"What!?" Waiting for the male contestants? " What a scam! Being a male concubine was a technical job, and the most important thing was to tightly hug the big legs. (_) * [Small amount of palace fights, levelling up, establishment, and strength] "I would like to request a recommendation vote, and also request for a collection of 'The Transmigration of Men' for my eyes."

Requirements for being a royal consort: 1) Exemplify purity. 2) Pass all demanding tests. 3) Gracefully withstand petty backstabbing. 4) Be chaste. Very chaste. Check to all! Chen Ji Yue is on her way to empress superstardom in nineteenth-century China. She only has to vanquish 300 rivals to bring her family great honor. Oh, and she may not find the deliciously sexy Sun Bo Tao—the emperor's best friend—at all delicious. Or sexy. Damn. Ji Yue is in big trouble. Because Bo Tao is definitely very sexy…. And Ji Yue is about to discover that chastity is overrated….

Popular and academic representations of the free mulatta concubine repeatedly depict women of mixed black African and white racial descent as defined by their sexual attachment to white men, and thus they offer evidence of the means to and dimensions of their freedom within Atlantic slave societies. In The Mulatta Concubine, Lisa Ze Winters contends that the uniformity of these representations conceals the figure’s centrality to the practices and production of diaspora. Beginning with a meditation on what captive black subjects may have seen and remembered when encountering free women of color living in slave ports, the book traces the echo of the free mulatta concubine across the physical and imaginative landscapes of three Atlantic sites: Gorée Island, New Orleans, and Saint Domingue (Haiti). Ze Winters mines an archive that includes a 1789 political petition by free men of color, a 1737 letter by a free black mother on behalf of her daughter, antebellum newspaper reports, travelers’ narratives, ethnographies, and Haitian Vodou iconography. Attentive to the tenuousness of freedom, Ze Winters argues that the concubine figure’s manifestation as both historical subject and African diasporic goddess indicates her centrality to understanding how free and enslaved black subjects performed gender, theorized race and freedom, and produced their own diasporic identities.

From streetwalkers in the Roman Forum to imperial concubines, Roman prostitutes defined what it meant to be a 'bad girl'.

Taken from her people. Claimed by an alpha. Forced into a new life. In a time before tools of metal and houses of wood, tooth and claw rule the wild places of the world. The Moon People have been enemies to Netya's kind for as long as the stars can remember. They are monsters, demons, men and women who take the shapes of beasts. The murderers of her father. An outsider taken as a prize by the pack, Netya must overcome suspicion, rivalry, and the division of her own heart as she grows to realise that monsters wear many different faces. Among the Moon People she uncovers the potential of a life she never knew existed. The chance for a woman to become something more than a prize, or a mother, or a concubine. But as the alpha and others vie for her heart, the powerful huntress Vaya seeks to purge Netya from her pack. Before Netya can decide where she belongs, she must endure the trials of love, hatred, and heartbreak. The girl taken as a trophy must become a woman. 170,700 words in length. Contains explicit sexual content.

Set in a remote village in Eastern Nigeria, an area yet to be affected by European values and where society is orderly and predictable, the story concerns a woman "of great beauty and dignity" who inadvertently brings suffering and death to all her lovers. The novel portrays a society still ruled by traditional gods, offering a glimpse into the human relationships that such a society creates.

A sweeping novel set in war-torn 1928 China, with a star-crossed love story at its center. In a city full of thieves and Communists, danger and death, spirited young Lydia Ivanova has lived a hard life. Always looking over her shoulder, the sixteen-year-old must steal to feed herself and her mother, Valentina, who numbered among the Russian elite until Bolsheviks murdered most of them, including her husband. As exiles, Lydia and Valentina have learned to survive in a foreign land. Often, Lydia steals away to meet with the handsome young freedom fighter Chang An Lo. But they face danger: Chiang Kai Shek's troops are headed toward Junchow to kill Reds like Chang, who has in his possession the jewels of a tsarina, meant as a gift for the despot's wife. The young pair's all-consuming love can only bring shame and peril upon them, from both sides. Those in power will do anything to quell it. But Lydia and Chang are powerless to end it.