It's no surprise that, as he claims in his thoughtful and witty introduction, humorist Queenan (Balsamic Dreams) relished the opportunity to pore over and select the hilarious and sometimes disturbing works in this anthology. As he points out, "One of the great pleasures in reading books that are hundreds and even thousands of years old is in discovering how little the targets of the satirist have changed over the centuries." The buffoonery and sometimes depravity of such targets are on full display in this volume, which features 30 works by 19 authors and includes such classics as "A Modest Proposal," Candide, and shorter pieces by Mark Twain and Flann O'Brien. Gargantua and Pantagruel and Don Quixote rollick through brief selections as well. Queenan makes a good case for the less obvious choices rounding out the collection, notably Machiavelli's The Prince and de Sade's Justine, but he fails to link the ancient with the contemporary: the last half-century of bitter and cynical writing goes disappointingly ignored. And yet, though heavily weighted toward "classic satire," this anthology is likely the best of its kind to date. Recommended for all libraries.

Thomas Freer is a prosperous solicitor who is also the Registrar responsible for his cathedral’s legal business. His son Stephen is one of a secret group known as the core. When Stephen’s group activities land them in terrible trouble, no one guesses that the consequences will lead to a death and more.

The Malcontent by Bomani Mawuli Brace yourself. The Malcontent is explosive — it’s packed with action. This fictional story is a fascinating narrative about the continuing struggle for freedom and justice in America for black people in the 21st century. However, unlike the Civil Rights movement, the road to freedom in this book makes a hard left turn down the path towards radical politics. Despite the election and presidency of Barack Obama, some black people in America are still dissatisfied and unhappy. They know nothing about a post-racial America. They only know about racism and oppression in America. This is their American experience. John Black, the book’s main character, is one of the dissatisfied, one of the malcontents. He is a political activist who quickly finds himself in trouble with the law. Initially, he is able to escape being arrested by the police. He is a wanted man and becomes a big news story. The police and the media are in hot pursuit of John Black. While on the run, Black manages to meet with his girlfriend and some of his other friends. They give him advice and support. He has a decision to make: should he turn himself in to the police and face the consequences of his actions? Or should he keep running? In a dramatic scene, the police will help Black make up his mind.

A student edition of Marston's classic play The Malcontent is a tragicomedy deriving from the tradition of the revenge play. The verbal ingenuity of Malevole, the "malcontent", and the extravagance of the drama, push the relentlessness of intrigue to its logical conclusion, exposing the basically comic aspect of the genre. The conventional function of the climactic masque is inverted, leading to the essential resolution of the comedy. This edition comes with full commentary and notes, together with photos of Jonathan Miller's acclaimed 1973 production at the Nottingham Playhouse.

A student edition of Marston's classic play The Malcontent is a tragicomedy deriving from the tradition of the revenge play. The verbal ingenuity of Malevole, the "malcontent", and the extravagance of the drama, push the relentlessness of intrigue to its logical conclusion, exposing the basically comic aspect of the genre. The conventional function of the climactic masque is inverted, leading to the essential resolution of the comedy. This edition comes with full commentary and notes, together with photos of Jonathan Miller's acclaimed 1973 production at the Nottingham Playhouse.

What role does ritual play in the everyday lives of modern Africans? How are so-called "traditional" cultural forms deployed by people seeking empowerment in a world where "modernity" has failed to deliver on its promises? Some of the essays in Modernity and Its Malcontents address familiar anthropological issues—like witchcraft, myth, and the politics of reproduction—but treat them in fresh ways, situating them amidst the polyphonies of contemporary Africa. Others explore distinctly nontraditional subjects—among them the Nigerian popular press and soul-eating in Niger—in such a way as to confront the conceptual limits of Western social science. Together they demonstrate how ritual may be powerfuly mobilized in the making of history, present, and future. Addressing challenges posed by contemporary African realities, the authors subject such concepts as modernity, ritual, power, and history to renewed critical scrutiny. Writing about a variety of phenomena, they are united by a wish to preserve the diversity and historical specificity of local signs and practices, voices and perspectives. Their work makes a substantial and original contribution toward the historical anthropology of Africa. The contributors, all from the Africanist circle at the University of Chicago, are Adeline Masquelier, Deborah Kaspin, J. Lorand Matory, Ralph A. Austen, Andrew Apter, Misty L. Bastian, Mark Auslander, and Pamela G. Schmoll.

Georgia was the only British colony in America in which a sustained effort was made to prohibit the introduction and use of black slaves at a time when the institution of slavery was well established in the other southern colonies. In the first half of Slavery in Colonial Georgia, Betty Wood examines the reasons which prompted James Oglethorpe and the other British founders of the colony to originally ban slavery. In their concern for the manners and morals of white society, she says, they anticipated many of the arguments to be employed subsequently by the opponents of slavery on both sides of the Atlantic. The second half of the book examines the development of slavery in Georgia during the quarter century before the Revolution, with special attention on the experience of black slaves in late colonial Georgia.