midnight. As Sigmund Freud wrote, 'Superstition is in large part the expectation of trouble; and a person who has harboured frequent evil wishes against others, but has been brought up to be good and has therefore repressed such wishes into the unconscious, will be especially ready to expect punishment for his unconscious wickedness in the form of trouble threatening him from without.'

For more than 80 years H. P. Lovecraft has inspired writers of horror and supernatural fiction with his dark vision of humankind's insignificant place in a vast, uncaring cosmos. At the time of his death in 1937, Lovecraft was virtually unknown, but from early cult status his readership expanded exponentially; his nightmarish visions laying down roots in the collective imagination of his readers. Now this master of the macabre is accepted as part of the literary mainstream, as an American author of note, and the impact of his work on modern popular culture - in literature, film, television, music, the graphic arts, gaming and theatre - has been profound. As Stephen King wrote in Danse Macabre, the shadow of H. P. Lovecraft 'underlies almost all of the important horror fiction that has come since.' Today, Lovecraft's themes of cosmic indifference, the utter insignificance of humankind, minds invaded by the alien, and the horrors of history remain not only viable motifs for modern speculative fiction, but are more relevant than ever as we explore the mysteries of a universe in which our planet is infinitesimal. This outstanding anthology of original stories - from both established award-winning authors and exciting new voices - collects tales of cosmic horror inspired by Lovecraft from authors who do not merely imitate, but reimagine, re-energize, and renew the best of his concepts in ways relevant to today's readers, to create fresh new fiction that explores our modern fears and nightmares. From the depths of R'lyeh to the heights of the Mountains of Madness, some of today's best weird fiction writers traverse terrain created by Lovecraft and create new eldritch geographies to explore . . . With stories by: Laird Barron, Nadia Bulkin, Amanda Downum, Ruthanna Emrys, Richard Gavin, Lois H. Gresh, Lisa L. Hannett, Brian Hodge, Caitlín R. Kiernan, John Langan, Yoon Ha Lee, Usman T. Malik, Helen Marshall, Silvia Moreno, Norman Partridge, W. H. Pugmire, Veronica Schanoes, Michael Shea, John Shirley, Simon Strantzas, Sandra McDonald, Damien Angelica Walters, Don Webb, Michael Wehunt and A.C. Wise Praise for the editor: 'For fans of Lovecraftian fiction and well-wrought horror' - Library Journal 'Guran smartly selects stories that evoke the spirit of Lovecraft's work without mimicking its style.' - Publishers Weekly 'It's a pretty impressive line-up, with nary a clunker to be found. . . . You don't have to be a Lovecraft fan to enjoy this anthology... You'll find alienation, inhumanity, desperation, cruelty, insanity, hopelessness and despair, all set against the backdrop of a vast, unknowable universe filled with vile, indifferent monstrosities. You'll also find beauty, hope, redemption, and the struggle for survival. What more can you ask for?' - Tor.com 'I highly recommend this collection... If you have even the slightest interest in contemporary horror fiction, you'll want to try this one on for size!' - BookGuide