News from the year at Malvern College

The Malvern College termly magazine of news from the College

The general perception of the west midlands region in the Roman period is that it was a backwater compared to the militarized frontier zone of the north, or the south of Britain where Roman culture took root early – in cities like Colchester, London ,and St Albans – and lingered late at cities like Cirencester and Bath with their rich, late Roman villa culture. The west midlands region captures the transition between these two areas of the ‘military’ north and ‘civilized’ south. Where it differed, and why, are important questions in understanding the regional diversity of Roman Britain. They are addressed by this volume which details the archaeology of the Roman period for each of the modern counties of the region, written by local experts who are or have been responsible for the management and exploration of their respective counties. These are placed alongside more thematic takes on elements of Roman culture, including the Roman Army, pottery, coins and religion. Lastly, an overview is taken of the important transitional period of the fifth and sixth centuries. Each paper provides both a developed review of the existing state of knowledge and understanding of the key characteristics of the subject area and details a set of research objectives for the future, immediate and long-term, that will contribute to our evolving understanding of Roman Britain. This is the third volume in a series – The Making of the West Midlands – that explores the archaeology of the English west midlands region from the Lower Palaeolithic onwards.

THE TIMES ART BOOK OF THE YEAR Named one of The Irish Times' Books of the Year for 2021 A compelling and comprehensive look at the life and art of Francis Bacon, one of the iconic painters of the twentieth century—from the Pulitzer Prize-winning authors of de Kooning: An American Master. This intimate study of the singularly private, darkly funny, eruptive man and his extraordinary art “is bejeweled with sensuous detail … the iconoclastic charm of the artist keeps the pages turning” (The Washington Post). “A definitive life of Francis Bacon ... Stevens and Swan are vivid scene setters ... Francis Bacon does justice to the contradictions of both the man and the art.” —The Boston Globe Francis Bacon created an indelible image of mankind in modern times, and played an outsized role in both twentieth century art and life—from his public emergence with his legendary Triptych 1944 (its images "so unrelievedly awful" that people fled the gallery), to his death in Madrid in 1992. Bacon was a witty free spirit and unabashed homosexual at a time when many others remained closeted, and his exploits were as unforgettable as his images. He moved among the worlds of London's Soho and East End, the literary salons of London and Paris, and the homosexual life of Tangier. Through hundreds of interviews, and extensive new research, the authors probe Bacon's childhood in Ireland (he earned his father's lasting disdain because his asthma prevented him from hunting); his increasingly open homosexuality; his early design career—never before explored in detail; the formation of his vision; his early failure as an artist; his uneasy relationship with American abstract art; and his improbable late emergence onto the international stage as one of the great visionaries of the twentieth century. In all, Francis Bacon: Revelations gives us a more complete and nuanced--and more international--portrait than ever before of this singularly private, darkly funny, eruptive man and his equally eruptive, extraordinary art. Bacon was not just an influential artist, he helped remake the twentieth-century figure.

How did ordinary citizens become soldiers during the First World War, and how did they cope with the extraordinary challenges they confronted on the Western Front? These are questions Ian Isherwood seeks to answer in this absorbing and deeply researched study of the actions and experiences of an infantry battalion throughout the conflict. His work gives us a vivid impression of the reality of war for these volunteers and an insight into the motivation that kept them fighting. The narrative traces the history of the 8th Battalion The Queen’s (Royal West Surrey Regiment), a Kitchener battalion raised in 1914. The letters, memoirs and diaries of the men of the battalion, in particular the correspondence of their commanding officer, reveal in fascinating detail what wartime life was like for this group of men. It includes vivid accounts of the major battles in which they were involved – Loos, the Somme, Passchendaele, the German Spring Offensive, and the final 100 Days campaign. The battalion took heavy losses, yet those who survived continued to fight and took great pride in their service, an attitude that is at odds with much of the popular perception of the Great War. Ian Isherwood brings in the latest research on military thinking and learning, on emotional resilience, and cultural history to tell their story.

The Politics of Authenticating: Revisiting New Orleans Jazz sets forth an entirely new approach to the study of authenticity, based not upon a search for finding the ‘true’ meaning of the concept or ‘unmasking’ its claims. Rather, it details a grounded theory of ‘authenticating’ as a basic socio-political process, important in understanding the origins, development and consequences of competing knowledge claims in diverse areas of human experience and activity over time and place. The book is part jazz historiography, part autoethnography, and part memoir. It details Richard Ekins revisiting of the quest for authenticity in the social worlds of international New Orleans revivalist jazz from the early 1960s onwards, from his standpoint as a social constructionist social scientist and cultural theorist. The book grew out of a series of long, detailed conversations between Ekins and his interlocutor (Robert Porter) and captures the energy and dynamism of these exchanges in the writing of the text, providing what the authors call a ‘riff methodology’ that might be drawn on by other scholars concerned to write books that revisit aspects of their personal and professional lives.

Published in 1854, this important illustrated work synthesised the latest research on the Silurian geological period.